Stopping by the River on an Icy Morning

The tide is lower than I’ve seen in some time, mud flats running into the river easily one hundred feet or more. Fiddler crabs scurry about and seagulls land to grab them in the same place they normally would dive from on high into water three or four feet deep. This ebb is unusual.

Where the water does lap at the mud, foam formed from the icy cold winds, with temps in the upper twenties and lower thirties early this morning, and the winds pushing down from the northwest drop those another eight degrees or so. It is cold, and damp, so I feel it in my bones.

I like this. I mean, no, not all the time. But every so often I need some visceral reminder that I am alive now, not tomorrow when I have a laundry list of things to do or yesterday when some punk in my college comp class complained because I didn’t pass his plagiarized paper. Now, I am aware of the cold, the mudflats and panicked crabs, and my skin is tight, my eyes water from the wind, and my breath is frozen. It cleanses my entire world. I move about, which gets my blood flowing, and that not only warms me but awakens my senses even more. My mind, too, is clear, as if the winds and the cold blew off the soot that settled all semester.

Then the obligations seem fleeting, the problems which yesterday boiled my blood from the sheer weight of such minute interruptions, are cooled and dismissed by the ripple of foam running down the beach to Locklies Creek near Rappahannock River Oysters.

Here’s what is important, that I am still here. Alive, but more so, aware that I am alive, here, along this river today, and the cold pulls tight the skin on my face.

I thought of Richard Bach this morning and his work Illusions, in which the protagonist says almost as an aside, “Here’s a test to see if your mission on this earth is complete: If you’re alive, it isn’t.”

Hard to know sometimes, though, what that mission might be, isn’t it? You’d think by my age it would not only be second nature, but nearly complete, but I’m just waking up to the fact I should probably do something with my life. To do that I’m going to have to suppress the cold reality that I’m not young.

Except today, when what could have been some stagnant morning happened to turn kinetic because of the cold. My energy returned like a flood tide, and I stood on the sand wondering how to channel it. I think we do that sometimes; we have ambition, energy, even a wave of hope, but we simply don’t know what to do with it.

And for the first time in a long time, I understood my immediate response:

Nothing. Do nothing.

See the day, walk along the river and watch the eagles find food, and the lingering osprey who has not yet left for points south, dive for his meal. The most essential elements for life go ignored, or worse, aren’t even considered, for our need to be “productive.” But is it any less productive to walk on a leaf-covered path and watch cardinals move from holly tree to the ground and back? Is it any less productive to look east across the bay or the Atlantic and contemplate the waves, their calm and their power, as they approach and recede?

It is the same in summer for me, the blazing heat on my neck and face insist I remain present, the sweat on my forehead somehow similar to the tears from the cold wind, catch me and hold me tight in the moment, and I welcome it because at some point it will no longer be, or, better said, I will no longer be.

But not today. Today a dozen geese came in low across the duck pond and settled on the river just to the west, their honking subsiding, their journey paused for now. It doesn’t end exactly, not yet, but they take a moment and rest before they need to continue their flight.

And maybe they discover their purpose is in these moments, aware of the peace around them when they’re not rushing from one place to another, leading a flock or following the same. For geese, it is when they land and rest that it is impossible to tell who was in charge and who fell behind.

I came home, eventually, made some tea, organized my thoughts, responded to a few inquiries, but I did so with added calm I didn’t have before. I have a sense of peace now, of some sort of presence I can’t quite define, which is good, since I still have more than a little to do in front of me.

Yes, much more to do still in front of me.

Rutting Season

I spent time tonight outside watching Saturn slide west, and the half-moon along with an abundance of stars visible along route 33 east on Virginia’s Middle Peninsula. From my vantage just up the side of an embankment three miles from any town, stars filled the ordinarily black sky.

It gave me pause. Jupiter started to reveal itself just about the time the State Trooper showed up to take pictures of my car and the deer, but once he put out the flares and made sure I was okay before he left, I moved right back up that hill and found what is probably a nebulous, and other than talking to three or four kind people who stopped to make sure I was okay and to see if I needed a ride, I spent the night focused on the distant lights.

A deer hit me. I think we need to dispense with the ridiculous notion that we “hit” deer. Sometimes, perhaps, if we are distracted and a deer happens to be minding her own business in the middle of a road. But usually, and this time in particular, we are moving along fine when from the woods on the right a deer hit me, a beautiful tall, strong buck leaped to clear a small ravine between the road and the hill, and landed on the front of the passenger side of the car, crushing it entirely to the ground. I managed to stop on the shoulder but the deer went spinning through the air another twenty feet in front of me. He never twitched. Never looked back up. Dead on contact, both the deer and the Toyota.

But man, those stars. Just this morning on NPR I heard that a good friend of Galileo, Simon Marious, named the moons of Jupiter. I couldn’t see them with the naked eye, nor the rings of Saturn, but our own moon was perfectly visible. When the State Trooper lit the flares I thought I wouldn’t be able to see as well, but it was fine.

I was trying to remember some song from the seventies about the moon when a pick-up pulled up and a man got out. He asked if I needed help and if everything was okay. His license plate noted Disabled Vet so I asked and he had served two tours in Afghanistan. We walked up the road to the deer, still in perfect shape except for being dead, and the vet asked what I was going to do with it.

I’ll be honest. It never crossed my mind to do anything with it other than pull it off the road. I told him since the police already got pictures and filled out the police report for the insurance, he was welcome to the buck. I helped him load it on the bed of his truck and he was so pleased. “This is a ton of fresh meat” he told me. I wished him a Happy Veterans Day and thanked him for his service, and he drove off. I climbed back up the hill to wait for the tow truck. Almost two hours later he arrived. It was a flatbed since my engine is more or less crumbled beneath the new accordion style hood. I climbed in his cab and after he hauled my car onto the truck, we drove off. The car now sits in a field in the front of my property since he was able to make it around the first bend of the driveway.

I’ll deal with the car tomorrow.

Tonight my mind is on stardust and the million tons of meteor dust that fall every day, some of it fell tonight while I waited, almost bridging the distance between me and the cosmos, uniting us, like a deer and the hood of my car but with more grace.

I can have an anxiety problem on occasion. It hit tonight and it might take a few days to subside, but it will dissipate faster because of the stars, and the sky, and the way it never minded what went on. I kept thinking of my mother who in so many videos I’ve made of her, says, “It is what it is.” Trudat Joanie. Damn straight. I actually thought “It is what it is” as I climbed back up the small embankment and watched the sky, fixed on some bright star not far from Ursa Minor. Maybe Vega.

I have been in need of slowing down, of taking my time, being more present. I have been on the go for far too long cruising in the left lane, and lately I’ve been thinking about that, about walking the Camino in the summer of ’26, about just slowing down in everything I do. Then a deer hit me.

The tow truck driver was like Obi Wan, the way he talked with such exactness, with a kind tone. He said he was glad I was okay, and he put his hand on my shoulder when he saw the car and said, “Brother you are not having a great night, but I’m glad we’re here and talking about it.”

Way to slide the worst of this night immediately behind me.

We drove home and he slid the car off the truck bed onto the grass in the field on the front of the property, where it sits right now in the cold instead of down here near the house under the porch lights, warm and comfortable.

After I emptied it of most of the stuff inside, I stood in the field and looked at it, thinking about the myriad trips to western New York and Maryland, to Florida so many times, and to all the state parks my son and I have hiked in the past five years or so, and I sighed, looked up, and found Vega again, lighting my way, walking me back from the car to the house. Before I went inside I heard something in the woods. Deer bed down around here all the time, and when I heard several I knew that’s what was out there behind the shed. More likely a fox, but that just ruins this story, so I’m going with the deer.

I wanted to apologize. I mean, I can replace the car. But that poor deer is now on his way to some Vets freezer.

Forthcoming

Allegheny River

I had an unconventional youth. Specifically, I did not lead the normal life of a nineteen-year-old away at college. While my floormates were drinking heavily and sleeping until noon, I was at classes early to get them out of the way so I could head out to the Allegany River, or up to Niagara, or out to Chautauqua Lake, canoeing, listening to fascinating stories from a friend of mine, helping him plan his return to the Congo River for an adventure I couldn’t possibly contemplate prior to then.

I have two books coming out next year. The first, Office Hours, is a “Sedaris-like story-telling” of thirty-five years of college teaching. The second, Curious Men, is about that time back then in college myself, planning the Congo trip, turning a first semester probation they said was due to grades but I knew was due to complete indifference, into an honor-roll semester due to my sudden acute interest in absolutely everything. A friend of mine used to ask, “You mean that year you were on crack without ever touching a single drug?”

Yes, that year. Nineteen.

Memoir writing is a challenge for the need to engulf yourself in the emotions of a time that was apparently significant enough to warrant a book, yet absent enough of those same emotions so the reader can find the bigger picture of the narrative, the part that must reach up and out of itself into their lives, show them their emotions instead of displaying my own.

I brought this up because I just finished it, the book, Curious Men: Lost in the Congo. As a point of reference, though, and in full disclosure, I started it forty years ago. I’m a slow writer.

But the primary question publishers, publicists, agents, and–what do you call them? Oh yeah, readers–ask is, “What’s it about?”

So that needs to be split into two answers. Most people mean “What happens” when they ask what it is about. And that’s fine and not too difficult to answer: A friend asked me to help him plan a canoe trip—solo—on the Congo River. I did, and he went, and he never returned. Eventually, I went. But I returned—most of me anyway. This might be of interest to readers, particularly those who have enjoyed my writing in the past, or those who like adventure, distant places, rivers. Mysteries, even. Possibly psychology. But that “what happens’ response makes it all seem very 1981ish, and little more.

Which means there must be a second answer for this to work. And that is the true response to “What’s it about?”

In this case, it’s about being nineteen-years-old. It’s about being on my own for the first time, out from under the parental umbrella only to be thrust into a world where countless adults want to know my plans for the rest of my life, my major, my summer internship possibilities, my “declaring” of a focus for my entire career before I’d even taken a single class, all the while living with someone I’d never met on a floor with ninety guys I’d never met who seemed to insist I drink despite my desire not necessarily to not drink, but not to drink because they insisted; and all of us with two bathrooms, one payphone, and honestly little guidance to navigate. This wasn’t the military where some sergeant told us what to do when to do it how to do it but never why. We were paddling out in the deep-end, completely solo. Hence, the drinking and the need to join the pack. Just because I didn’t end up face down in the stairwell every night doesn’t mean I didn’t understand the draw of the need to do so. It’s just that I found my own alcohol of sorts.

I found another outlet, something well outside the box, and in doing so ended up with a working knowledge of a few African languages, an understanding of the fauna of equatorial Africa, a comprehension of diseases, some knowledge on how to temper loneliness, and a taste of a particular lesson I couldn’t find in my mass comm classes: outrageous adventure is simply a matter of deciding to do something and following through. I discovered that I didn’t need to follow some template to be alive. I learned that maybe it was everyone else who didn’t fit in. At least that’s what I told myself at the time as a defense mechanism.

But something changed over the years. You see, I’ve been staring at nineteen-year-olds for thirty-five years now and that alters the narrative some.

In the end, Curious Men is not about Africa, it’s not about the Congo or anyone in particular; it is about being nineteen and scared, and how that has changed in the decades since I ate sun-dried fish while bantering in Lingala, and most importantly, learning how to jump, knowing, absolutely understanding, that once you jump, you’ll either land on your feet or you’ll learn how to fly. Unless you don’t. Then you need the “What’s it about?” to step to the plate. Sure, it takes place in rural western New York and ruraler central Africa, but the narrative and the theme often divert.

Indeed, I’ve been staring at nineteen-year-olds for thirty five years now, and students today are no less timid then then, no less adventurous, no less interested. The difference is they are infinitely more distracted, bending toward convenience and accessibility, seeking and finding adventure on a screen, through gaming and TikTok, and I don’t doubt that if I were nineteen today the rivers I sought out would be virtual from the safety of some Virginia Beach bedroom. Maybe I was born at the right time, back when you sat around some diner eating wings and talking until some spark ignited, and you drew maps and made lists on the back of placemats, and then, most importantly, you followed through.

Curious Men: Lost in the Congo, is, as S.E. Hinton (The Outsiders) wrote, “A story that should be a must read for all teenagers—and adults alike for that matter.”

I’m just deciding now on the dedication. That’s a tough one. In ten books I’ve ever only dedicated one; The Iron Scar: A Father and Son in Siberia is dedicated to my father and my son. I’m not sure yet I am going to do so this time, but I’m leaning toward this, a variation of sorts of something Richard Bach once wrote:

To the nineteen-year-old who lives within us all

The Congo

Between the Lines

37.5531° N, 76.3403° W

It’s raining today along the river, and the puddles running along the roads and the edge of the woods are yellow, covered in the pollen which until early this morning hung in the air and on my body and in my lungs. It is the time of year when I most welcome the rain. Right now, I’m standing at the Chesapeake Bay where it is rainy and peaceful. I don’t get phone service when I’m out along the road near the bay, and I like it that way; I like how I’m on the edge of the continent, lost in the four thousand miles of water between here and, well, as it turns out, Sicily, where my maternal great-grandfather was born. When I’m out here out of service I feel more in touch with everywhere else, everything and everyone else, and my imagination takes control of the helm.

If my eyes could bend directly east along this vantage, I’d see through Athens where I almost went almost forty years ago and on into Tabriz, Iran, where a student of mine never came home from thirty years ago. Past there I’d move through Uzbekistan, a place I’ve never been but whose food I know well having eaten many dinners at an Uzbek restaurant in St Petersburg, Russia, where we’d spend four hours taking our time with each course and hot bread and samovars of tea, belly dancers and hookahs, and the most delicious entrees.  I had no idea all these years standing waist deep in the Chesapeake at Stingray Point, I was watching distant Uzbeks.

I’m standing on the imaginary line that runs just a sliver south of the 38th Parallel, closer perhaps to 37.5, or if you speak to any one of the watermen in this village, they’ll tell you 37.5531° N.

So, close enough. Let’s go further:

Passing Gansu, China, famous for its water-pipe tobacco out into the Yellow Sea almost directly through Baengnyeong Island, which means “White Wing Island,” so named for the resemblance to an Ibis in flight, and home of intelligence communities because of its proximity to North Korea, which brings me to the most famous spot on the 38th Parallel—the 38th Parallel. Of course it runs around the entire planet almost directly under my feet, but when most people hear “38th Parallel,” they think of the Koreas, of course.

I’m on the same white line as Canyonlands National Park, Utah, and Newton, Kansas, passing right under the counter at Gurty’s Burgers. Evansville, Illinois, too, but it makes me think of the tragedy of the 1977 plane crash which took the lives of the entire University of Evansville basketball team. I’m two and a half hours east of Charlottesville, Virginia, and just south of Chincoteague Island where the horses still swim. And when I was five with my siblings at the World’s Fair in Flushing, New York, standing in front of the famous huge globe with its metal longitudes and latitudes, who were my neighbors then? Are they still out there, following different lines? Searching away? Searching toward me?

But since I find myself at the proverbial crossroads in life yet again, I can’t ignore my northern and southern neighbors—since isn’t that what we are? Neighbors? I mean, if we are going to James Webb our way into the distant galaxies and black holes, I think we’ve reached the point where we can all consider each other neighbors, relatively speaking. If “neighbor” is someone with whom we have some physical closeness compared to others more distant, than astronomy has moved us all on this sphere into the category of “neighbors” to be sure, reliant upon each other, part of each other both as particles and participants.

And those north of here include the North Pole, of course, since all longitudes meet eventually, twice actually. But closer to home is Ellesmere Island, Nunavut, Canada, the world’s tenth largest island and home to Victor’s Seafood which has curbside pickup when you don’t want to get out of the car. And Prince Charles Island, also in Nunavut, of course. This line runs south from there through Ottawa and into my birth state of New York, into Pennsylvania, into Maryland, and down through the Chesapeake Bay to this rainy little piece of Longitude. But wait, I’ve always been drawn to the tropics. Here’s why: I’m standing, I mean I find myself smack dab on the same streak that runs just west of the Bahamas and right into Holguin, Cuba, its fourth largest city and cradle of Cuban Music. But here’s the crazy part: It goes on, this longitude, into Colombia, Ecuador, and San Bartolo, Peru, on the Pacific Ocean, famous for its beach-going tourists and surfers. That’s what nearly exactly attracts people to Virginia Beach, just a notch southeast of here and where I attended high school; and where I learned in geography everything about this world except that New York and Virginia were due north of the west coast of South America. Yes, here standing on North America’s east coast and staring out toward the Atlantic, I am due north of the west coast of South America where people are staring out on the Pacific Ocean. But further still, the Southern Ocean (which I don’t remember even being a place when I was a kid) and right into the northern cliffs of Charcot Island, Antarctica, with its crabeater seals and Adelie penguins. Right here, but south.

Deltaville is at 76.3403° W for those keeping score.

This one spot, here, this mark on my mental map is tied, distantly I admit, but tied just the same to people being born and raised and looking out, wondering. It’s kind of our own little “Double L” ranch, only really thin and exceptionally long. If we coordinate correctly, we could all plant flowers on our line, though somewhat problematic headed north and south as my daffodils might not grow in the Nunavut tundra or the desert of Patagonia, but we are neighbors; we work together on these things.

We have been nomads since the nomadic days, and while we might be “from” somewhere, we rarely stay any longer, following our songlines, chasing something unknown. Since I’m a child I have wanted to follow those latitudes and longitudes, since I read Robin Lee Graham’s Dove, since Joshua Slocum, since St. Brendan.

I want to meet our neighbors before I sail on to different coordinates. Ireland, of course, and Prague. Spain again, and the Netherlands, for certain. It turns out these lines are everywhere, like a grid, like graph paper, like those moving walkways in airports leading us to the next terminal.

My first experience with Longitude and Latitude Lines on the globe at the World’s Fair in ’65

Eostre: The Goddess of Dawn

aerie one

Eōstre is the Old English way of saying Easter. The reference is to a new birth, a sense of rising quite appropriate for the holiday. Few realize, I’m sure, that Eostre was the name of the pre-Christian Goddess of Dawn.

Life is always being reborn, whether the result of the changing seasons or divine intervention, rising from the past to try again.

I’m home now, and it is Easter Sunday, and I’m thinking about the need to start over. In that frame of mind with the buzz of a dozen candy coated chocolate malted eggs, I found again a metaphor in nature.

Back to this wilderness.

It occurred to me one day on my porch while staring at the surrounding woods, that at some point less than one hundred years ago none of those trees were there. The land has beautiful eighty foot oaks, some maples, tall thin pines and various other hardwoods including black walnut trees, which I am told can provide the ingredient necessary in the liqueur, Wild Spiced Nocino.

The branches protect birds as diverse as red-tailed hawks, downy woodpeckers, and countless chickadees, and they are habitat to other wildlife including one flying squirrel we spotted a few years ago when his tree fell. The squirrel was fine and found a new home in a white oak.

But a hundred years ago this was just land, sandy land, edged by the running Rappahannock River and backed by equally treeless farmland. A century before that these nearby plantations provided food for the region at the expense of slavery, and some slave descendants remain, selling vegetables at food carts out on the main road, or working the bay as watermen, telling stories about how the Chesapeake is just about farmed clean every season by crabbers at the mouth or the headwaters leaving nothing left for those working the midland shoals.

This area hasn’t changed much in one hundred years.

It is like this everywhere, the coming and going of things. In Manhattan a few hundred years before the wild construction on bedrock, coyote and deer were common. It was hilly (Manhattan means land of hills), and where the United Nations stands once stood grand oaks. The Lower West side was a sandy beach, and ecologists say if left to do what it wanted, most of the upper west side would be covered in trees and vines, shrubbery and wildflowers inside twenty years.

I can’t imagine what my house would look like if left untouched. When I don’t mow the lawn for a few weeks it looks like a refuge for timber wolves.

But these trees weren’t here a century ago and I sat on my porch and wondered if there had been other trees or if this land was barren, or was it used by the Powhatans, or was it home to some former slave family, or just a dumping ground. Evidence is scarce, buried beneath the roots of this small forest. Local historians settled long ago that this lower part of the peninsula was primarily hunting ground for the Powhatans, including Chief Powhatan and his daughter Pocahontas.

It’s changed since then. Four hundred years of rebirth in these woods finds me on the porch contemplating the ghosts of Aerie

This happens to me everywhere I lived; I like to imagine what was on that spot one hundred, two hundred, a millennium earlier. The house I rented in Pennsylvania was used as a hospital during the civil war. Before that it was a farm. Now it is a Real Estate office. The maples which lined the road and shaded the living room are gone. Someone planted new ones but it will be decades before they mature. My house in Massachusetts was a fish market a century earlier. Purpose moves on with time. Maybe that’s why I’m so mesmerized by the Prague hotel I always stay at. It was the same building seven hundred years ago that it is now. But here on my porch I realize this house is the only place in my life I’ve lived for twenty years, and I was curious if five times that score of years ago I could sit on this spot and see right out on the water, or were there trees then as well, different ones which died or were timbered to make room for crops.

The house is made from western pine forested on land which I assume is either now empty of trees or filled with young pines waiting to become log homes. What will be left a hundred years from now? Will someone sit on this same porch and look right out toward the bay once these oaks have long fallen? I know this house, this land, is a “hotel at best” as Jackson Browne despondently points out. “We’re here as a guest.”

Wow. Wrote myself into some sad corner there. Thanks Jackson.

I know nothing is as permanent as nature, despite the constant changes. It simply isn’t going anywhere. We are. So I like to remember that a century ago farmers sat here and talked about the bounty in the soil, or talked to 19th century watermen about the changing tides. And I like to realize that a hundred years before that the nearby swampland, now home to so many osprey and egrets, was a major route for runaway slaves. They’d have been safe in these woods, if there were woods then.

I like to do that because it reminds me a hundred years from now perhaps I will have left some sort of evidence of my passing through; even if just in the cultivation of language, the farming of words.

So I sit on the porch and listen to the wind through the leaves. It is now; it is right here, now. Sometimes at night we stand in the driveway with the telescope and study Saturn, or contemplate the craters on the moon—both here long before us and in some comforting way, long after we’re gone.

In spring and fall the bay breezes bring music even Vivaldi would envy, and I’ll listen to his Four Seasons, written nearly four hundred years ago, and listen to the wind through the leaves of these majestic, young trees reaching eighty feet high, and be completely, perfectly in the moment.

Despite the warming trends, the extreme tendencies of weather, the fragile ecosystem which sustains life, nature is still the only place I have found that really doesn’t change. It never has. Ice ages and dust bowls will alter it, but eventually some seed will take root.

aerie two

Aerie: noun: 1. A Hawk or Eagle’s Nest. 2. Bob’s Home.

It’s colder today, and a strong wind blows out of the northeast, off the water, and the last of the leaves are letting go. It’s desperately Autumn here along the Bay. Yesterday the colors were brilliant, at their “peak,” and today they are muted. Tomorrow the leaves will mostly have fallen. I walked the paths just now here at Aerie, and the skin on my face feels tighter, the back of my neck is cold.

The sound of dry leaves and the wind is immediate. The clouds are low and dark—steel blue—layered deep clear past the horizon, as if they’re keeping out the rest of the world. They threaten, of course, but somehow they protect as well. It only took a few turns around the property and a meander past the duck pond and river to let go of the world for a while. Genocide cannot find me here; bombings will not find me here. Invasions and deficits and brashness and ridicule cannot locate me when I’m here at Aerie, and the sky is low like this, and the only sounds are the leaves in the wind and the water pushing back on the rocks, and the geese over the recently harvested fields.  

I left home far more than I should have. It was always interesting and exciting to come home after a month somewhere else and see how so much had changed; leaves either completely fallen or fully alive. I am glad for the places I’ve been and the people I’ve grown close to in my travels. But in retrospect it seems I was mostly out there looking for something allusive, some semblance of peace, perhaps. And today walking up the hill from the river I realized it might be the kind of peace I find here at Aerie. I almost find it here in Spring, working in the garden, osprey calling above while teaching their young to fly; and in Summer when we scull out on the Rappahannock, up the inlets to the west, stopping for oysters at a small grill near the bridge. In Winter, when deer and fox come closer to the house looking for food, finding apples, and I can sit on the steps for hours teasing one fox closer, and then closer still, and she eats a few slices before taking a large core in her mouth to bring back to her den to share with her young.

But it is Fall, of course, when I come closest, and the smell of leaves is deep, and white oak burns in the fireplace, and we heat up apple cider and I can sit on the patio at night for hours, bundled against November, working on something in my mind, remembering the reach from some other time.

Last week I walked to the river and a bald eagle stood in the field to the east where corn had been just a few weeks ago. It never fails that every time the eagles return this time of year, I remember a song by one of the primary influences in my life for my love of nature–John Denver. He wrote, “I know he’d be a poorer man if he never saw and eagle fly.” I always knew it to be true; I just never dreamed it would happen from my front porch. I have hiked in the Rockies, and I’d hike there every day if I could. And I’ve walked across the Pyrenees, through the Berkshires, along the Camino de Santiago where I must return to truly unearth that peace. Yet here where the Rappahannock meets the Chesapeake is where all my songlines converge.

It’s colder today, and grey. The paths are covered in leaves, as they should be this time of year, and my son is baking biscuits and heating up apple cider downstairs. I have some serious metaphorical hills still to climb, but today, outside, I can hear squirrels arguing, and the driveway is covered in acorns. A close friend of mine pointed out recently that to him Autumn is hope, it is life tucked away for awhile giving us a chance to start over in a few months. He’s right, of course, but I wish I could slow the whole thing down. I don’t want things to change so fast anymore. I like the sound of the leaves as I walk the paths, the colors as I lay in my hammock and watch them fall. I find peace in the carpet of stars at night, out early enough in these winter months for me to spend hours looking up, wondering. My anxiety settles down when I sit on the patio at night and hear rustling in the woods as the fox comes to call. I have lost so much faith in humanity it is difficult to write about. I need a breath; I need to be restored. It seems that despite our potential to banish the evil in the world, we continue to falter. But here at Aerie on the eastern edge of Virginia’s Middle Peninsula, something eternal is happening even as life let’s go and settles softy around me, marking time like decades.

Passing through Nature to Eternity

there’s a house in there, swallowed by the growth

It’s raining, and the air is cooler than it has been, which brings with it, for me anyway, a soft undercurrent of sadness. You see, I love summer. I love the heat and the stillness of it, the hot sun on my face and shoulders, the sand under my feet, the water—oh the water. So when I wear long sleeves or shoes with socks, or when the water can no longer be waded into for no reason at all other than slant of earth and distance to the sun, I get melancholic (as if listening to Jackson Browne right now might not already be responsible). And today was like that, but more so because of the rain.

This week’s work involves adding random details from my younger years to a one-hundred-and-eighty-page manuscript to set a sharper tone to a time that was above description, beyond anything that could be limited by diction. This editing stage sends me back to a place I would, both at once, relive again in a heartbeat and never want to think about in my lifetime. But it was so long ago I have trouble remembering some details and I get lost in the weeds of long ago. So to clear my head, I went for a walk to keep myself present, keep my mind on the here and now. Rain can certainly do that. This can be a Herculean task at times—keeping things clear. More so for me when the air is cooler, and the sun is not so hot anymore. It made me realize how much simply fades from our lives if we stop paying attention to it.

Writers have various ways of dealing with ghosts. Some watch Pirates games, some watch movies. Some drink and some play with their dogs in open fields. I walk.  

Down the road is a track of wooded land with an old colonial house. At one time, even since I built here twenty-seven years ago, the house was completely visible and well admired. It sits recessed on the front edge of beautiful, forested land with hardwoods, which this time of year are starting to show their colors. The house is white with a wrap around porch, hedges, and a front lawn more akin to a rolling, green field where deer gathered every day at dawn and dusk to sip the dew. I loved walking by and think about sitting on the porch, drinking tea on a day like this, watching deer and listening to something gentle, like piano music, while rain kept meter on the porch roof.

You can no longer see the house. The front lawn has grown deep in weeds and small trees after just a half dozen years of no one caring for it. Nature has reclaimed the entire property, and the house, if you walk up the no-longer-navigable driveway far enough, is covered in vines and mildew. Several porch slats are caved in, and while the windows remain in tack, portions of the siding are simply gone. I don’t know who owns the place, but the man who rented it and lived there with his dog has gone back to Richmond an hour from here and, presumably, has no connection to or obligation for the place. For all I know the owner is dead. That happened elsewhere nearby. One house not far from here has been so reclaimed by nature it is absolutely impossible to tell there is a structure there except for a slight glimpse on a sunny day of a car bumper and an old boat appropriately named “Prozac.”

It happens sometimes when there is a lack of heirs in a community where restrictions are limited and property size is usually somewhat sweeping. The once lived-in and celebrated home is a house being swallowed by the earth, as all eventually will be. It makes me wonder if Mars at one time had a suburbia which a billion years of burning sun and negative-Kelvin ice storms vaporized into nothingness. That’s what crosses my mind when someone doesn’t mow their lawn very often.

There was a time, though, when someone oversaw the construction of the beautiful place, measured twice and cut once, new owners backing up a moving van and carefully designing the rooms, children running up the steps to their bedrooms, leaning against the window on days like this to watch the deer out front. The place might have filled with the aroma of turkey in the fall, soft sounds of football from the television in the den in the back, with the double doors that looked out over the marsh to the east. Geese frequent the area, and from the porch the kids would have sat in the chairs when relatives visited and watched the birds land in the fields across the road.

The kids grow up and leave, for Richmond, for DC, for another place. The parents can’t take care of it as well as themselves, so they move to a smaller place in the village, or in with one of their kids, and the paid-for-house sits alone and silent. Taxes only run a few hundred a year, so they’re easily paid and then forgotten. Then they rent it to a man with a dog, but he leaves too, and the owners die, and the kids let it go, hoping to take care of it someday.

Or maybe they had no kids, like the Prozac house. It just sits there until nature, which always wins in the end, wins.

I wonder if I’d run through that entire scenario if it wasn’t raining. Autumn is proof, I suppose, like old, uninhabited homes, of the passing of time.

Back at Aerie, I sit on the porch, drink tea, listen to a football game, and can smell turkey drifting out from the kitchen. I have some planting to do for the fall—bulbs mostly, but the back trails have gone untended for far too long. I’ll do that, this week probably. The area behind the shed needs to be cleaned up as well, and I need to get an estimate on stripping and restaining the house; I’m way overdue on that. I don’t have the energy I did when I built the place twenty-seven years ago. Then, all winter long I came and helped stack the logs, met sub-contractors while my then three-year-old son sat watching his home rise out of the dirt. While the roofers worked or the electrician figured out how to install wires in a log home, he’d ride on my shoulders as we walked down the hill to the river and we’d talk about what we’d do here–a pool, of course, and a basketball net. We’d play football in the yard, and we’d throw the baseball, of course. Come that early Spring I built the inside; all the interior walls, the cabinets, the stairs, the rest. The rest of life was still a distant curve after a still-to-come lengthy journey, and this place was forever. Come spring, we moved in, and the wood smelled so fresh, plus outside honeysuckle and lilacs.

The leaves are changing colors early this year, and I can feel the fall in the chill of the wind. The bay breeze helps keep it seasonal for now, but the winds will shift soon to the north, shutting down summer completely.

I don’t mind fall; it is beautiful. My time in western New York and especially in central New England spoiled me for how intensely beautiful autumn can be. But summer for me has more hope, still holds just enough promise for everything to work out fine in the end. It is the time when we keep building our lives instead of stepping aside and letting nature run its course.

Does everything eventually bend the way of the once-white colonial? Is even Aerie headed someday to the condition of the Prozac house? We like to think not.

And anyway, for now, I am here, sitting and drinking tea. Tonight the fox will come by the side of the house for apple pieces, and the birds flitter between the crepe myrtles and the porch-rail feeders. Life is everywhere right now, even while summer fades. I can hear the geese headed toward the field.

The rain has eased, and I think I’ll walk again, down past the farm, past the unseen, recaptured house, and to the river, which will hold its own for eras beyond everything else, as waters have done since the start. But then I’ll need to cut the grass. If I have the energy, I’ll also trim the hedges.

“And while the changing colors are a lovely thing to see,

if it were mine to make a change I think I’d let it be.

But I don’t remember hearing anybody asking me.”

–John Denver

Aerie

That Which We Are, We Are

The Chesapeake Bay Bridge Tunnel

I immersed myself in outdoorsy stuff in my early teens; even beyond that. I wonder if something innate in my DNA attracted me like chemistry to the outdoors and references to it, or my environment and influences doused me with enough references to nature that my path was clear.

I listened to all of John Denver; knew every word to every song. Played his music on the record player and my guitar. At the same time, my friend Eddie and I spent every single day in the woods and along the Great South Bay at Heckscher State Park, nearly literally our backyard back then on Long Island’s South Shore. I watched movies like Jeremiah Johnson and television shows like Grizzly Adams. I wanted to disappear from civilization like they did; I wanted cabins like they had up in the Rockies, with a warm fire going.

The beach took hold of my Buddhist-bending mentality, combined with Dan Fogelberg and Jimmy Buffett, books by Joshua Slocum and Robin Lee Graham. Patrick O’Brien and the first paragraph of Melville’s Moby Dick, which reads:

Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world.

Damn I wish I wrote that, wrote “Son of a Son of a Sailor,” “Rocky Mountain High” and “Sweet Surrender,” wrote home from some mountain in Utah not far from Redford’s “Sundance” ranch, long before the film festival was born. Instead, I played their music, watched the shows, and spent as much time as I could in whatever nature I could.

I think it was the beginning of me always feeling slightly outside of everything, just a little beyond understanding people. For some time I thought it was insecurity, but now I believe I just preferred the natural state of things, how perfect it is out there. I had the theme of Grizzly Adams down pat:

Deep inside the forest
Is a door into another land
Here is our life and home
We are staying, here forever
In the beauty of this place all alone
We keep on hoping.

Maybe
There’s a world where we don’t have to run
And maybe
There’s a time we’ll call our own
Living free in harmony and majesty
Take me home
Take me home.

Even that line repetition is a nod to Frost’s line “Miles to go before I sleep.” Exactly.

Is it true that everything we are we remain? Our hopes remain. Our dreams remain. And if we hadn’t lived them out yet, perhaps we still will in some other season? Maybe.

A part of my mind never truly grew up, I know that. A part of my psyche still holds tight to how I used to think when I was young, sometimes to the point I can be out for a walk and not even remotely feel my age, forget that my ability to do most of the things I could then is, shall we say, compromised. But we trick ourselves. I can still ride a bike; can still hike in high altitudes. In my fifties I walked across Spain. So who knows.

What happens is we forget. We let go of so much of who we were to make room for who we become. It is natural and beautiful and necessary, and we would not come close to being who we are today without who we were then, watching Dan Haggerty and his bear walk down the mountain, or listening to John Denver’s opening guitar riff on “Rocky Mountain High.” It’s in our blood. It has to be.

Unless, again, something in our blood attracted us to those things. Who the hell knows, right?

Ever come across a trigger that brings you back to those moments you had then? Maybe it’s a picture in some old album your parents kept; or a book you read. I have books like that, from then, I have a baseball my friends all signed when I left Long Island and it transports my mind to that small village, almost as if had I driven there today I’d see fourteen-year-old Eddie coming out of his house ready to hike through the park. We have so much more ability to manipulate time than we realize.

So, I had this job. One of my first, and the last one as a high school student. I worked on Seagull Pier on the South Island of the Chesapeake Bay Bridge Tunnel which connects Virginia Beach, Virginia, with the Eastern Shore of Virginia, known as the Delmarva Peninsula. I was thrilled to get hired out there for one reason: I’d be working “nearly” on the water, watching the sunset and rise, feeling the salt water on my face all the time, like Melville but without whales. I worked 10 pm to 6 am every night, usually alone, frying shrimp and fries, serving sodas to travelers with coupons they received when they paid their toll to make the crossing of one of the longest bridge-tunnels on the planet. Yes, they got a free Pepsi at the pier. It was pretty barren then—a diner-style interior with a few tables, a gift shop, and a pier filled with fishermen. In later years the restaurant took over part of the pier and became quite nice with a full menu. But back then it was just a quick stop for a basket of fried food, coffee or Pepsi, a few souvenirs and back on the road.

They tore it down a few years ago to expand the bridge tunnel.

I would drive my dad’s ‘72 Nova out there just before dark, park and stand on the rocks looking west up the Chesapeake, west, toward the setting sun. Then I’d head inside and cook, serve, clean, make coffee, talk to fishermen on rainy nights when they crowded the counter, talked to the rare customer who stopped for their free Pepsi or a burger at three AM. Then when my shift ended, or sometimes even before then if no one was there, I’d walk out on the parking deck on the east side of the building and watch the sunrise over the Atlantic at the mouth of the bay.

Just remembering that brings me such absolute peace I can, just for a moment, forget some of the minutia that I find myself up to my neck in. I remember, and I am there, can smell the salt, can feel the breeze coming off the water.

I love to remember.

One morning at about four, the door opened as I was just about to clean the grill. I glanced back to see who was coming in and it was a man by himself in a sweater. He had long hair, a thick beard, was tall, big, like a linebacker, and stood for a moment looking around.  I called to him to sit anywhere and he came right up behind me and sat at a stool, and he said, “Can you make me a burger on that grill before you clean it, my friend?”

Instant voice recognition. It was Dan Haggerty. Grizzly Adams himself. I asked and he said yes. We talked and he insisted I make a burger for myself as well, and fries, and we sat together and talked for an hour in the empty Seagull Pier restaurant. He was on his way to Florida and preferred to drive very late and very early.

Young people: This is before there was any form of a device with which I could capture the moment unless I happened to have my camera—a big device with film in it—which I didn’t. So we have those triggers. A baseball, an old guitar. Stories.

Today I received mail from my sister. My brother-in-law bought a new car, and in the old car, buried somewhere in the console or glove compartment or somewhere, they found three Free Drink coupons for Seagull Pier from one of their many trips south to see our parents in Virginia Beach.

She was discarding outdated coupons some toll clerk shoved at her with her change. I received a wormhole to a version of me that had my entire existence in front of me from a place I loved to show up and leave out in the middle of nature, where the sun set and rose again with my arrival and departure. What had for nearly fifty years become illusionary, almost some fiction from forever ago, suddenly seemed to happen this morning, and I felt younger, more alive.

I still head to the bay—same bay, ironically—to watch the sunrise; and to this river every evening to watch the sun disappear west into the Utah mountains. I still dream of riding horses across the Rockies. I still listen to Denver and Fogelberg.

If not, I know for certain I’d be a poorer man.

Everything we are, we remain. Our hopes remain. Our dreams remain. And while not all of them will find fruition, some might. Some just might. If not in this, then perhaps in some other season.

Perhaps.

Thanks Cathy and Greg, for not stopping for a free beverage

The Moon and My Own Private Ghosts

My moon, today

It’s not easy finding the constant in life. You think—or at least you hope—it will be people, and sometimes, but rarely, a particular person, but that doesn’t always hold to be true. People change, they come and go, they die, they just die, and while that’s not unexpected or even unusual, it still creates that ripple, that slight adjustment which a constant helps steer you through.

The constants in life mean everything.

Today while out for a long walk to clear my head, to figure out where yet again I most likely screwed up, I looked up at the moon and understood there is my constant. The moon, yes, but all of it—the water and the marsh, the woods, the sounds of the rest, and all the rest included.

From the start it was always nature. When I was still in the single digits we moved to a house in walking distance to a state park, the Great South Bay, a river, and an arboretum. Even behind the houses before the highway, which anyway ended right there, were woods and a mysterious trail leading to “the creek.”

When we moved my constant came along. We lived on a river and I could canoe clear out to the Chesapeake right from my own yard. I’d ride my bike all over the city, but in particular along the boardwalk and clear back through a new state park to a smaller but beautiful different bay. It was always nature that saved me from loneliness, from anxiety, from the awkwardness of me.

It simply never changed. At college I never felt either mature enough or hip enough to engage much with others, except if separated by a mic, but the river—that river running along New York’s Southern Tier saved me more than a few times, and my hikes up to the Heart where Thomas Merton used to sit and write in his journal, or overnighters out in the National Park not far west.

And Niagara. Canada. And my go-to safety net, Letchworth State Park.

Bring on Arizona and the Sonoran Desert, the Catalinas, the canyons with waterfalls and paths. I’d head up to Kitt Peak and watch the stars, or up Mt Lemon and watch the snow just miles from friends in shorts. I was safe there.

In many ways I never matured. Some might say my constant is immaturity then. Okay, perhaps. I admit I am more interested in hiking through woods watching birds than I am just about anything else. I moved to New England and hiked Mt Wachusett most weekends; I lived on a reservoir and walked out to the Old Stone Church and sat for hours playing my guitar hoping no one could hear, praying someone would listen.

Africa.

The trails at the small but memorable Pinchot State Park in Pennsylvania.

Here. Aerie, where hawks and eagles nest, and osprey teach their young to fly, and deer, opossums, fox and countless birds make themselves at home, because it is their home. I’m a guest.

Nature has no concerns. It is its own constant. It has no financial obligations; it does not have to ask anyone for help again and again; it does not answer to differing opinions or lie about its past. Nature does not judge, it does not question, or answer for that matter.

I know these trees, like I still know the ones Eddie and I climbed in Hechscher, like I still know the ones bending over like “girls throwing their hair over their heads to dry in the sun” along the Allegheny where my friend Joe and I used to wade for hours, dry fish on the rocks, and talk about wilderness and time.

Everyone above is gone. They’re just gone. But the nature of us is there, as well as nature itself. I wander for hours with my ghosts, talking about back then, talking about what’s next.

Today through the branches the half moon stood stark in the dark blue sky, and I swear not one other human could see it. Sure, you have a moon to admire in your world, but it’s not this one. Because this one knows Eddie and how he warned me one night when walking through the trails just after sunset to lookout for lunatics. I didn’t know what that was so I asked what a lunatic is and he said never mind. When I thought he had left to go home, I walked further past some grove and he jumped out and screamed, and I screamed, loud, and I called him crazy. And he laughed and said, “That’s a lunatic.”

My moon knows that story.

The trees here know about the time my dad and I sat on the porch and he couldn’t remember the names of some loved ones and he couldn’t see how sad I was. And they know about the time he let my son tie him up in a lasso and put a small cowboy hat on his head, and my father and my son laughed. That’s in the air; that’s out there, waiting for me to cut through the path on the west side of the property.

I have much on my mind, and a great deal of it I would rather not discuss with many people. And that’s not healthy—keeping it in like that. So I go outside and share it with the waiting trees and the ghosts I bring along. Certainly it is all internal monologue, but it’s always been that way, when Eddie and I wandered the woods singing Harry Chapin songs, or Karen and I canoed the Lynnhaven talking about how far the river reached to the south, through the marshes. I was always in conversation, connecting to the wilderness.

A friend of mine in Colon, Germany, but who is from Poland, calls me “the Man from the Country.”

“I was born in Brooklyn,” I told him.

He looked around when he was here and we walked to the river many years ago, and said, “This is not Brooklyn, Bob. This is a jungle. You live in a jungle.”

So it is. But it’s an honest jungle, with a river and a bay and a moon.

Nature lets me off the hook. Nature holds me responsible. It teaches me to be honest with myself and, in turn, with others. It teaches me to be quiet, to let others think what they want.

I have lived, lived very much “out loud” as it is fashionable to say. Oh, I have certainly lived. But it is in nature I am alive. There’s a difference. You know what I mean. There is a difference. You know exactly what I mean.

The Great South Bat at Hechscher State Park

Therapy

I saw my therapist today. My son and I went to a local nature trail, and as we walked I mentally conversed with the crisp air and bare trees, the occasional birds, and the creeks running alongside. This is my proverbial couch, and today (as well as last week at Westmoreland State Park on the Potomac River) was my weekly session. I have always found perspective in nature, an understanding of the need to focus on now, on today, on the moment at hand, as well as a deep appreciation for the pace and tempo of time when we are in nature. With so much going on in my life, today, and every time we go for hikes or when I just wander to the river and sit on the stones to watch cars pass on the distant bridge, I manage to slip those bonds of stress and anxiety.

I have walked in nature since I’m nine years old, and I always innately managed to allow “nature’s peace to flow into me as sunshine flows into the trees,” as John Muir suggested, and I’m certain everyone out there understands this as well.

E.O. Wilson wrote that, “Nature holds the key to our aesthetic, intellectual, cognitive and even spiritual satisfaction.” I think better in nature. I mentally write and revise, I connect dots between seemingly unrelated themes. I can sit and contemplate the way geese land on the pond and suddenly recognize the relationship between them and a discussion I had about some folk song or compelling art. I don’t do this on purpose; I just walk, then I recall that piece I’m working on about the Torture Museum in Prague, and after awhile I note the patience and focus a Great Blue Heron uses in seeking out small fish in the duck pond, and, ouila, clear as a bell. I’m off and running.

I have been to churches all over the world and remain close friends with priests I’ve known since I’m nineteen, but I don’t really contemplate faith until I’m on some trail somewhere in the snow and turn around to see the valleys cut by ice millions of years ago. Even those faithless among us know that Muir was right when he wrote “the clearest way into the universe is through a forest wilderness.”

I have been going to these therapy sessions since I’m a child along the Great South Bay, and like John Burroughs, I have always gone to nature to be “soothed, healed, and have my senses put in order.” It isn’t far, this nature I’m talking about. I’ve walked down Fifth Avenue in summer at five a.m. and have known nature. The walk from my building to the parking garage at the college passes several groves of trees and a well-hidden pond where birds spend their time between their classes.

When I’m confused, anxiety-ridden, stressed, worried about meeting my goals, worried about so much I thought I’d never have to concern myself with at my age, when “the world is too much with” me, I just know what Einstein meant when he wrote, “If you look deep into nature, you will understand everything better.”

Frank Lloyd Wright said he walked in nature every day for inspiration for his day’s work. Me too, and sometimes it actually happens that way, particularly if I come home, put some appropriate music on, and brain dump my thoughts.

Just as often, however, I’m so inspired and awakened by nature that I just stay out there. The long trails become my compound sentences and the rocks at the river from which I can see both west up the Rappahannock and east across the Chesapeake become my exclamation points. In writing I avoid such sensational punctuation marks, but in nature they are virtually everywhere! The herons and the kingfishers are sensational. The snapper turtles and the stingrays, the pink clouds at dusk, the orange glow before dawn, the osprey call, the geese landing all at once with hundreds of slides into the otherwise-still water; these are nature’s equivalent of dramatic emphasis. There are simply no parentheses in nature, nothing to set off or turn into some subordinate clause. It is all subject and verb; it is always active voice.  

Life—my life—has seemed heavy at times, a ton of bricks difficult to carry but more difficult to put down. I have climbed so far already this year, and I continue one foot in front of the other, but the summit is still quite aways away, and when I’m inside—both physically and mentally—it can keep reflecting back at me, can absorb too much attention simply by virtue of perspective, like a boulder in a bathtub. But when I’m outside and the simplicity of life greets me at the door and reminds me of my priorities, and I step out into the infinite presence of earth, Rachel Carson is there too to remind me that “those who dwell among the beauties and mysteries of the earth are never alone or weary of life.”

Bizarre statistic: Those who contemplate suicide and decide to see it through at home are three times more likely to do so than those who go into nature to end their misery. Of course there are exceptions; I’ve known or have known of a few troubled souls who found their eternal peace in nature much too soon. But the vast majority of lost souls find their way home by leaving it and seeking out something larger than themselves.

We seem so damned important and certain in the confines of our offices and living rooms and our problems can appear so significant, but out along the river, out where we can stare across the reach to the distant waves, up along the ridge of some mountain where water formed caves millions of years ago and we stand in perfect silence completely in the moment, we are aware that life is nothing but now and love. Life at its core is comprised of nothing more than now and love.

Session over.