
I walked to the river and watched geese settle on the field. It is cold, and the water is choppy today. I sat on the grass and watched the tide retreat to the Chesapeake, pulled by the moon and pushed by the current, both. I like the movement of water, the ebb and flow, and even on days when the river is glassy, you can see some subtle and constant change.
That’s how writing should be. And life.
I do not need New Year’s Day to know renewal; it is just down the hill. The last few years brought with it challenges I sometimes could not face without support, but at the end of the day, my pulse returned to normal and my often untethered and anxiety-ridden thoughts realigned themselves with the tide. Sometimes at night—often at night—I feel the same sense of being mentally cleansed that so many experience on this day, and the notion of a new start seems obvious and obtainable. My passive hopes become active plans; my stagnant ambitions, activities; my indifference, passion.
I don’t want to regret life, having lived not saying what I want to, even at the risk of failure and embarrassment. I don’t want to constantly and constantly and forever constantly wonder if I could have done X or succeeded at Y. I want to fail rather than wonder; I want to participate rather than watch others from a distance. I want to say what I want to say.
And I want to be clear.
I need to back off of the gerunds and modifiers, ease up on the nouns. Life should be a string of verbs. I’m attempting to live out the rest of the little there is of life without piling on more passive voice.
When I teach creative writing, I emphasize action. Too many rely upon some benign and wordy noun-universe. Characters—all of us—need to do something. Let’s see the love and heartbreak, the gentle breeze and the raging storm; at least then we’re paying attention. Safety has little place in the creative process, and what is more creative than life? Characters both imaginary and real need to get off their collective asses and act. You can tell me all day about what a person is like, looks like, thinks about, and you can expose the deepest concerns of her soul with some convoluted third-person omniscient narrator, but I want diagonal lines, not straight ones, I want inverted triangles and asymmetrical actions. I want first person. I want active verbs and movement and pace rather than nothing but moments of pondering.
Today is as good a day as any for a rewrite.
Certainly, I have failed, oh my I have failed. I am failing still. So I need to stop holding back. Hesitation doesn’t pay off either on the page or on the go. So I’ll absolutely take advantage today of another chance to begin again. It is always the first day; there is always another draft.



