This Night, This Day

In the east this morning a sliver of light. I stood at the bay and remembered:

More than five decades ago on Christmas morning before our parents were awake (or so we supposed), my siblings and I would gather before we headed down for the beginning of Christmas Day, usually in my sister’s room, to exchange gifts we had bought for each other. It would inevitably still be dark out, and I know the three of us would lay awake waiting to hear each other also awake in the other room. A tap on the door. A “come in.” And we’d sit on the floor and open our presents.

At some point (like clockwork, as much an annual tradition as the turkey or the pies), our mother would wake our father and he would exclaim, “I thought I said no one up before nine am!” and he couldn’t hide his smile to our laughter at the ludicrous suggestion we’d be up any later than five. It was always cold out during those Long Island years, and often snowy, but we weren’t going outside so it just added to the magic. Dad would be in his robe and slippers, and he’d head to the living room as we gathered on the stairs and waited for him to plug in the multi-colored lights on the tree, and those on the rail, bringing to life the otherwise dark room. Mom had, of course, already organized whatever presents we would get into separate piles, and Dad would stand back as she directed us to the right area under the branches, though sometimes it was obvious if an unwrapped toy appeared, clearly already wished for by one of us. Dad would sit on the couch and watch in joy right through the stream of “Wow, thank you Mom!” wishes.

It wouldn’t be long before the aromas of breakfast mixed with the onions and bell seasoning already underway for the stuffing, and eventually we’d need to get dressed, if not for church since we might have attended midnight mass, certainly for the droves of family who would soon fill the rooms. It was a beautiful way to grow up. I do not know the possible stresses, fears, and sacrifices that went on behind the scenes—that’s how good they were at it. Then, much later in the day, after everyone else had left and we had all settled into the routine of looking at our gifts again, Dad would emerge from some closet with his gifts for each of us—books he had personally picked out, bought, and wrapped. It remains one of my favorite memories of all of my memories of my father.

***

It was in the sixties here today along the Chesapeake, and sunny, and to be honest I’m just tired. This is one of those days each year where I’ve been up so long and have done so much that it feels like it should be six hours later than it is. My mother and sister and brother and nieces and nephew and their spouses and offspring are all off in various parts of the country preparing to celebrate their Christmases, all of us with some common traditions, each of us with our individual more recent touches to the holiday. Certainly, in times of such tumultuous anxiety throughout the world, all of us remain fortunate enough to be celebrating Christmas at all, laughing and telling stories, enjoying the food, the drinks, the sounds of football or Christmas music. We are, to be sure, at peace. Anyone with family is engulfed in traditions which help balance our lives; they bring peace to our soul while providing some shared space not only with each other but with memory, the idea of ancestry, the hope for posterity.

My father used to sit to the side for most of the holiday and enjoy being surrounded by his family. He’d carve the turkey, and of course disappear toward evening to get the books to give to us, but these days I picture him most in his chair, watching a game, sipping scotch or wine or a beer, laughing with us, waiting for Mom to call him to duty in the kitchen. He has moved on, and whatever there might be to know after this life of ours, well, he now knows, and that too brings me great peace.

It’s so quiet out tonight. Absolute peace stretched out like canvas in all directions. On the water some buffleheads ease by. Still, there are moments I wish I was somewhere else; or maybe simply some “when” else. I miss the days before society took “nearby” and “not far away” and tossed them to the strong breezes of technology and zoom. In that small house around that small table when I was a child were so many relatives it is crazy to conceive how we pulled it off. But no one cared—we were together. Everyone lived close enough to “drive over,” and by the time the turkey came out of the oven, a small crowd was sitting and standing and outside and in, laughing as well as sharing serious moments, because it was Christmas and we were together, and it was going to be like that forever.

For the day anyway.

The sun is getting low and it’s getting chilly. I’m going inside again. I bought Michael a book at a local nautical shop and I need to wrap it and “surprise” him with it later in the day tomorrow after the lift of Christmas has settled down. And he will be gracious enough to act surprised, just as I did with my father when he would predictably surprise the three of us with books half a century ago.

Geez, fifty years. More.

Hold tight to those around the table tomorrow. And when you have to let go, make sure they know you didn’t want to.

Merry Christmas my friends.

In Dreams Awake

Tonight a fox wandered along the edge of the driveway for a while, and when I went out about half an hour later, an opossum was foraging in the leaves and ran up a tree and played dead on a branch. It was kind of cute, actually, the way he just sat there probably thinking, “He can’t see me. I’m not going to move, and he can’t see me.”

Above him was a three-quarter moon, and Saturn, and Jupiter, and stars whose names I’ll never know. It’s a clear night here, upper thirties, and still, perfectly still. I sat at a table on the porch, cold, yes, but okay, and heard an owl out toward the river, and a dog somewhere. I always loved how sound travels at night, especially near water. Probably more so in an area like here where neighbors are few and far between and horse farms and plowed corn and soybean fields carpet the county from here to the Chesapeake.

One of my favorite movie scenes—in that I can relate to it I suppose—is in Thelma and Louise when they’re driving out west and a variety of shots shows Geena Davis looking at the desert, at the road, at the sun in the distance, and she turns to Susan Sarandon and says, “I’m really awake. Do you feel awake? You know, I don’t think I’ve ever felt so awake in my life.” Of course they just blew up an oil tanker, so there’s that.

But I’ve been fortunate enough to feel that way more than a few times in my life. Awake. It happens here pretty often.

From my porch I really can’t see more than trees until later in winter, but when I look north on a clear night, I can imagine the vast ocean silence stretching from here to Long Island where I picture childhood friends sitting in their living rooms watching television or just talking. Some are gone now, but some still live there, just a few miles from our old neighborhood. I’ll look south and see just over the curve of the earth, in some sort of simultaneous now, friends having drinks in Florida, and others in Georgia at their computers, writing, another near the gulf sitting on his back porch listening to a ballgame.

Mom’s asleep two hours away, my brother’s playing golf just fifty miles southwest of here, my sister five hours north is perhaps babysitting her grandson, all in their pulsating lives, right now.

Brian’s (the PA one) is having wine. Sean (the NY one) is at a movie shoot of some sort. Another Brian (FL) is doing an online reading talking about writing and dealing with loss; Sean (the Syracuse one) is somewhere in the world walking his dog; KL is trying to figure out why she’s not more German than she thought. My son is taking photos of water. The lives in my life are all present, and thinking of them reminds me I am present as well, as if they are proof, just as the geese gliding over right now are proof, or the tightness of my skin from the cool is also proof.

Someone is being born, others are dying, some are getting drunk and about to make a bad decision, someone else in some corner café drinking caffeine is about to have a great idea. Right now.

Awake.

We spend so much of our lives on autopilot. I won’t flood this folly with carpe diem quotes, except to say too many of us learn too late that life is swift, and that there is a difference between “a life” and “alive.”   We drift downstream with the current, caught up in conversations with others about the minutia, the meaningless. This isn’t to imply we shouldn’t have those interactions and focuses; it is simply a matter of balance, and there is no proof that this world is anywhere near in balance.

I’m not daft. I know I’m not pointing out anything anyone hasn’t thought of or doesn’t know. But step outside. Seriously, step away from the phone, the laptop, the television, the kids, the parents, the rest of everything that is and step outside and see what else is, and be present, be quiet.

I stood tonight and thought about where I was standing and how I got there; those times—and there have been more than a few—I thought I’d not make it through the night. Other times I didn’t want the night to end—and, thankfully, there were more than a few of those, too.

This is it. This is what keeps me going. Searching for moments of clarity, that awakeness. It can come on a mountain hike, sculling the river, or sitting quietly on the patio near the firepit on a cold night, sipping red wine, talking about the, well, the minutia, like the stars, the distant sounds, some light from a plane high above headed north, headed somewhere else. Being awake is spending time with someone with whom you don’t have to think about anything. Being awake is spending time alone and you don’t have to worry and anticipate or regret or second-guess. Being awake is akin to air; it is akin to water.

An owl just hooted here at Aerie somewhere behind me. And I can hear the diesel engine on a workboat, this late. On nights like this I swear I can hear clear across to Cape Charles on the Eastern Shore, and up toward Tangier, and up toward Montauk.

Colder weather is coming. It’s clear tonight, but clouds are moving in. Changes, constant turns and spins of expectations and wonder. Whenever I am in this state of mind, I remind myself it will inevitably change; as will the frequent moments of self-doubt. It gives me something to look forward to in moments of weakness, and, moreover, it reminds me to hold tight to the moments of such sharp clarity when I can almost feel like I understand my place among things.

The Philosophy Application: Question Six

10 schools of philosophy and why you should know them - Big Think

I applied recently to take graduate courses in Philosophy; I thought it might explain the inexplicable, or at least help me realize the greatest minds in human history haven’t got a clue either. It’s clear that depression and anxiety do not filter through the subconscious to the surface because people find the world too sad; it is because they find it too miraculous, overwhelmingly beautiful and vast and unconquerable in a dozen lifetimes, making the average 9-5 seem pointless.

So, philosophy. For fun, of course.

Application question option six (there were eight options):

What are your thoughts about our place as humans in this world in this time? Keep your answer brief.

Answer:

We don’t live then die; we don’t exist and then not. No. We find ourselves dying on a daily basis. In reality, and with respect to The Garden and other such origin theories, we start complete and lose a little as we go, like that small bozzetti of the Visitation by Tagliapietra that started as a block of terra cotta clay and ended with Elizabeth and Mary, both with child. We blow through our teens until we’re twenty when we know we’ll live forever. At thirty we think we’ll die so we open the Book of Hours to the “Office of the Dead” at night when we’re alone to prepare ourselves for the hereafter and do our best to rise above it. At least that’s the assumption.

So we leave our marks: carve our names, write our memoirs, sign the canvas, pee on trees. We look for spices and find new worlds, we avoid persecution and found religion, we speak our minds and lose our heads, we say what’s right and get left behind. We find out fast that Orwell knew in a “time of universal deceit, telling the truth becomes a revolutionary act.” We teach such a small portion of information it’s barely noticeable—but leave out that amount and life crumbles, falls, and can’t be found. It’s about proof. Of course it’s about proof. Proof of first cause, proof of the passing of time, proof we were here at all, so we take pictures to show, to recall, and to immortalize; but we can’t remember faces since we forget to write it down. Slowly, we lose our energy, our memory, our courage, our determination, our purpose, our identity, our drive, our car keys. We vow—to ourselves, to each other, to the boss, to our parents, to our children, to our God, we vow to do better next time. This breeds confidence. Cockiness. Attitude. So we take vows of chastity, of obedience, of poverty, marriage. We vow to improve, get even, avenge. But all the while we stand on the dock and mock our hesitation while foot soldiers garrison themselves and face death for an eggshell. 

Of course we start slow. Always have. One channel, then two, off the air by 11:30 to the sound of fuzz, a long annoying beep, a circle with an x across the white noise screen until six am when the flag flies and the National Anthem plays and the new broadcasting day begins. This taught us patience. It lessoned us in anticipation and quiet. But we pick up a few more channels, we add public broadcasting, we add some locals, then some nationals, then the sky cracks open and we spit out hundreds of possibilities from porn to pygmies on the Discovery channel which tricks us into believing we haven’t yet turned over every stone, and we find ourselves suddenly obsessed with speed and convenience, as if we wonder “how the hell did we do so well and get so far without the speed and convenience of computers, of drive throughs, of touchless cards and curbside pick-up.” We forget so easily.

We avoid topics which indicate endings, so we euphemize the crap out of everything. “He passed.” “We have to let you go.” “I need more space.” Even death, especially death, has been metaphored to, well, death. But still we dig up the bones to point to the obvious: that we’re not the first, not the last and not here long. We get dumped at sea, mummified, burned at the stake. Been going on forever and since we pass through only once in this present form, we direct our energies toward fleeting moments of hyper-existence. But the universal truth is everyone, how shall we say it, everyone will die. Some drink the poison, some lose their heads, some get trampled at coronations, millions die in battle, hundreds of thousands of hunger, many of disease, some assassinated, a couple crucified, some of old age, as if they walked there by foot.

This scares us. So we pray. We say the rosary, go to mass, thank God for the bounty. We eat what’s on the plate because some are starving somewhere else and we keep our mouths closed as we eat and hope no one quotes Isaiah Chapter 49 Verse 10 proclaiming “they will not hunger or thirst, for he who has compassion on them will lead them” and we pick up our forks and swallow the damn peas. We follow St Mark’s quill to the Lion of the Tribe of Judah and hope He’ll help us through. Just in case, though, we pick up the toys because some kids must go without. We keep our lives neat for those who have no life. We want it to look perfect. We want to look right. We want to always look just right. We buy mirrors that don’t reflect what we really believe—that it’s all too much, and our goal is to balance two opposing thoughts: We want to experience it all but can’t, so why bother experiencing any of it at all? What was the point of us? Yeah, that question. Talk about proof.

We make mistakes, call the wrong number, bounce a check, steal a pen and run down the stairs; we speed, we waste food, we waste time, we worry more about our waist than the serving size of rice in a village. They eat grain, millet, rice, wheat, ground in a bowl in the sun, they wait at the well for the women to haul the camel-skin bags and pour them into buckets, they wait at the truck for relief, they wait in line for bread, they wait for the allies to break the blockade, they wait for the sentence, they wait for the end. But they keep going. They haven’t yet learned about convenience and speed. They haven’t yet heard about bounty.

They hike across deserts and seek something else; the were lost, they were just boys who became soldiers. That was their point, apparently. Apparently, that was their purpose. They were Francis Bok who escaped a shed in Sudan, they were Socrates drinking an avoidable cup. Maybe they were born in Brooklyn not Baghdad, they went to school and ate custard. They played little league and went to summer camp where the local villagers put on a show at night near a fire; they moved to the suburbs and got a new car, they shot off fireworks and fired at pop bottles; they ate barbequed burgers and corn on the cob, boxes of clams and played with a little red Spalding ball. They swam in ponds, they hiked the hills and bought postcards; they stayed too long, it passed so fast, what year was that? Who is that in the picture? How did that song go? When did we own that Oldsmobile? Where did we get that painting? We forget to write it down, we’ll remember. We make the mistake of assuming we have total recall. But the books remind us it was some leak somewhere, some crack, some fractured moment that finds us on a couch covered in plastic talking about anniversaries instead of a mat in Mali talking about the dust, wondering about the rain. Such randomness pushes a compromised moody mind toward the abyss, through no fault of anyone’s. But we can’t find fault without proof. So we endure.

Still.

We like to laugh. For fun, of course, but just as much for survival, to blanket our fears, to extinguish our anxiety, to take away the hurt. It hurts anyway so we laugh and hope Buddha’s Vinaya was wrong when it called for ancient monks in India to go to confession for such an offense as laughing. But we laugh. We tickle, we entice, we ridicule, we play the clown, the fool. We work the mirror and tell jokes into mock mics to an imaginary crowd and wait for the laughter to subside before emerging at school or the office or the party to make others laugh, the ultimate in now, the definitive value of absolute present. Why did the chicken cross the road? A man walks into a bar. It’s Nietzsche’s need to call every truth false which was not accompanied by at least one laugh. We laugh and nothing hurts, no one is going to die. We laugh and we must stop eating, talking, drinking, even moving because it is time to laugh, and no one worries when someone laughs. No one is plotting damage or pouring hemlock.

But contrarily and diametrically true is that no one is studying philosophy or English or history because we’re terrified—the ones who are down, depressed, the ones who are accused of “thinking too much” or are called “too melancholic” or “never easily satisfied,” are terrified– not at the sadness of life, the pointlessness of it all–but the grandness, the exquisiteness, the incomprehensible awe of it all, and the slow erosion of patience, the almost indistinguishable drift of simplicity. We are petrified that no one, no one, absolutely no one will understand. It is all too simple. Imagine, apparently it is simply too simple.

Have you ever sat and had dried fish on a rock in the sun, a cup of water from some clear-running stream? Do so and then you will agree with Lord Byron’s decree that he loves not man less but nature more. And I’ve wondered: With such a catalogue of rapturous places to be and explore and exist, who really ever needed the “Dialogues” anyway?

Please.

I wish to study philosophy because I’m looking for proof of something I can’t put my finger on; I need verification of something I have never heard of.

Do I need to buy the textbook?

Confused Student" Baby One-Piece by Reethes | Redbubble
answers

The Literary Journey of The Iron Scar

cover photo by Michael Kunzinger/Cover design by Jacqui Davis

The actual journey took about a month in 2013. We left Williamsburg, Virginia, by train to New York, spent precious and never-enough time with my late dear friend Fr. Patrick Brennen Fitzgerald, and laughed all night with my cousin Roy and his wife Patty, two of my favorite people. We ate our way through Manhattan, and the next day flew to St. Petersburg where we boarded the famous trans-Siberian railway. Actual travel time on the train was about a week, but we disembarked for exploration several times, ending about three weeks later in Vladivostok.

I knew from the inception this was a writing project, and my son, Michael, was along to take thousands of photographs. They would be our primary souvenir, of course, and used to trigger memories and tell stories. But they would also go on to be used in solo art shows he displayed as well as for use in a myriad of articles for print and online journals. The book has a healthy selection of Michael’s photographs.

While the text has just over a dozen chapters, various versions have been printed in different combinations of content, style, format, and with or without artwork. Usually with. I knew I didn’t have the authority or expertise to write historically or with any accurate social commentary about Russia or the rail, and others had already done so with more skill than I could have anyway, including one of my favorites, Ian Frazier (Travels in Siberia). David Green, too, of NPR, wrote specifically about the ride in Midnight in Siberia. I had no intention of duplicating these men.

Being the son of a father who was almost ninety years old at the time, and the father of a son who was about to venture out into his own life at the time, I found myself deep in the narrative of middle-age, of letting go, of contemplating what’s next, and of trying to balance planning ahead with my natural tendency toward spontaneity.

So to include my father on the journey, the early stories were framed as letters to my father from the dining car of the railway. I like them; I like personal approaches to writing so long as the reader recognizes herself in the piece as much as the characters on the train. This was going along swimmingly and a handful of journals published the pieces with this format.

Then I went to Ireland and participated in a workshop with the deeply talented Jacki Lyden and Elizabeth Rosner. It was Liz who casually asked when reading a story of mine about floods along the Amur River, “Why the hell is this a letter? Who would possibly, during a once-in-a-century flood sit in a dining car and write a letter?”

Damn. She’s good.

So I took all the pieces published that way and rewrote in standard narrative form and discovered how much more I can do that way, and still include my father in the content without the reader mirroring Liz’s sentiment.

So I republished them all, some in various forms including other essays wrapped into them and some abbreviated and some much longer than other versions. In fact, a few anecdotes ended up in nearly all the stories published. In the end, there are about fifteen chapters rewritten and combined nineteen different ways published in twenty-one magazines and journals. But that’s not the book. The book is not a collection of essays, and I never intended it to be published as such. The Iron Scar is a narrative, one long story from New York to Vladivostok, covering more than ten thousand miles, seventeen times zones, and about two hundred pages.

I must, however, give thanks to those publishers who found something worth sharing in my stories.

Including:

The Maine Review   “On the Occasion of that Inevitable Conversation with my Son”              

Kestrel: A Journal of Literature and Art “Tracks” “Checkmate” “Off-Track”

A View from This Wilderness  

Blue Planet Journal

Warfare Journal  

Ilanot Review       

Connotation Press         

Olive Press “Dissidents”

Foliate Oak Journal      

World War Two History Magazine “Meanwhile in Leningrad”

Columbia Journal   “Tiger, Taiga”

Southern Humanities Review  “Leningrad Story”

Nowhere Magazine   “Exiles and Dissidents”              

Litterateur Magazine

Wanderlust Journal      

All Nations Press           

Silver Birch Press

Foreign Literary Journal               

Adirondack Literary Review

The Alabama Literary Review  (December 2021)         

The Virginian Pilot “It’s Not Their Fault”

My last book, A Third Place: Notes in Nature, was published by Kim Davis of Madville Press in Lake Dallas, Texas. She did a beautiful job and I enjoyed working with her and her team. An editor at a significant publishing house in New York read several of the pieces above and asked to see a more complete manuscript, which I promptly sent to her. Her editorial staff enjoyed the work, loved that it is more about fathers and sons and moving on than it is about Russia or Siberia or trains, but the marketing department said they simply cannot market this book—it is much too niche, and it isn’t worth it unless I had a reach like Frazier or Green. I don’t. I can’t even reach them.

I knew I would be in great hands at Madville, and Kim had shown interest in it before, so I signed a contract. I actually don’t think it has a niche audience, and I believe it can, with the proper marketing and publicity, touch anyone who is a parent, has an aging parent, wonders what the hell to do with their lives.

But for me, this book is a diary, a journal, a remembrance of a time when my son and I rode the railway across two continents one summer, on a journey that continues still.

The Iron Scar: A Father and Son in Siberia is scheduled for release in April 2022.

At the station in Vladivostok