The Five Things I did This Week Assignment

Despite my dislike of djt and em, two of the deplorables, I am intrigued by the assignment put forth by the South African/Canadian currently in charge of the United States; to record five things I accomplished this past week and send it to my boss.

I don’t really have a boss, per se. Never did actually. I mean, at the college I have a supervisor, but we’re trusted enough to be left alone to do what we need to do to accomplish the college’s mission. That’s the thing about good leadership; it lets the people who know what they’re doing do what they know. In my twenties I ran a health club and in my late-teens and early twenties I managed a hotel and in both cases my boss was either across the country or across town. So while in all those jobs I had someone above me, likewise in all those cases, they let me do what I needed to do.

My point is I am not sure to whom I should send this Muskian request of five accomplishments, so I decided to put it out here in the Wilderness, where thousands can View what I’ve been doing this week which I believe warrants that I continue doing what it is I do.

  1. I made a list of what I would do if I wanted to rule indefinitely without anyone able to stop me. I’d fire all the Generals who are responsible for insuring checks and balances is taking place. I’d fire the chief counsel at all branches of the military along with the Chair of the Joint Chiefs to make sure if there is any sort of “delay” in my leaving office, I will have the military and the ones fighting on my behalf in court all on my side. I would trim down all branches of the government which could somehow seize my power back financially, and I’d discontinue media access to press conferences to anyone who did not agree with me, so that the propaganda is not directly from my office but from the media’s lack of coverage of dissenting opinions. This is just a brief list so far and I know it is ludicrous to think congress or even a conservative senate would allow this to happen knowing their legacy depends upon the preservation of our country, but I had to accomplish something this week and I chose this.
  2. I filled out the form and made an online promise to participate in the march on Washington in defense of DEI employees, for LGBTQ+ rights, for diversity and inclusion in the military, and more. I am confident my chosen supervisor genius inventor idiot would never fire me for wanting to make sure as many people as possible in this country no matter their backgrounds, their gender, their identification, race, religion, or any other aspect of their humanity that these two feckless weaklings take issue with, have as much opportunity as possible to make this country greater than it already was.
  3. I asked my critical thinking and research students to find one federal program that was cut and investigate what are the long-term losses by the programs demise that are apparently compensated for by any short-term financial gains. And if there aren’t any gains in the long run, I asked them to find out who will be responsible for fixing it. I suggested they start with the many medical and health assistance programs which save the lives of children around the world, which prevent the spread of deadly diseases such as Ebola, or anything they want really. It is up to them. I suggested they wear masks while doing the research as measles is getting bad again.
  4. I walked through the woods and along the trails here at Aerie. I wandered down to the river and sat on the rocks and visited with some ghosts I’ve known for some time. We talked about the changes that find us now, and how they leave me so cold and so scared. I told my spirited late friends that thinking of them brings me peace, and maybe because of the heart trouble and kidney cancer, and the heartbreaking brain tumor, that they are free from this slow erosion of democracy and now they don’t need to watch. I laughed and thought of how they all might respond, and then I remembered what a writer once said, that “so long as I have breath and the ability to write, I will remain here to fight another day.” And so I shall. It was a beautiful walk and reminded me too of what is important. I miss my ghostly companions.

Which leads me to number five:

  • I’m writing a group of songs. I’m about halfway through. Let’s call them folk songs, but let’s also call them protest songs. I’ve taken out my guitars and they stand obediently on their stands near the window. I have a pile of notes and scribblings and some complete sheets of paper with phrases and lines and irony and metaphor. I tried doing something similar to this forty-five years ago when I was a young, immature college student badly playing coffeehouses. I couldn’t write well at all then. Now I can. And at some point I’ll record and upload the group of—let’s call them Go-Fuck-Off-Don and Elon songs—to Youtube, and at that point I’ll complete my “five things I did In Class Today Mommy” assignment properly. Maybe the album will do so well I’ll receive a Kennedy Center Award.

Oh Right! Number Six: Turn down Kennedy Center Award.

So what’s on your list?

Parenthood: A Lesson in Algebra

I’ve told this story before.

When Michael was about three or four, he used to play “Sir Michael the Knight.” Sometimes it would be on the sand in the yard of a beach house we rented one winter where we would build elaborate castles and he’d be Sir Michael and I was the dragon inevitably slain by the knight, culminating in my plunging death into the castle. Most often he occupied himself on rainy days when he would don his shield and sword and cardboard helmet and then barrel around the house. One time he ran through his grandmother’s home, cardboard sword before him, through the kitchen to the living room to the dining room and back into the kitchen, several times always calling “Sir Michael the Knight is going to slay the dragon!” or “You can’t get away from me dragon!” as he passed again, his voice fading in some Doppler effect as he disappeared into the kitchen, emerging around the corner seconds later. On one turn he was mid-sentence running into the dining room when his shoulder clipped the table and his feet flew out before him and his entire body slammed to the floor in perfect professional wrestling fashion. I jumped from the couch when I heard his head hit the ground, but he only lay there a second before he said, “Sir Michael the Knight hurts himself bad.” He got up and kept running.

He is still running. Michael turns thirty-two tomorrow; half my age. When he was born, I was thirty-two times his age, and now we’re down to twice his age. He’s aging, I’m not, is how I like to look at it.

What’s crazy is the obvious math here: The time it took for me to get to Michael’s birth is the time it took to get from his birth to now. It makes me examine everything I did in those first thirty-two years, and it was a lot. By the time he was born I had been around the block, to be sure. Time pushes us in multiple directions. A week from now seems a stretch compared to thirty-two years ago. Anticipation slows down time, but recollection instantly thrusts us back to one moment like it just happened. And when I look back at what happened, I often wonder how I’m still here. But all of those years are nothing at all compared to what we’ve done since 1993. It’s been one hell of a ride.

It isn’t unusual to find us at a local oyster bar splitting a dozen and drinking hard cider. Together we’ve ventured to various east coast spots like Long Island and the Outer Banks of North Carolina, trained across Europe and Asia on the Trans-Siberian Railway, and walked across Spain. We’ve seen more together than most fathers and sons get to experience in a lifetime. I am constantly aware of this and deeply grateful.

But none of those journeys compare to the pilgrimage we make to the river every evening when we’re both home to take pictures of the setting sun, and we wander around in silence to listen to the water and watch the wildlife. One of us might mention a colorful cloud formation or the approach of an osprey, but mostly we take pictures and point out the peacefulness. This has been a steady routine since he was four; the picture taking started just a few years later. In the summer the sand fleas can be unbearable but we tolerate them, swatting our legs and faces determined to remain at the river a bit longer. In winter we bundle up ready for whatever wind whips down the Rappahannock toward the bay.

Over these nearly three decades we must have taken thousands of pictures. I prefer to point my camera up at the ever-changing cloud formations picking up the last bit of light from the fading sun. I try not to allow anything “earthbound” into the frame, including trees or even the water. I like the fluidity of clouds, how beautiful they are ever so briefly before they dissipate. Michael aims at the surface, seeing hues and shapes that swirl and gather and disperse as fast as he can find them, capturing just the right combination of color and design before the tide takes over.

It is about perspective.

He’s been around the world on his own. Ireland, Spain, Cuba. And he holds together the art community here on the Bay. He’s done alright. When someone asks who he is like in the family, I don’t have to hesitate: My father. And I wouldn’t have it any other way.

These days I prefer to look forward. There’s a lot to look forward to, and more often than not these days it is separate from each other, but always letting each other know how it’s going.  I am not sure where Michael’s headed next but wherever it is and for whatever reason, I am confident it is with faith, a sense of humor, and an instinctive ability to be kind to people. I am as excited as he is about what’s laying out there ahead of him in that land of hopes and dreams.

Happy Birthday, Sir Michael.

Looking for Space

I don’t fit in. That’s okay.

When I was young I certainly had friends, but I was never completely comfortable around anyone—it probably explains my ease in front of a crowd instead of in a crowd. When I was growing up, Eddie and I would wander the state park and sing, and even with him, my best friend, conversation came with a melody and lyrics. Things don’t change. Honestly, I’m much better and more myself in front of two-hundred-fifty people or more than I am with three or less. The art of small talk has always eluded me; in fact, I wrote a relatively successful piece entitled just that, “Small Talk.” It’s not my thing.

I could never involve myself in the minutia of life. I was always better at big picture jobs—a hotel, a health club—where the objectives were clear and the conversation was kept to a minimum. So you can see the irony coming, right? Yes, thirty plus years teaching and discussing and reworking writing by college students, very often one-on-one. I always fell back on my health club training. That is, I became not so much a professor of grammatical skills or syntax as much as I was a motivator.

Big picture themes. That’s my wheelhouse.

So I never fit in at departmental meetings or brown bag discussions. In those places my mind shut down when endless conversation ensued about how to word one sentence of a document or the need or not the need for the Oxford comma, and on and on and blah blah blah and whomp whomp whomp…They didn’t want me there anyway. They didn’t mind me there, but they knew–I knew–I had no idea what they were talking about, not because I wasn’t smart enough; I just didn’t care so much and it showed. I didn’t take it personally. They argued about policy and pedagogy and pedestrian approaches to the diaspora of whatthefuckever. I watched a hawk outside. It seemed more important.

I went to a high school reunion a few years ago. I knew just four people there. Kathy, her sister Patti, our friend Michele, and…okay three people. In retrospect that makes sense—I didn’t really do much in high school. My friend Mike and I did announcements, and that left the appearance I was involved, but I wasn’t. There was a mic, a room, and hallways between me and everyone else. Perfect.

In college it was the same. I was very involved, but scrutiny of that involvement is illuminating for me. Radio station (alone in a studio talking to the campus); coffeehouses (alone on stage in front of a crowd of people I couldn’t see anyway because of the lights); weekends with keg parties and drunken floormates found me borrowing a car and heading for Niagara Falls alone or with one friend. I was more comfortable around the resident directors and priests who were often alone in their apartments, or driving to Canada, then my floormates.

Throughout my life, even when I did participate, what I participated in is defined by the singular concept of “one.”

Tennis is an isolated sport.

Guitar can be played without accompaniment.  

Writing. Oh hell, I’m not even there when I’m writing.

Walking. Hiking. In college it was the Allegheny River, in Tucson I’d drive down and wander the empty streets of a Mexican village, and in New England I’d hike to the top of Mt. Wachusett where kettles of hawks kept my attention for hours.

Nature.

I find myself more comfortable in nature because it doesn’t mind failure, it pays no attention to shortcomings and disappointments. It simply allows us to exist as we are without judgement or ridicule. It doesn’t care who is in charge. And in the end, Nature is in charge anyway.

This afternoon after the storm I sat on some stones at the river and watched the choppy waters, the heron gliding across the duck pond toward the marsh, a kingfisher perched on a wire, and the distant, dark clouds building again, bringing more rain again.

It was a few moments of absolute peace of mind.

A thought about this: The peace of mind thing is not easy to obtain. It is not an absence of sounds and conversations, it is an internal escape from one’s own internal disturbances; the constant interior monologue about everything from the practical (money, transportation, deadlines) to the emotional (sick friends, relatives), to the fleeting irrelevance in life that get their claws in your thoughts and won’t release. So finding peace of mind is not easy to do just because my surroundings are quiet and natural; it just makes it easier. I have found peace of mind in the midst of a thousand people and felt trapped inside a panic attack when alone on a beach. This is definitely a mental thing.

So I sat on the rocks in a rare moment of internal quiet, the still waters of my mind undisturbed by some psychological pebble, and I looked calmly across the river and realized something profound: nature doesn’t necessarily want me there either. It was not created for humans, it is not set up for people. It’s why the heron flew off because of me but not because of the egret or the eagle or the osprey. It is why the tide will ebb and flow based upon the natural phenomena of the moon and the sun, gravity and storms—not because of anything or anyone anywhere.

Nature has a whole other level of confidence. Still, it’s as close as I have come in life to being myself, being out there. Hiking in the mountains, canoeing, simply walking down the coast toward some other where.

Some people never find their reason for being here; they let the world saturate their thoughts like a swollen river and swallow them, giving up, giving in, letting that minutia like money and disappointing others get the better of them. It’s easy to do; it happens. I suppose most people don’t ever feel completely comfortable around others, a bit of self-consciousness slips through. But for me it isn’t that, exactly. I don’t feel uncomfortable around others; I’m okay in my own skin. It’s more of a feeling of always thinking I should probably be somewhere else.

Counselors have said since counselors have been saying things that it is essential to find your place in the world. I agree. I’m not sure I ever will, but I certainly agree, and at least I know where to look.

I’ll be outside. Don’t come.

Life in the Margins (Part two of two)

When I was in my late teens my father and I played golf one afternoon at his club in Virginia Beach. About the third hole a man caught up to us and played along. He was good; a driver, short chip, one putt player. I was not. I had the same clubs but more often than not sliced it to the right or bounced it into a water hazard. I didn’t have a temper, but it wasn’t unusual for me to put my club back in my bag with some force, as if to say, “Don’t even think about coming back out until you know how to hit the ball straight!”

I did this after I butchered an easy fifty-yard chip shot by clipping it straight to the right into a lake. I cursed, of course. The golfer was standing nearby waiting to hit his second shot to my fourth.

“Can I give you some advice?” he asked. I sighed. First of all, no, no you cannot, because I’m nineteen and I don’t take advice, and because I don’t even know you. But noting my dad just a few yards away I opted for sportsmanship.

“Sure,” I sighed.

He paused. “You’re not good enough to get mad.”

I stared at him.

He continued: “Really, how often do you play? Do you take lessons? Do you have the best clubs? If you played all the time and took lessons, well then you could be upset at not improving. Otherwise you’re just wasting good energy.”

Ever since then, I have not only relaxed and enjoyed the game, I play better. After a while I applied this to most aspects of life, not in a way to find an excuse to not try, but to relieve the stress that comes from going through life doing things everyone else seems to simply be better at than me. It also motivated me to get into the game a bit in those areas I do have some game.

Awkward Transition Section:

I gave an assignment not long after September 11th, 2001, when my students would have been in their teens during the attack. I wanted them to reflect on what will remain one of the most significant days in our lives. How, I wondered, do they remember that day? I thought it was a good assignment—a specific event but a vague enough request for them to wander where they wished.

One student wrote of her aunt who never made it out of the South Tower. Another wrote about her sense of horror and disbelief, which, she wrote, she could never correctly capture on paper. Several actually commented they didn’t think it affected their lives at all while others spit out what they kind of paid attention to with one ear from local television reports—about heightened security, conspiracy factors, the indescribable loss of life that spontaneously erupted on TV that morning. But one student’s piece caught my attention. He wrote, in part:

In a way, September 11 demonstrated, more than any one phrase can contain, the strength of our Constitution. The day became the beginning of a new era of the democratic process, and the definition of how we will defend our liberty, maintain our principles and remember our purpose—to stand as an example of humanity’s potential. It was Memorial Day. It was Victory Day.

I read this with amazement. I asked for the rough draft and received exactly what I knew I would: A similar, hand written version with some words written differently and others crossed out. Excellent.

“You plagiarized this,” I said, which, understand, is rare for teachers to say. We receive copied material all the time, but nearly never have enough proof to say, directly, “You didn’t write this.” In a world of AI generated essays, it gets even tougher, but I ask them to ask themselves if they’re good enough to plagiarize correctly. I remind them in order to pull off an AI paper or plagiarized work they need to have a deep understanding of my requirements for the essay, the style I’m looking for, the specific language, the relevant references, and to be frank, I let them know, most of them aren’t good enough writers to plagiarize that well.

But this kid nailed it. “I didn’t plagiarize that!”

I smiled. “Yeah, you did.” My small laugh, I think, pissed him off. He continued to challenge me. Normally, plagiarized papers frustrate faculty members when they know an assignment was plagiarized—either from another student or from one of the many web sites offering papers for sale, or more recently for various AI sites— but can’t prove it. So when proof does come along, while it’s disappointing to have such lazy ass students,  it’s not just slightly satisfying to stop them in their tracks.

“Yes, you did. Tell me why you shouldn’t fail.”

“Because I didn’t plagiarize it.”

“Okay, I’ll tell you what. I want you to bring me a copy of the original. If you do, I’ll let you redo the assignment without penalty.” I figured the embarrassment would be sufficient.

Once a student turned in a paragraph she plagiarized from our own text. Another time a student turned in a paper right out of the psychology textbook assuming I wouldn’t recognize that his in-class writing had the ability of a seventh grader and the essay he turned in was written by Freud.

I don’t think they’re simply overworked. They’re bored. What they’re doing is staring at me and thinking of everything else. In the front row is the guy with his fingers in his mouth, gnawing on his fingernails, pulling them out wet every once in a while to observe his work and then shift his focus to a different cuticle. In the back row some dude’s pretending to write notes while he’s reading his text messages on his cell phone.

Certainly, some things really are boring, and sometimes it’s difficult to find the relevance. I know; I was a student.

Too many aren’t listening. And I totally understand. There’s too much noise. Streaming services, reels, TikTok, internet scrolls, deadlines, term papers, credit card bills, car repairs, moving in, moving out, daycare, spouse abuse, deployment, speeding tickets. The pace of life is at Mach 7, and we’re teaching from a stage coach—no wonder they’re bored. They haven’t yet realized that life is infinitely more interesting from the stage coach; that life exists in the margins as well as the headlines, and we should not simply focus on the large, obvious lessons we underline but the small details where we learn what we are and are not good enough at to get upset to begin with.

We’re too busy for that. Before they’re out the classroom door, students are calling each other, talking and walking from building to cars, elbows bent, phone tucked tight to their ears. We’re completely plugged in. There’s no time to think. Don’t stop, don’t listen, and don’t figure it out. Just keep yourself plugged in to create the illusion that something’s getting done.

And we keep missing the good stuff because we don’t have time. A college where I used to teach had a reading by one of America’s leading poets, Reetika Vazirani. Maybe a dozen people showed up. There was enough room for her cute two-year-old to run around the auditorium, climb across chairs and make everyone laugh. Reetika’s poetry was magic. Students who did show up sat looking at their laps while Reetika read:  

Little by little, I’ll figure it out

I’ll say to them, Relax, we’ll live to be a hundred

I’ll sort things out.

And her child danced down steps toward the small crowd. They missed that for the noise. Noise, that unlike the rest of our lives, won’t ever fade but instead will grow in intensity until it blends to the point of saturation, and becomes inaudible, an undercurrent of indiscernible distraction.

I can’t help but sympathize with students. They see the careers of their parents or friends, and they know at best the future holds the slow erosion of enthusiasm.

Early before class one day, I waited for my student with the plagiarized 9/11 paper to show up. Some papers are so moronic I pray they were plagiarized just so I don’t have to believe one of my students wrote that crap. I read a paper once which began, “Shakespeare wrote Hamlet almost a decade ago.”  Another paper I received once had the same page printed three times. When I pointed out the mistake, he said he couldn’t think of anything else to write but knew the paper had to be 800 words, so he just copied it a few times.

When the student with the plagiarized paper returned, I was ready. “Ah, did you find it?” I asked when he came in and tried to sit down without looking at me.

“No,” he said, as I knew he would. Pride sucks.

“It’s okay. I brought a copy. Shall I read it to you?”

“No.”

“Great! Here goes:”

I believe our best education has nothing at all to do with the classroom or the assignments or the degree. It’s between the lines and off to the side of the narrative where we discover the best of what we need. This isn’t original; in fact, it’s a thought and practice older than formal education.  I don’t remember much from grammar school, which they called it then because they still taught grammar there. But I do remember my teacher taking us all out one April afternoon to lie in the grass on our backs and stare at the sky while she told us about the tragedy aboard Apollo 13 going on right then in space above us. All the discussions about what went wrong and how they might not make it back were irrelevant until we rested in the grass and stared at the sky.

The thing is, we’re all the same. Conditioning has them believing that life is supposed to be some Reality Television show. There’s no plot, no writers, no purpose.  Suicide is the second leading cause of death among college students behind accidents. In fact the rate is higher among college students than it is for the same age group who aren’t enrolled in college—you know why? Because life is infinitely more interesting than most of the crap we’re fed in school. No one cares about most of the material we spend so much time preparing.  In the real world, however, we tend to seek out challenges we know we are up to, where in college students face new levels of expectations, and when they’re not up to the task they complain instead of asking themselves if they’re good enough to be there to begin with, if they’re willing to get better. They’re trying to make sense of it all—or want someone to help them, and when they can’t they rely upon what others have done and plagiarize that.  No wonder they’re bored. Hell, I’m bored.

Sometimes I try and picture my students as toddlers and help them not in a childish way but in a way which I hoped faculty had helped my son, as if he were their own. Was he paying attention when teachers taught?

Was I?

Recently I remembered Reetika’s son, who ran through the vacant auditorium while his mother read poetry. Shortly after that reading, just before taking her own life, Reetika—riddled with psychological challenges—killed her son. I’m tuning that one out. There’s no lesson there. Sometimes I picture my son at twenty, wondering which of my students he would have been like and how would I have answered his questions, approached his plagiarized paper.

I stared at the young man that plagiarized the 9/11 story and asked if he were ready. He turned his head to one side, trying not to make eye contact. “Hey, it’s from the local paper! Well, let’s see:

“There are still no words for September 11’ by…”  I stared at him: “Oh my god, Dude, should I go on?” He laughed a little at my sarcasm because he knew what came next and because, really, it’s so laughable.

“There are still no words for September 11’ by…” I stopped and looked at him. “You’ve got to be kidding,” I said.

He spoke quietly: “I didn’t know you wrote it.”

“Where’d you get this?” I asked. A friend of his gave it to him from his developmental English class but had taken my name off his copy.

“I was set up,” he said.

“You think? Do it over. Here. Now. You’ve got the whole class.”

I opened the door and the class came in. I talked about something, I forget what since I wasn’t really listening, and after class everyone left and he gave me his paper. He wrote:

September 11th scared the hell out of me. I was only fifteen and our country was being attacked. I remember rumors that a bomb had been planted at the State Department and I really thought it was just starting, that we were at war right here in America. My brother was nineteen at the time and in the Army in North Carolina, and I couldn’t sleep. Our teacher talked to us about it during the following period at school, but I wasn’t listening. I was thinking of my brother and about war. I was thinking about how a few hours earlier my friends and I were talking about how some guy bought us beer that weekend and we hung out in Croatan, and suddenly none of us was talking at all, and no one wanted to. We just stood around and said, “Damn,” and we were scared.

He found his voice. “I’m disappointed,” I said. “This is way better writing than the one I wrote that you tried to plagiarize.”

“See you Thursday.”

Most students don’t find their own voice or would even hear it over all the noise. When things finally do settle down and it gets quiet and the cell phones are turned off, most of us wouldn’t know our own voice. Maybe we’re scared. I know I am. Maybe we don’t want to know what we sound like, preferring instead to fall into some mainstream composite of expectation and predictability. I tried to tell my son to figure things out for himself. Don’t rely upon being taught, but instead, learn. They’re not the same thing. I hope he listened.

And I’m certain he hoped I listened as well. I tried to pay attention, but it was hard back then with the constant noise of students and papers and classes and all the other voices in my head. So sometimes, too often I suppose, it was difficult to always pay attention and listen to everything. And that scares me.

Turns out it is the small stuff that mattered. It’s the details I should have paid attention to. In class I wonder if I have any right to get angry when they’re cheating with AI; I mean, maybe if I were a better professor they wouldn’t do it. But it’s more than that: In the hallways, in conversations, in all lessons I want to drill into them that the larger objective is not difficult to digest; it is the details that we need to spend more time focusing on. It’s the same for college students as it was for toddlers. You see, I had this fear when my son was little that I would get mad at him one day and he would turn to me and say, “Dad, you’re not a good enough father to get mad. Maybe if you’d practiced a little more.”

The $5,000 Question (part one of two)

The following piece originally appeared in the Chronicle of Higher Education, June 2009, and has since found its way into other journals and texts.

PART ONE:

Wherein our protagonist discovers the first of two important life lessons

Almost every day I hear my fellow professors complain about their students’ poor writing on papers and tests. The papers lack depth, my colleagues say, and reflect a lack of commitment to good writing. Having read countless examples of such sloppy college writing over the past three and a half decades myself, I’ve identified the main cause. Weak writing has little to do with students’ innate writing ability, even less with how much time they spend working on their papers, and less yet with how ill-prepared they are to do college-level work.

The real problem is this: Students know that professors must read their papers, no matter how poorly they might be written, how irrelevant their cited examples, or how “un-collegiate” their content. Poor writing persists because students know that professors are obligated to suffer through endless garbage in hopes of finding something salvageable. They are well aware that many professors will highlight their papers’ weaknesses and then allow rewrites, and that some professors will accept nonwritten extra-credit projects to improve their final grades. In short, students know there are usually ways to avoid putting forth a gallant effort.

I realized this great truth some years ago at the beginning of a semester in a composition class after I finished reading a paper by one of my students. During our next class, I asked everyone, “If I were to skim only the introductions of all twenty of your papers, but read in their entirety only the five papers with the best introductory paragraphs —the ones that entice me to continue reading —and automatically give the rest failing grades, would your introductions improve?”

They all said yes and admitted that they would put more of an effort into capturing my attention and solidifying their theses. I’ve continued to ask each new class of students the same question, and I invariably get the same response.

So a few semesters later, I added to my proposition a more tangible, albeit hypothetical, reward. I asked, “What if I had a check on my desk for $5,000? And what if I rewarded the writer whose introduction most caught my attention, who most effectively made me want to continue because of a solid and clear thesis, with a check for five grand? Would your introductions improve even more?”

Cries of “Absolutely!” filled the room. I stood and stared at them for a solid, uncomfortable minute, nodded, and said, “There it is.” They looked confused, so I added, “You always could do it. You just couldn’t be bothered. You just admitted that to me.”

Silence followed.

I still do this, pointing out to class after class, “You know you write better than these half-baked attempts you typed up late at night. There just wasn’t anything tangible in it for you.” The students will agree. Some will even acknowledge that conditioning throughout high school left them believing that a “good” attempt is good enough.

Now, I’m confident that my students aren’t sitting at home saying, “I’m going to make this as pathetic as possible.” There is no malice on their part. But there’s little “real world” risk involved, either. “What’s an A on a college paper worth in the grand scheme anyway?” they reason.

While the answers are obvious to those of us who do the grading, to the average student with 12 credit hours, a full-time job, a family, and essays to write, excellent work is often simply getting it done at all. Professors are in competition for attention not only with family, friends, classes, and jobs, but also with ever-increasing news-media onslaughts that rarely require students to focus for more than 20 seconds at a time. Our competition is TikTok and Reels on social media.

We must reshape students’ thinking so they understand that “good enough” isn’t, and that doing better is simply a matter of seeking the rewards of excellent writing in the same way one might seek a bigger paycheck for working overtime. We aren’t offering them real training in earning rewards if we allow them to pass their courses despite weak effort and poor results. In the real world, people often get only one opportunity, one job opening, one chance to move ahead. Most of us know that the amount of time that a person commits to a project usually leads to better outcomes, but many students work under the delusion that almost any result is acceptable.

But what if we teach students to write their essays as though professors simply won’t read them if they are of unacceptable quality? What if we all asked ourselves if we would be doing better if the reward for our actions was more enticing? Shouldn’t we be operating at that level anyway?

By driving students to improve their efforts, we can teach them how to maximize their ability and overcome their lack of motivation. We must repeatedly remind them that doing poorly in college through halfhearted effort and mediocre work could lead to doing poorly in the real world, too, damaging their reputations and chances to advance in their careers. We want our students to view us as gatekeepers to what comes next in life instead of as mere grade distributors. Combined, those strategies are often sufficient wake-up calls for students to improve their efforts.

We need to show students that we expect the same effort to get an A that they put forth to get a job, establish a career, or win a trophy. They can do it; they just need to be reminded of the difference between short- and long-term rewards, between internal and external motivation.

And so do I. Sitting in classes now I think about all the times I did “good enough” work—to this day—when had there been more of a tangible reward I’d have made more of an effort, until I trained myself to understand that the effort is the reward.

Anything less than a fully-committed effort should mean an F —failure in college, fired in the real world.

Next time: Our protagonist learns the lesson of his life on a golf course

2025 Day One

Life is too short to simply run out the clock.

Van Gogh once wondered, “Those of us who live; why don’t we live more?” I considered my lack of effort, my lack of discipline, my lack of patience; and I thought about my abundance of inattentiveness, my tendency to rush, to generalize, to blame. I need to live more not despite the losses of 2024 but because of them. Because I can, simply put. Fortune has me well in hand. Lesson Learned.

Is there an age limit on starting over? At what point are New Year’s Resolutions simply pointless?

Let’s find out.

Grandma Moses didn’t start painting at all until she was seventy-six.

Frank McCourt, author of Angela’s Ashes, winner of the Pulitzer Prize and National Book Critics Award, didn’t start writing until he was sixty-five.

Laura Ingalls Wilder started writing the Little House on the Prairie series at sixty-five.

Fauja Singh ran his first marathon at eighty-nine (luckily if I choose this path I can wait twenty-five years before getting off of the couch).

Harland Sanders established Kentucky Fried Chicken when he was in his sixties.

And for God’s sake, Noah was six hundred years old when the waters started to rise. Hell, I’m going back to bed.

Truthfully, it isn’t about starting over, really. We make resolutions this time of year to lose weight and exercise and save money and volunteer more, and those are common ambitions for a good reason: they’re admirable goals, apt adjustments to our otherwise well-planned life. Emerson tells us that “the purpose of life is to be useful, to be honorable, to be compassionate and have it make some difference that you have lived and lived well.” I must do all of those things, for certain. But a slight adjustment simply won’t cut it for me anymore. Not this time. 2024 was a wake-up call.

Certainly, the atmosphere these past few years hasn’t exactly been conducive to positive change. I seriously grew up believing my generation was the one that would clean the world, bring peace to all countries, and create a more inclusive society. I know it was innocent and naïve, of course, and I didn’t really expect some land of Oz, but I also didn’t expect this pathetic disaster we still call humanity. We are a mess; our supposed “intelligent life” turned out to have little compassion for each other, and it is stressing me out more than my meds can handle. I don’t understand why it all gets to me and brings me down. It just does. I know that “a happy soul is the best shield for a cruel world,” as Atticus wrote. But listening to the news is akin to swimming in toxins, and it has become overwhelming, drowning out whatever happiness takes root. Something has to change–if not out there, certainly in here.

And it helps to have a distinct starting-over point. A few times each year—birthdays, Spring equinox, for educators the first day of classes, and New Year’s Day for us all, we can take a deep breath and make some sort of commitment to do some small part by changing ourselves, either by dancing with the Druids at Stonehenge or making resolutions. Of course, I can only speak for me.

The clock is ticking while I’m distracted by society’s bad energy, spending valuable time on meaningless banter. I need to get back to me and remind myself, as Dan Fogelberg sang, that “there’s more than one way of growing old.” I need to take more chances and figure out which dreams I simply refuse to allow to fade before I die. Not all of my imaginings are realistic, of course. Certainly I can narrow down the list with some rationale: I can probably toss out the Wimbledon win and playing outfield for the Mets. I’m confident the circumnavigation of the world is sliding off the list as well, as is winning an Academy Award for directing.

So what do those people above have in common? They’re not afraid to fail, they’re not afraid to embarrass themselves and be transparent. They’re not afraid to be ridiculed, mocked, trolled, dissed, and dismissed.

With that in mind it occurs to me most of my successes came in the midst of countless failures for most of my life; I have embarrassed myself in front of crowds since I’m nineteen, I remain pretty open about myself, and as a professor and a writer, I have suffered a steady barrage of ridicule, mockery, rejection, and dismissal. Yet in the words of Hamlet: “I do not know why yet I live to say, ‘This Things to do.’”

And now it’s New Year’s 2025, and despite the crappy year that 2024 was, I’m still here and able to write these words. That is step one: Be Alive.

I know a man who joined the Peace Corp at seventy-five. Another who learned French and became a translator at seventy-one.

There are barriers to these resolutions, to be certain. Pressure, stress, money, fear, and sheer exhaustion. Age! Yes, dear, persistent and unyielding age. The obstacles can seem insurmountable, but as Moliere said, “The greater the obstacle, the more glory in overcoming it.” Still, on top of this, those battling depression have to also face those internal voices telling us there’s no point, those for whom the “resolve” in resolution can be a monumental task, those for whom as a friend of mine recently noted, “no longer care if there’s a light at the end of the tunnel; I’m tired of the tunnel.” But none of us, I am not wrong about this, none of us wants to reach the point of death, as Thoreau reminds us, only to find out we never really lived at all, and, even worse, never even tried.

Certainly, some of us are simply mentally exhausted. Some of us have little faith in ourselves or no clue where to begin with some of this. Some of us fear we are simply wasting our time. “I’m just going to gain back the weight,” people rationed when I worked for Richard Simmons. We used to tell those who wanted to quit that in everything in life we have two options: I will attempt this and do what’s necessary to succeed so that even if I fail, I know I tried, or I will not bother trying because I’m likely to quit anyway or simply do not have the energy.

Which group do I want to be in when I’m older? Older?! Ha! I mean now. When I am near the end of the end, what would I have been successful at if I had just, well, showed up?

So Happy New Year, and if you’re thinking it is too late and much too hard to start over, I leave you with the words of Joseph Zinker from the Gestalt Institute:

If a man in the street were to pursue his self, what kind of guiding thoughts would he come up with about changing his existence? He would perhaps discover that his brain is not yet dead, that his body is not dried up, and that no matter where he is right now, he is still the creator of his own destiny. He can change this destiny by taking his one decision to change seriously, by fighting his petty resistance against change and fear, by learning more about his mind, by trying out behavior which fills his real need, by carrying out concrete acts rather than conceptualizing about them, by practicing to see and hear and touch and feel as he has never before used these senses, by creating something with his own hands without demanding perfection…We must remind ourselves, however, that no change takes place without working hard and without getting your hands dirty. There are no formulae and no books to memorize on becoming. I only know this: I exist, I am, I am here, I am becoming, I make my life and no one else makes it for me. I must face my own shortcomings, mistakes, transgressions. No one can suffer my non-being as I do, but tomorrow is another day, and I must decide to leave my bed and live again. And if I fail, I don’t have the comfort of blaming you or life or God.

Fauja Singh running a marathon at 100

This Year (Can’t End Fast Enough)

What a year. Just, well damn, just, what a year.

For the first time in fifty years—1974—I have no reason to go to Virginia Beach other than a Bloody Mary at the Beach Pub or breakfast at Ocean Eddies, and of course to visit my father’s resting place. 1974 was the year my parents purchased a house on the Lynnhaven River, and this year my mother left the Beach for Williamsburg. It’s odd, really, not needing to go to a place I needed to go for five decades. And while I’m the sort that never needs a reason to go somewhere, I’m painfully aware that Virginia Beach has permanently aligned itself with other towns of my past, such as Massapequa Park and Great River. Oakdale and Wellsville.

Forty-five years ago this past September I met two people that would change and influence me for years—Fr. Dan Riley, who would visit me every night late in the infirmary for a few weeks while I had the Russian flu, during which time we bonded and came up with the idea of a radio show—Inscape. And Dave Szymanski, who joined me many mornings every week in the campus radio station as we tried to figure our way through the gives and takes of that freshman year—him pulling news off the wire, me spinning albums, both of us talking, sharing, hoping. Both of them died this year, exactly forty-five years later, and I meet them sometimes in my mind when I need some advice or companionship.

Forty years ago I walked into a hotel room in Worcester, Massachusetts, thinking I was trying out for a part time job as an exercise instructor at some local health club, and walked out that day a member of the management staff of that club, working for Richard Simmons. It was a wild ride for a while, and the fall of ’84 found me moving into a beautiful yellow house near a reservoir, making a ton of money from America’s Favorite Exercise Guru, and having a blast while getting in shape. This year, forty years later, Richard died, reminding us all it doesn’t matter how full of life we are, how much joy we bring others, eventually we too pass all too quickly.

Thirty-five years ago this past summer my car broke down in the parking lot of Tidewater Community College. This was pre-cell phone of course, so I wandered into an office to use a phone to call AAA. While on hold, the dean—Bill DeWeese—said to his assistant—Eleanor Shannon—that he needed someone to teach Humanities on Wednesdays. I hung up and got the job. One week later I stood outside the door of my first class waiting for students and talking to a woman in an office across the hall. She had a heavy French accent and in those first five minutes we laughed more than I had the previous five months. Letty welcomed me to the college, and the next day we went for coffee. Eleanor passed away some years ago, Bill last year, and Letty this past July, nearly thirty-five years to the day after we met.

Thirty years ago this year I made my first of two and a half dozen trips to St. Petersburg Russia. Prior to that initial journey with my colleague and friend Joe Antinarella for a grant with the Commonwealth, it was much more difficult to travel there. But through the years I watched the city move from vacant streets without advertising or western influence, to restaurants and concerts, European clothing lines and shoe stores, American coffeeshops and fast-food joints, and we wandered freely throughout the backstreets of the Window to the West, knowing Peter the Great’s idea of a “New Amsterdam” had finally been fulfilled. And now, thirty years after that first month-long stay, the streets are again vacant of advertising and western influence, and I cannot go back, nor do I plan to go back.

Twenty-five years ago I made my first of many trips to Prague. It was a month-long stay as I taught at Charles University, was befriended by the great Czech writer, Arnost Lustig, and read all the works of one of the more influential writers in my life, Bohumil Hrabal. I also discovered Pilsner and Terezine, the Hunger Wall and 19 Nerudova Tea Room where I wrote an entire manuscript at night over apple strudel and Irish Crème tea in just over three weeks, and some years later published it as Penance. Since then I’ve come to know Prague as well as I know any city, though much there has changed. It seems change tends to happen.

We like round numbers, don’t we? We like even years, silver and golden anniversaries. More people showed up for the fiftieth anniversary of Victory Day in St Petersburg than the forty-ninth. More people observed a moment of silence on September 11th, 2021, than the same day a year earlier or a year later. We count in decades, we measure in leap years. You can buy birthday cards for someone’s 45th or 50th or 60th, but not their 64th, as if there is less reason to celebrate a life until they finish some imaginary five-year plan.

Still, on this fiftieth anniversary, I understand that I have no real reason to return to the Beach anyway, other than see my Dad’s headstone and tell him about the Mets. I remember the city like it was last week, and what a time it was, managing the hotel those summers during college, attending gigs with my oldest friend, musician Jonmark Stone, and lounging on the beach or at Ocean Eddies back when the drinking age was eighteen. I’m not nostalgic—we had our day in the sun; a lot of them, and I’m lucky enough to carry those memories with me. When I talk to Jonmark on the phone we don’t reminisce, we talk about when we can make our next tee time or when I might get out to Indiana. No, looking back is fine, really, as there’s always going to be something there for me, but it’s not nearly as productive as looking ahead. Fr Dan and Letty would agree; Dave maybe not so much but I didn’t love him less because of his instinct to recall our Glory Days at the radio station.

Many of my habits ended this year, some for the better and some absolutely for the worse, but they ended just the same—they aren’t sitting just behind me in some fog. They’re done. No more weekly phone calls or thrice a week walks. No more late-night Bailey’s on Ice at a mountain on New York’s Southern Tier. That’s why I knew as fall slipped away that this New Year’s is going to be an important one; this is not going to be the same old lang syne.

This year I’m traveling again. First stop, the Netherlands. This year two books are slated for release, one about teaching college, Office Hours, and one I started more than forty years ago and which I finally completed, Curious Men, which tied me to the past for four decades, and which ironically enough is about a time in my life I learned to jump first and invent the parachute on the way down. Perhaps I was simply in denial back then, or a little too angry. For certain I was depressed. But if I understand psychology correctly, this is the acceptance part. And just in time, too. It’s nearly New Year’s.

I understand most people live between the two, comfortable in the daily life of here and now, glad for the past, at the same time they have prepared for their future. Their New Year’s Resolutions are practical and fulfilling, and while some are broken, a birthday is an inevitable chance for a reboot.

So this year, borrowing from Fitzgerald’s Jay Gatsby, I have but one resolve. This year, after the loss of three people I spoke to nearly daily, the completion of a manuscript that on a daily basis brought me back to when I was nineteen-years-old, and a nearly complete amputation of a city that shaped my very existence, as my one resolution for 2025 I’ve decided to simply get out of my own way. In the words of John Denver, who has been there for me from the start,

It’s time to make mistakes again

It’s time to change the show

It’s time and time and time again to find another way

It’s time to gather forces and get out of yesterday.

Happy New Year everyone. Thank you for another year of reading my small entries here.

On This Silent Night

The Blue’s Brother’s Light Display

It’s misty tonight but not raining, and all the lights have halos from the soft air. Today I slowed down after sixteen weeks of not, followed by a few days of noise–it was all in my mind, of course, but noisy just the same, so this evening I decided to slow down and after standing on the front lawn looking at the moon through the haze in the east, I drove down into town.

I put on some solo piano music from George Winston’s December and rolled slowly past the fish market to the real estate office where Steve and Randy Blue have the best lights I’ve seen. They have music synced with a radio station across the river, and the largest tree in the front keeps beat with the sounds, but I kept my windows rolled up and just listened to George’s deep rendition of Variations on Canon in D. Kids with parents ran through the paths between light displays, and I assume they were yelling, or calling out what they saw, but I heard nothing. Just George and Pachelbel.

I stopped next door at 711 and bought some hot chocolate, talked to Wayne a while in the parking lot, but families started moving past the Nutcracker display to the parking lot, so I drove off toward the bay, pausing in front of Hurd’s Hardware. Jack Hurd has the entire front window filled with illuminated Christmas trees in various colors, and on the left side the trees are several deep. This window against a black sky with no other stores around makes it more silent than it should be. I turned off the car and the radio and rolled the window down and still heard nothing but quiet, a faint spill of music from the light display at the realtors.

Behind Hurd’s and across the street is the village branch of the county library, and tonight my son worked while a local Y hosted kids who had entered their artwork to be hung in the library gallery in the back. I rolled down the street and looked back into the window. This, right here, is one of my favorite things to do in the dead of a cold night in December; to see kids and families laughing and warm inside a window, not able to hear them, but watching them play and talk while outside I can see my breath and my face is tight from the cold. At one table near the front Michael talked to a woman, while over near the door a few kids entered to head back to show their parents their work.

On the way home I rolled into the IGA and could see Kristin from the museum and one of her kids at the checkout, talking to the clerk, laughing. The lot was empty, mostly because it’s Monday but also the rain, and I headed to the river, rolled down the windows, and turned off the car and sat quietly. Out on the Norris Bridge I could hear the whining of truck wheels moving across to White Stone, and the light at the airfield was circling, indicating someone will land at some point tonight, probably Mike in his PT-13 headed back from some weekend show. All of this going on yet all I can hear is the lapping of the Rap on the sand and the slow movement of a heron about fifty feet away in the marsh. To my right in the windows of the yellow house across the reeds is a blue light of a computer or television flashing on the walls.

I like the peace I find when I am outside looking in at Christmastime, and some rebirth of familiar connections take hold of everyone. It is fleeting of course, but present for now. I enjoy watching these flashes of life around me. I try not to be creepy and prefer only to look in public spaces like convenience and hardware stores, but it is nice to catch a place like the library where so much activity is going on behind my music, like shadows on some cave wall. But this year is different than last. Some of the people I used to talk to every day have gone silent, somewhere beyond the ideas and anticipations of those still here. So my world in general has gone mostly silent in the past several months for the first time in three decades.

So tonight I decided a drive made perfect sense; not only because it fills me with some sort of hope to see life being lived, but also because I’ve always been just outside looking in.

This happens to a lot of people, especially this time of year; we have a sense that we’re better off a step back, perhaps a small part of the conversation but not participating as much as others, preferring instead the safety of the next row back instead of the circle of talkers; we are more comfortable on the patio bench quietly watching the stars until someone else who feels awkward comes out and quips about needing some air. That’s where I am, away from the small talk, and I turn around, place my elbows on some wrought iron fence behind me, and look in a everyone laughing. I am okay a step back.

But at the river I sat in silence and thought about why this distance works for me.

It is safely consistent. I know blindfolded how to walk through most of the Blue’s Brother’s light display, and I know Wayne and Maria will be at 711 at this hour. Monday nights Michael always works the library, and Jack’s trees make everyone smile for a few weeks. They make me smile anyway, and I appreciate that. It is predictable and consistent at the end of a year that has been anything but either.

So I drove around listening to Winston’s version of Bach’s Joy and felt completely and literally at peace. Life is out there, through the windows, in the market and the front steps of the convenience store. The kids in the library laugh like Michael used to when I brought him in to sit at those same tables two and a half decades ago. This is what we can count on when we are running out of things to rely upon; that Christmas will bring out people with lights and once dark window displays are somehow almost personified, the trees in Jack’s window display appear more like watermen at the cafe standing around talking about the coming snow.

I slowly rolled down my long, winding driveway until I reached the lamppost near the lawn at the house. The porch is lit with white lights, as usual, and the wreathes illuminate the walls and windows. I had one other significant loss this past year; the Penguin, affectionately known as Pengy, died last January. His wires were shredded from years of moisture and his skin simply popped. Sad really, because I liked seeing him for twenty years at the corner of the porch.

But things change. I have new light displays now someone sent me, and after tonight’s Chocolate Bailey’s on ice I’m not going to care so much anyway. But I do have a suggestion: Turn off the music except for something peaceful, and stay outside for a bit–watch life for a while from the outside, observe it’s consistent laugher and predictable love. Watch others enjoy the moments they have together while they still have those moments.

But don’t stay out there too long. The love is inside.

Hurd’s Hardware, Deltaville
west on the Rappahannock tonight

When Power Corrupts, Poetry Cleanses

“If you ask me what I came to do in this world, I, an artist, will answer you: I am here to live out loud.”       –Emile Zola

I moved through several stages of grief in the hours and days following Election Day. Denial hung on a while, anger held court the longest, at about three am I woke up bargaining that it all be a dream, at five I woke up depressed, and at six I got up but instead of moving to acceptance, I back-peddled to anger again. Acceptance is a distant, blue ghost waiting in the shadows.

This is an appeal to my colleagues in the art community. There has rarely been a more important time for us to be writers and musicians. Our discouragement at watching this country move backwards into what many in the past few days have called that horrific term “Melting Pot” instead of forward into a multi-cultural society must be met by our abilities to give voice to our frustration.

It has always been the task of the artist to expose inequity, injustice, and fascist tendencies. It was Thomas Paine whose small seditious book Common Sense instilled in the citizens of the colonies the ability to move forward; it was David Walker who called upon his Black brethren to resist; it was Thoreau’s Civil Disobedience; it was Ida Tarbell and Carl Sandburg. It was the writings of John Stuart Mill, and Richard Wright. It was the writings of Woody Guthrie and Bob Dylan.  

It was, it is, the poets.

President John F Kennedy said, “When power leads man toward arrogance, poetry reminds him of his limitations. When power narrows the area of man’s concern, poetry reminds him of the richness and diversity of existence. When power corrupts, poetry cleanses.”

Some have suggested that one voice doesn’t weigh much anymore in a world of a million sound bites. However, other than bad flash mobs, there has never been such a thing as a spontaneous chorus. The artist, despite their isolation, has it in their power to put voice to what others wish to say but cannot, but once they hear it said, sing along with the harmony of their generation. Ginsberg wrote, “Poetry is the outlet for people to say in public what is known in private.” And Robert Frost said, “A poem begins as a lump in the throat, a sense of wrong.”

I can’t swallow.

I can’t do most things that will benefit this country and prevent its further demise, but I can write. I can do that. This is an appeal, then, to the writers and poets and to the musicians and actors and painters to combine our talents with our grief, to blend our anxiety with our refrain, to risk exposing truth.

And what do we say, exactly?

In whatever way we can, with whatever genre we can, that we can do better than this. Simply, that we are better than this.

“We must always take sides. neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented.” –Elie Wiesel

Copy That

This week the assignment in college comp is to write an essay about the positive and negative effects (or short term/long term; physical/emotional, whatever) of involvement in extracurricular activities. Research and valid support from experts are required. Today I read some rough drafts.

Out of twenty something papers, fourteen of them quoted as their source the same “study” done by two professors at the University of Pakistan. Their papers “reflect” the findings in a predictably vague and non-committal way, with language intended for fifth graders and excessive repetition for extreme ADHD readers. My students have not yet figured out that AI writing generally sucks anyway.

After some frustration, I took a moment to Google “Studies of the effects of extracurricular activities,” and the first six or so hits were UCLA, University of Wisconsin, Oklahoma State, Notre Dame, US Department of Education.

National Institute of Health, Texas A&M, Nature. The list of accepted expert sources is extensive.

So what gives?

Ah! I thought. I know exactly what gives.

I Googled “information about the effects of extracurricular activities,” and the first five hits? University of Pakistan. I googled “statistics and quotes about extracurricular activities” and the same Pakistani people popped up. Then I Googled “Essays about the effects of extracurricular activities” and the same people showed up. Go figure.

Quick recount: Test scores started to drop at high schools and universities about the time technology slipped into the curriculum, not unlike obesity showing up more often after the explosion of fast-food restaurants nationwide, or the numbers of hyperactive and anxiety-prone students skyrocketing with the introduction of specialty coffee shops and power drinks. After Texas instruments introduced the calculator to the classroom, the slide rule (kids, look it up) slid out of use. The conversation in the seventies was that students weren’t learning math, they were learning how to use a calculator.

This has been going on since some Bronze Age dad figured out a flint stone started fire faster than rubbing together two sticks. At the time, if he handed his preteen two sticks, the kid might have stared at them like they were relics from the Neanderthal Age.

In all math classes and for all homework, teachers used to exclaim, “Do your own work.” Not meaning don’t cheat, though I suppose that too, but meaning do NOT use electronics such as a Texas Instrument calculator to figure out the solution.

Writing terrifies students because they simply don’t do it. And if they can use AI programs to complete their work AND know the material, well, whatever. But writing is different; it is organic, but most importantly it has been proven to be the most effective tool in learning. It directly aids in retention, and we can actually teach ourselves material and figure out solutions to problems simply by writing about them, page after page. It is called Writing to Learn, and in Days of Yore, it was standard practice, wherein an eighth-grade class might be assigned Hamlet to read, and then their homework was to write two-thousand words about “Hamlet’s madness” or “Laertes revenge,” and so on. The process of writing exposed the characters to the writer with far more accuracy than “thinking” about it, or even talking about it, and the students became better writers, learned to do their own work, and gained valuable confidence in the process. That’s the key issue here—the absolute lack of confidence on the part of the student to write coherently.

But that individual, organically generated (OG?) writing ebbed during a time when individual assignments were sacrificed for “Group Work.”


But I digress. I got carried away as is apt to happen when writing. I do it a lot, though, so I don’t mind. But my students do not do it and they apparently do mind, even in a class they know was a writing class. They avoid it anyway and would rather spend time finding other people who already wrote what I’m looking for. The problem is this isn’t a history class where all I really want to know is if they understand the pressure felt by a group of soldiers on D-Day, which still should be met with original writing of course. No, this IS a writing class, where the lesson we learn is how to actually do it and the subject matter is secondary. We don’t learn how to steal it or copy it or get through by being so howl-at-the-moon lazy that I question how they got through high school to begin with.

(breathe in, breathe out)

Don’t be so quick to assume the student with the 4.0 GPA earned it. Don’t assume the new hire knows the material; they might have just learned how to present information as if they know what they’re doing. Do not automatically believe the students would make good graduate students because they seemed to excel during their undergraduate studies. They may have actually excelled at finding material, not figuring it out on their own.

So how can we tell if students are doing their own work?

Here’s what I do:

I get to know them. I pull a chair into the middle of the room, and we talk about their hobbies, their siblings, their experiences being away at college for the first time, and what they do for fun to relieve the stress of classes. I adopted Leo Buscaglia’s requirement of a “Voluntary-Mandatory” meeting at least once a semester, where every student was required to volunteer to go to his office at least once for five minutes, introduce themselves, and talk about what they want out of the class. So I do that, and I have thoroughly enjoyed getting to know my students better now than I did in the thirty years I was at a different college.

Does it work?

NO! Half my class thinks Hamza Abbasi of the University of Pakistan is the source for all things extracurricular in the American schools. And they all told me so using exactly the same words as each other.

Tomorrow I’m handing out slide rules and asking them for the square root of 3987.5. That will give me time to read more rough drafts.