Absent

Something is always missing in my writing that I can’t put my finger on. This is normal, and over the years I’ve had conversations about this with everyone from Tim O’Brien to Susan Sontag; that others read your work and say, “That’s exactly right,” all the while you step away from it frustrated that it is still shy of what you meant, what you know it needs, or worse, know it needs something but can’t figure out what. Welcome to the arts. It’s a like/hate relationship. Love rarely shows up except, ironically, during the conception stage when everything makes sense. But later, well, something is always missing.

More than a few times I’ve been asked to read from older works. My last few books I don’t mind reading from because even though I know I could improve what is there, I’m still satisfied with the material. But when I’m reading a piece from one of the two early books about life in Russia I want to apologize as I go, read a few lines, look up and say, “Geez I’m so sorry this is so shitty,” and then continue, sighing after each paragraph. That’s the nature of the beast–actors too don’t watch old films for the same reason. Perhaps we have learned more since then and we approach the early material unfairly from a more experienced perspective. Or perhaps it really did suck and we just hate to realize it is in print somewhere waiting to embarrass us.

But this: I’ve never read something I’ve written and found material I wished I had not included. It is only what’s missing that haunts me, the untold parts, the “I didn’t say that quite right” parts. And then when I recognize what I should have done, when it is clear to me what really is missing, it can be unbearable.

***

It’s hot today, mid-nineties, heat index about 104. I brought my car to the dealer for it’s check-up and I bought new pillows. I spoke to a friend in Ireland, and I talked to someone in Rhinebeck, New York, about a new project. Then I had to make a call to a friend at a newspaper.

You know, some things simply don’t work out no matter how hard you try. I had planned some overseas trips with people that fell through, and two of three book projects have been delayed. So I took the morning to get stuff done and enjoy a little peace. Then I spent an hour on the phone doing an interview with an old friend of mine up north about the book that is coming out this winter, and we talked about those days back in college when much of it takes place. It was nice to look back.

When I thought the questions were done, he recounted my life for me–the books, some of the jobs, most of the years, as a way of matching my work to my experience. And then he asked something that no one had ever asked before and which never really crossed my mind: “Bob,” he said laughing, almost as a rhetorical aside, “is there any aspect of your life you haven’t written about?”

“Bob?”

I was quiet a very long time, and it came into my caffeinated mind like it had been waiting ready to expose itself, and it was quite suddenly and for the first time for me at least, quite obvious.

“Well. Fuck.”

“Yes.”

It took me awhile to understand what just happened in my head, and I apologized, glad he was someone I used to know well enough to not worry about the dead air between us. It didn’t take him long to decide to remain silent, knowing/sensing I needed to get myself together. He quickly changed the subject but I pulled him back. “No, that’s okay. Repeat the question.”

“Just curious if there’s anything significant in your life that might be worthy of a book or even an essay, but you haven’t written about it and, well, why? Why not?” That’s real journalism right there. We had the same mentors but I was never that good. Damn.

It’s always frustrating when something is missing and you can’t put your finger on it. We all know that feeling, like the song that’s on the tip of your tongue, or the meal you prepared and before the guests arrive you step back and feel like there needs to be one more thing, and it turns out to be the most important element. That feeling. Only this time I had the answer; I know what has been missing, what I never wrote about, though it was never a conscious decision. What’s even crazier is I spent part of that phone silence wondering how no one, no one, through the years ever even once asked about it. Ever. Yet it’s absence now seems so crystal clear, like seeing the two shadowy faces that turns out to be a lamp, and once you see the lamp you can’t find the faces anymore.

“So what you’re wondering,” I replied, “is if I ever consciously didn’t write about something that probably deserved to be written about since everything I’ve ever written has been about me, not to sound egocentric or anything.” He laughed and said my work rarely is about me, that I’m just a character in the narrative. This guy is that good at his job. Our mentor Dr. Russell Jandoli would be proud.

“Is there?”

***

Last year I heard a review on NPR of Tim O’Brien’s book American Fantastica, in which the reviewer said, “This is clearly going to be his last book.” I called Tim and we laughed about it and he said he had heard the review and ironically he was already at work on a new book and now he’s thinking of calling it “Posthumously.” We laughed a long time.

“So you’ve got more to say?”

“Yeah, Bob, but it doesn’t mean anyone wants to hear it.”

Well as just another player in the art world I can vouge for the idea that we all just assume no one will ever want to read or listen to or watch our work; that’s not why we create. But, yeah, I still have more to write about as well.

However,

I mean, it isn’t exactly “Everything” I’ve lost interest in.

Sunrises still can manage to get me out of bed before dawn for a saunter to the bay where the best moments are about fifteen minutes before the actual sunrise, when the sky is still dark blue, with a streak of burnt orange in one smooth paint stroke near the horizon.

Then coffee, the sound of cups in a diner kitchen, the sound of the pour into the cup, tables and stools of people talking laughing, planning the day, remembering the night.

And children of course, the non-starving, not yet war-torn ones. The ones who remain the way they should, laughing at the simplest nuance, and drinking milk with two hands. It’s the laughter that gets most of us, especially when it reminds me of my own son at a young age, laughing at some lizard in his hands. That memory still holds my attention.

I stood in line behind a World War Two vet a few months ago–ninety-eight years old–stood strong and told me he was driving to Richmond that afternoon to watch his great-grandson play baseball. That is worth the time any day of the week.

I once waited half the night for the moon to rise above a mountain but it never did. That night, the stars, the floating dock, the non-moon night was filled with such peace both literally and psychologically, such complete presence and stillness, that would keep me going a long time during the worst of days. That day closed up decades and reminded me something so essential: Everything we are, we remain. And that real friends are often the only thing worth our attention.

The sound of geese keeps my interest, and talking to local farm workers from Mexico about where they’re from, villages I don’t know, some I do sometimes.

Talking about Ireland, or Prague. Talking about Spain and how the stretch from Southern France to the first village in Spain is so beautiful you hardly notice the climb is trying to kill you.

Yeah, that one always keeps my interest.

Acoustic guitar music. Pachelbel’s Canon in D on piano, slowly, ice in a glass. These remind me of life. Listening to a musical piece written nearly four centuries ago reminds me of the emotions that transcend time while connecting everyone. When I hear the Canon I imagine Johann playing on his organ, thinking about the night he stood outside waiting for the moon to rise above some hill outside Nuremberg, and how it took his breath away, the stars he saw while waiting, the absence of indifference, the absence of apathy. Nothing mattered more than that moment then, and he forgot all about the news of the day. He just watched the moon not rise above the hills and in his mind he played those keys, slowly, as if it was the only thing he cared about in the world.

Close your eyes and let this play, and remember all there is in life to be passionate about.

Student Comes to See Me

A Personal Reflection This Week:

I woke about three this morning; it happens a lot. This time it happened because this weekend has always represented change in my life. Growing up, of course, the school year is just about over and summer is waiting; throughout my college summers not only was one year over and another still three months away, during that time I worked at a beachfront resort hotel every summer, so the “season” started this weekend. And for more than thirty-five years in higher ed, this is about the time of year we finally exhale for a few months. At three this morning I woke thinking about those changes this weekend those years, but this time I found myself surrounded by the ghosts of those dear to me, and in my tired, gummy-induced thought process, they all had the same opinion.

This weekend might feel more significant because so much of my life completely changed in the past twelve months, beginning about mid-May last year, and I added to that weight by spending this same year tuning my manuscript for my next book about a time in my life when I had to grow up and move on, about learning what to let go of and what to hold on to and guessing wrong in both cases. The brain decides on its own when it will dump all of this in your lap to stare at and make sense of. Usually it’s at three am. And raining.

It’s safe to say that my life has been anything but consistent and predictable, but when we’re young we have more courage to change. I believe that’s because if whatever we try falls apart, well, we’re still young enough to laugh it off and start over. But as the years pass, we tie ourselves down, let the roots take hold, gather more responsibilities and obligations. So change is usually subtle, a series of nuanced negotiations that are closer related to diversions than anything resembling a complete abandonment of one way in favor of another.

When I was young, I would regularly jump into some unknown ideal. Now, with Realism as my guide, I am more apt to step off carefully, insuring there is solid ground ahead. But at three am the smallest variation in our path can seem like a canyon. This morning started like that as I listened to the rain on the skylight. I felt my anxiety simmer just below the surface and I was in danger of completely waking up, so I tried to repress it, remind myself that whatever status quo I find myself part of is not only fine but damn near ideal. But that didn’t hold. I thought of a line from, of all people, Barry Manilow: “My life goes along as it should; it’s all very nice but not very good.”

Just wait. I’m one of the more fortunate souls I’ve ever known, and I know that; but that is an external judgement. “Very good” is a relative term. We are in the awful habit of comparing ourselves to others when we should be measuring ourselves against ourselves alone: What are we capable of? What do we wish we had done? What are you going to do with the time that is left? This is that old axiom, “The only way to fail is to not even try.” And this isn’t about you. I swear it’s not. It’s about me, from the young boy in the park, to the young teen on the courts, to the young man on the go. The distance between where I am and where I will end up can only be measured by how I feel about where I am and where I am going; this has nothing to do with “accomplishment” and “achievement.” I think I’ve done okay. It’s has something to do with fulfillment and a personal sense of purpose. Honestly, success has many definitions; just ask the ghosts.

So I stumbled to my desk to organize my thoughts, write down my list for the day to help settle my simmering mind before my anxiety won, and in the pile of stuff I created on the floor while trying to find a piece of paper to write on, I found a postcard from one of my earliest students.

It was about 1994.  

Student comes to see me. He says he can’t handle the pressure of school. I tell him I think he’s a good student and he says yes, he can do the work, he just can’t stand it. He hates it, he says. He gets bored fast. It’s a good conversation, honest. Had we been somewhere else we would have talked over beers. He looks at his watch and says he has to work in a few hours and sighs. He’s twenty-five and runs his own roofing company but hates that too. He has six grand invested in equipment and no help and he just dreads doing the work now. He says he’s at some fork in the road, referencing our work in class, two paths that look the same, so he’s frozen, finds it easier to just stay put. He gets quiet and stares at a photograph on my wall of a village in Africa. Looks nice he says, like he wants to say anything to forget what he’s really thinking about. Then he remembers and sighs again. He’s quiet for some time and I find myself drifting.

I worked at a bar. Good money and mindless work; the kind of work where if you don’t think too much about what you’re doing, you can keep on working. I know I only spent a few years there but it seems like it was always winter, all grey and bone-cold. One morning I woke on a bench near a lake in a park and didn’t know how I got there. I had to work a few hours later but never made it. I quit the bar, withdrew most of my money, and bought a ticket to Africa. Turns out changing my life was as easy as jumping off a cliff knowing for certain I would either land on my feet or learn how to fly. “Boring” disappeared from my life.

But this student has trouble talking about it, so I talk: I tell him I get that feeling in my chest too. Tight, constricting, difficulty breathing. You know what I’m talking about. It’s the sense that something needs to change. I tell him all of that, and then I think, but I don’t say, that it’s the Philosophy class with five minutes left of three hours and the prof starts another chapter because there are still five minutes left; it’s the meeting you can’t tolerate but you’re in a row of seats with too many people on both sides so you can’t leave and all you can think about is how if this is your career, if this is how you’ve chosen to spend your life, shouldn’t you love being here, love the interaction and discussions instead of dreading every word that someone says; it’s that this-homily-is-way-too-long feeling. It’s the feeling you’re just one day away from something else, but then that day comes and you find yourself one day away from something. I tell him it’s the Whitman poem about astronomy; the wide awake at three am feeling and you can’t move so you stare at the alarm clock wondering what your someday-dying self would say to you now.

Exactly, he says. I’m always staring at the clock. I’d love to know what you’d do, he says. I tell him about a bar somewhere I didn’t belong. I remember working and then not working but I don’t remember what happened between the two. I just recall waking up one day in the peace-of-mind of another world, centuries away from being behind bars; like I could finally breathe on my own. I remember dreading the moment between what was and what was next, so I just kept pouring drinks, hesitating, putting off change. But then one day I didn’t, and when I looked back from where I ended up, the “what used to be” that so engulfed my life didn’t even exist anymore. He looks at me like I am looking in a mirror. I tell him if it were me, I’d withdraw from school, liquidate my roofing equipment, put some in the bank and some in the gas tank and take just one slice of life to myself for a while. School isn’t going anywhere, I tell him. We’ll wait for you.

He stares at me a long time then laughs, sweeps his long blond hair back and blinks his eyes a few times, as if to restrain some emotion. “I’m not that brave,” he says, and we laugh. Then he says he’s going to work and he leaves. 

Six months later he sends me this postcard from Australia. “Don’t know when I’ll return,” it says. “When I am, let’s get some beers and talk.

I look forward to it but, of course, way leads on to way, and I doubt he ever came back

Somewhere Down the Road

Asian water buffalo of course

Since I’m a child I have wanted to travel the world–I think it was Pippy Longstocking who first turned me on to the idea of exploration and adventure. Certainly Robin Lee Graham and Woody Guthrie and Mark Twain. And I have done just that; more than I imagined. Ironically, for almost thirty years I’ve lived in one house which I built here in the country. My previous homes lasted, from birth, four months, eight years, six years, four years, four years, eight months, three years, three years, three years, two years, two years, and now, well Aerie since my mid-thirties. 

If I had to choose between being always on the go for the rest of my days, or always at home for the same life, I’d choose home. I’d learn to garden and each year expand the crops with more tomatoes and cucumbers, and I’d have a fig farm on the land, perhaps more apple trees, and I’d share the results with neighbors. I’d know the names of the birds, and their migratory dates, and over time I’d have the hummingbird feeder ready for their return every spring. I’d add flowers to the land each year so that the back trail was lined with impatiens and the front with marigolds, and the north side toward the river would have a new trail with hanging baskets of herbs. I’d build by hand and bricks and stone a small guest house, with carvings in the doorframe and a wood-burning stove in the corner on clay tiles I made myself in the kiln I would build in the field. I’d have a dog, some cats of course, and a goat or two. Watermen and farmers would swing by sometimes to chat out front in the gazebo. And I’d walk to the post office to mail my manuscripts; I’d no longer be in a hurry. 

Just as easily I might simply leave, keep going

I’d do the Camino again, perhaps for years, and everyone would come to know the “old American” who is always out there heading toward Santiago. I’d relish the knowledge that no matter what else happens in my life, I have as a foundation to keep going the Way, the pilgrimage trail from France to the west of Spain. I would take Paulo Coelho’s advice and unbecome all the things that I’ve accumulated over the years which were not me at all, until finally I become who I was supposed to be to begin with. 

If I needed a break I’d head up to Connemara in August each year to walk the Sky Road near Clifden. Or I’d head to Prague in May for the music festivals in Old Town and stop and see my friends at the university. I’d have strudel and tell newbies about the time I used to write in the corner of Nerudova 19 when it was a tea room, and I’d write and have a pot of tea and strudel, and I’ll say it is too bad they weren’t around then since now it is an ice cream shop and it isn’t the same. 

Parts of me are already scattered all over the world. Pieces of my twenties are in Mexico and Africa, and large portions of my thirties are in Russia. Some of my forties made it there along with Prague and Amsterdam, and slices of my fifties are sprinkled like diction across this country from St Augustine to Seattle. If I had been able to simply keep moving, I’d have distributed what’s left of me in Spain and Ireland, with a small sampling saved for a state park on Long Island’s Great South Bay where most of the elements in my being come from to begin with. 

Still, I like the idea of spending my life in a small town where I’ve always known everyone, and I leave the doors unlocked, and I have a running tab at a local shack of a pub. Equally I like the notion of having friends all over the world, writers in cities throughout Europe to call up and spend time with on my way through again. I like knowing other cities in other countries as well as I know the trails here at Aerie. 

I wrote a book once about a guy who traveled the world until he settled in a small town and meets a woman who knows everyone and is from there, and they fall in love and the idea of staying grows on him, but she, by meeting him, understands she isn’t stuck in a small town after all and there is a world out there to see and experience, so she leaves. He decides the small town life isn’t the same without someone to share it with, so he leaves too, ironically also traveling the world, always wondering where she went, looking for her in crowds and metro stations, but he never finds her. It was a great idea and a decent manuscript, called An Innocent Season, but I could never figure out how it should end. That and I suck at writing fiction.

Life has a way, doesn’t it?

Last week I pet a water buffalo. This was near Neunen in the Netherlands. He was quite cute, still relatively small, and I scratched his neck and rubbed his face between his eyes, and he kept nudging me to continue, licking my shoes and pushing my hand. Luckily he was an Asian water buffalo who are kind, unlike the mean African ones. We stood at the fence and I pet him and we had just bought water buffalo yogurt and cheese but passed on the water buffalo ice cream. This little guy was loving on my shoes and my hand but I had stepped back and he came closer and his nose hit the electric fence, and we could hear the “zap!” and a small spark shot out and that little guy backtracked to his mother near a muddy area across the pen. He just stared at me with scared eyes as if to say, “Why?!” It wasn’t anger; no sense of “you bastard” in his face. Just a questioning “why did you hurt me like that?” and it made me a bit sad. I ate the yogurt anyway, though, with raspberry jam and some nuts. 

But we do that, we get close and then our perception is thrown off. Something zaps us and we associate that pain with those close to us when they might have had nothing to do with it; it was more than likely just circumstance, timing, the time of day. I wonder now how long will the little guy remember the pain. Will it make him leery to get close to the next guy with Hokas on and a hand stretched out? Or will he just keep getting hurt because the pleasure is worth all the pain? 

I would. In fact, I have more than a few times. Emily Saliers wrote we must “take part in the pain of this passion play” if we must love. The worst pain of course is departure, leaving again, and one comes to realize that eventually you’re best off either to just keep going, following whatever Camino you find yourself on, or agree to stick around awhile and simply accept that the pain is part of it all. 

So we ate the yogurt and gave away the cheese and went back to Amsterdam and flew home. Three days later my beautiful mother passed away. I’ve been thinking about my youth, and mostly I remember laughing. My childhood included every emotion possible, but what comes to mind first and strongest is the laughter. I remember going to the supermarket as a kid and pushing the cart and getting a treat. I remember her making food for my class in elementary school and not minding when my friend Eddie and I dragged in mud from the state park. I remember her making lemon meringue pie because I liked it, and I recall perfectly her listening to me attempt to play the guitar for the first time as I butchered John Denver’s “Sunshine on my Shoulders.” I am sure I was zapped more than a few times back then by her voice when I inevitably did something wrong, but I can’t pull those memories up right now; only the good things. Like all the laughter and the music; these two things I inherited from my Irish-Italian mother–laughter and music. 

That and to keep going. Perhaps the finest lesson of all; just keep going.

The Laughter Never Stopped

neither did I

Best Cheese I Ever Had

So here’s one I wrote and let it go. It’s partially told in a piece in my short collection Howl at the Moon (Cuty Wren Press). It came to mind this morning because I’m leaving in a few days for Amsterdam, and I’m sure there will be cheese involved.

I was in the Netherlands about twenty years ago, maybe twenty-five. I lectured at the University of Amsterdam and talked about art and Van Gogh and death. Normal stuff. In class one day, which was open to visitors and in which everyone was required to speak English, an older woman whose late husband was an artist sat in for the lecture, and afterwards she gave me an etching her husband did of a local cathedral. When she learned I was going to find a way up to the Zuider-zee, she offered me her son’s motorcycle for the day. Students gathered to talk about Van Gogh and about America and more. While the woman and I spoke, they talked amongst each other. One guy asked another if she was working that night and she said no, but the next night she was. He told her he’d come by. Another said it hurt to speak in English, and the young woman said it’s good for him to learn, that she wants to learn as many languages as she can. They all talked about van Gogh’s art.

That night on my way back to the hotel, I walked through the Red Light district to use a computer at a Brown Café to tell my officemate about how it was going so far. The windows of the district display scantily clad women, select lingerie on the floor, a couch, maby velvet, sensual surroundings and lighting. They move about tenderly like flesh and bone mannequins, and when a prospect passes, they urge him to pause, consider coming in for a quick turn. They whisper to them in Dutch, in English, French, German. There’s a back room for the business end of the exchange. I kept walking.

The next morning was one of those movie-set days with a perfect temperature, ideal soft breeze, postcard tulips and windmills, dikes running roadside holding back calm waters. I rode out to a Volendam café on the docks where som sailor just back from the states finished washing down his ketch, and we talked about his Atlantic crossing, about the Chesapeake Bay where he had been, and about the cheese he had on deck which he shared with me. We went in the café for a beer and the waitress offered some Gouda and bread with eel and herring. She said the cheese was from a small factory just a few miles away and that I should go, so I did.

Inside the cheese factory—a small barn-type building—a young man and woman stirred a vat of vlaskaas cheese which was sharp, and they told a half dozen of us how gouda is made and molded into wheels and how we shouldn’t refrigerate it, and how healthy it really is, being a hard cheese, including aged, smoked, and toasted. I bought two wheels for fresh gouda and stacked them in my pack and walked outside where a few other travelers from a bus sat at a picnic table.

A Dutch girl about twenty-five eating cheese and drinking white wine asked me to sit with her, and when I told her she looked familiar she said she had been at my lecture, and she swept her blond hair behind her ear and that’s how I knew her—she did that the entire reading, it kept falling forward and she kept sweeping it back and I thought Geeze just tie it back already. I told her simply I recognized her.

She offered me a glass of wine and retrieved a plastic cup from inside, and I shared her cheese. Her name was Abby and she came up to get a few wheels for her family and one for her. After about thirty minutes and a glass of white, the bus driver called for them to go so she left and said she’d hoped to see me again, and I walked toward the bike to leave. The cheese was heavy but I was glad to have it, and the perfect day made me not care so much.

That night I packed for my trip home the next day and decided to head back to the Brown Café to write again to my officemate back home to tell him about the ride out to the North Sea and the sailor and the hair-sweeping blond. I did so on the upper level of the first café I came to where the open door swept the smoke from the hash up to the internet café section so that by the end of my email I couldn’t spell anything correctly.

I left the café and strolled around the district where people drank espresso and the aroma of various smoke filled the narrow streets and top-shelf women worked the windows, and if you can see this coming you must believe me that I certainly didn’t see it coming at the time: I turned a corner and glanced at a blond in a prime-site window, and it was her, Abby, the hair girl with the cheese, and she motioned to me like I was just another passerby, but then recognized me and sat up more from where she had been prone on some pillows and her white lingerie lingered just a bit behind, and she pulled her strap back on not trying too hard to do so, and she pressed against the glass and urged me to come inside, motioning toward the door on the left. I thought about just walking by but that thought didn’t hold so I went in just to say hello. She cut me a slice of the cheese she had bought that day and she pointed that out, that it was the same wheel of cheese that we shared earlier, and that thought seemed to connect us closer than I cared, but it hung there between us. I had one slice of the vlaskaas on the table and said I didn’t want her to lose business on account of me, and that I really had no intention of patronizing her profession, and she smiled and said she understood. I left, and on the way out I passed the guy from class who had asked her if she was working that night. He glanced at me and I laughed. This is not like the colleges at home, I thought.  

On the way home I walked by the Van Gogh museum one more time. It was quite in that part of town, and I stood in the cool night air, the sweet aroma of flowers everywhere, and remembered Vincent’s words about Sien, a prostitute who lived with him for a while with her young daughter. About her he wrote to his brother, “I believe there is nothing more artistic than to love people.”

Next week I’ll be there, at the museum, at the village where he lived a while with his parents, and along the canals. Just look at how everything in our lives moves on, grows and changes and, eventually dies. We age and hold out hope that some of who we used to be remains, knowing, of course, that is true only for a little while. Since I walked those streets last, friends and loved ones have died and my world has changed time and time again, but this week I’ll walk along that avenue and the hallways of the van Gogh museum where his work remains on permanent display, and I’ll think about the man who was nothing more than a peasant who lived with a prostitute, didn’t make any money in his last ten yers, lived off of his brother, was disliked and consdiered a leech and a failure by everyone including the best artists of the day who for the most part said his work had no hope. And I’ll think about that as I pass people sleeping on benches in the park and wonder which ones are artists and which ones of us merely pass judgement.

Van Gogh Drawing of Sien Peeling Potatoes

The Joanie Channel

Joan in the Great River house, circa 1969

On June 22, 2002, my sister sat at our parents’ kitchen table and recorded an audio interview she did with them about their lives, about life during the depression and World War 2. She asked other questions, and just like Terri Gross on Fresh Air, did a great job of bouncing off of their responses. She sent copies to my brother and me about five years ago, and when I sat to listen to them, a few things struck me. One, my father was precise in his responses, and my mother was hysterical in hers. He was 77 at the time, and Mom was 69. But what hit me hardest was hearing our father’s voice for the first time in half a decade. I can hear his voice in my mind, of course, but to actually hear his voice like he was sitting there made him young again. The last few years of his life I was around him all the time and his dementia grew worse and worse. So when I played the cd, I heard not just my father, but my father younger, still alert to everything. It was nice to push past the sound of his weak and confused voice that had filled the corners of my mind and hear him as he had been. Ironically, at the same time it makes it hard to listen.

About two years ago while out to lunch I randomly recorded a video of my mother talking about something. I don’t remember what and the video is gone, but the idea took hold, and for the last two years every couple of weeks when we were at lunch or getting coffee, I’d ask her a specific question, or I’d encourage her to remember a particular time in her life. Note that she is one of the funniest and smartest people I’ve ever known, and understand too that she has had quite the life from the streets of Bushwick, Brooklyn, to Long Island, to Virginia Beach, and now in Williamsburg, Va. There are fifty plus videos here, but I recorded more than a hundred and deleted many. Some were redundant, and some in the past year or so I got rid of when Mom would struggle with a memory, or lose track of what she was talking about.

Still, this is decidedly not about Joan Catherine.

It is about time. This has everything to do with the brief flash of time we have to share with each other. Watch how a person can at once both change so much and still be themselves, who they are in their heart. The truth is at some point as we age we realize that we must set aside our anger and anxiety and arguments, and we seem to do so far too late in life. In the past year I’ve lost a half dozen people I loved very much who were my confidants and companions, and every one of them died relatively young, three of them in their early sixties. At the same time, my mother has nose-dived into a wall, fallen and slammed her head on a porcelain tub, fallen on the floor, faced cancer–again–had a pacemaker put in, battled neuropathy, and moved from her spacious condo where she lived with my dad, to an independent living apartment in Virginia Beach, to an assisted living apartment in Williamsburg, and she just keeps going. Last July she was in the hospital with pneumonia and sleeping eighteen hours a day, and the doctor did not think she would leave the hospital. Yesterday we went to lunch at an Italian restaurant and she woofed down a massive piece of tiramisu. She Just. Keeps. On. Going. And always with a sense of humor. She talks here about her move from Brooklyn to Long Island, from there to Virginia, and about how patient she can be. Or not. She sings the Banana Song, Woody Guthrie, a Shampoo commercial, and in one of my favorites when she had no idea I was taping from the cup holder of my car as we drove along, she sings “New York, New York.”

But this isn’t about Joan. This is about brevity. When we look ahead–when we anticipate–time can slow to a tragically slow pace. But when we look back, when we recall, we can transport our mind instantly to another era, as if it happened two seconds ago. This makes it seem like time goes by so fast. But it is the same now as it was when we were children. That’s the thing about time: it is dependable. Not one fat second will lose an ounce on my account. But the older we get, the more we recall instead of plan, so the clock can be deceptive. In these videos, Mom is full of energy, sitting up and laughing, with immediate recall of incidents an hour earlier as well as two generations ago; at the same time, here Mom is wearing oxygen, sometimes softly gasping for air, and her memory is nearly non-existent.

Time. It is the only measurement that matters. And we are endlessly distracted by the news and entertainment and the stress of finances and politics and health. But all of it slides away when we start to list what is essential. Then, the answer is easy: each other. That’s it. People leave us, sometimes slowly and sometimes with the swiftness of a cool, autumn morning that takes us by surprise. But they do, in fact, leave.

These videos are in no order, so one of Mom recently trying to remember her Uncle’s name might be followed by one of her looking stronger, heavier, talking about her favorite foods. I decided against a strict chronological order so that instead of watching a woman’s slow decline as age takes hold, we can see how life is, in the words of my friend poet Toni Wynn, “Paper thin.” I will add more to her page as time permits. Thanks for enjoying our mother’s beautiful sense of humor and simple take on what matters the most.

Note: There are some videos on the “Video” tab, but most of the videos are on the “Shorts” tab. Please check out both. And “follow” The Joanie Channel.

https://www.youtube.com/@TheJoanieChannel/shorts

This Year (Can’t End Fast Enough)

What a year. Just, well damn, just, what a year.

For the first time in fifty years—1974—I have no reason to go to Virginia Beach other than a Bloody Mary at the Beach Pub or breakfast at Ocean Eddies, and of course to visit my father’s resting place. 1974 was the year my parents purchased a house on the Lynnhaven River, and this year my mother left the Beach for Williamsburg. It’s odd, really, not needing to go to a place I needed to go for five decades. And while I’m the sort that never needs a reason to go somewhere, I’m painfully aware that Virginia Beach has permanently aligned itself with other towns of my past, such as Massapequa Park and Great River. Oakdale and Wellsville.

Forty-five years ago this past September I met two people that would change and influence me for years—Fr. Dan Riley, who would visit me every night late in the infirmary for a few weeks while I had the Russian flu, during which time we bonded and came up with the idea of a radio show—Inscape. And Dave Szymanski, who joined me many mornings every week in the campus radio station as we tried to figure our way through the gives and takes of that freshman year—him pulling news off the wire, me spinning albums, both of us talking, sharing, hoping. Both of them died this year, exactly forty-five years later, and I meet them sometimes in my mind when I need some advice or companionship.

Forty years ago I walked into a hotel room in Worcester, Massachusetts, thinking I was trying out for a part time job as an exercise instructor at some local health club, and walked out that day a member of the management staff of that club, working for Richard Simmons. It was a wild ride for a while, and the fall of ’84 found me moving into a beautiful yellow house near a reservoir, making a ton of money from America’s Favorite Exercise Guru, and having a blast while getting in shape. This year, forty years later, Richard died, reminding us all it doesn’t matter how full of life we are, how much joy we bring others, eventually we too pass all too quickly.

Thirty-five years ago this past summer my car broke down in the parking lot of Tidewater Community College. This was pre-cell phone of course, so I wandered into an office to use a phone to call AAA. While on hold, the dean—Bill DeWeese—said to his assistant—Eleanor Shannon—that he needed someone to teach Humanities on Wednesdays. I hung up and got the job. One week later I stood outside the door of my first class waiting for students and talking to a woman in an office across the hall. She had a heavy French accent and in those first five minutes we laughed more than I had the previous five months. Letty welcomed me to the college, and the next day we went for coffee. Eleanor passed away some years ago, Bill last year, and Letty this past July, nearly thirty-five years to the day after we met.

Thirty years ago this year I made my first of two and a half dozen trips to St. Petersburg Russia. Prior to that initial journey with my colleague and friend Joe Antinarella for a grant with the Commonwealth, it was much more difficult to travel there. But through the years I watched the city move from vacant streets without advertising or western influence, to restaurants and concerts, European clothing lines and shoe stores, American coffeeshops and fast-food joints, and we wandered freely throughout the backstreets of the Window to the West, knowing Peter the Great’s idea of a “New Amsterdam” had finally been fulfilled. And now, thirty years after that first month-long stay, the streets are again vacant of advertising and western influence, and I cannot go back, nor do I plan to go back.

Twenty-five years ago I made my first of many trips to Prague. It was a month-long stay as I taught at Charles University, was befriended by the great Czech writer, Arnost Lustig, and read all the works of one of the more influential writers in my life, Bohumil Hrabal. I also discovered Pilsner and Terezine, the Hunger Wall and 19 Nerudova Tea Room where I wrote an entire manuscript at night over apple strudel and Irish Crème tea in just over three weeks, and some years later published it as Penance. Since then I’ve come to know Prague as well as I know any city, though much there has changed. It seems change tends to happen.

We like round numbers, don’t we? We like even years, silver and golden anniversaries. More people showed up for the fiftieth anniversary of Victory Day in St Petersburg than the forty-ninth. More people observed a moment of silence on September 11th, 2021, than the same day a year earlier or a year later. We count in decades, we measure in leap years. You can buy birthday cards for someone’s 45th or 50th or 60th, but not their 64th, as if there is less reason to celebrate a life until they finish some imaginary five-year plan.

Still, on this fiftieth anniversary, I understand that I have no real reason to return to the Beach anyway, other than see my Dad’s headstone and tell him about the Mets. I remember the city like it was last week, and what a time it was, managing the hotel those summers during college, attending gigs with my oldest friend, musician Jonmark Stone, and lounging on the beach or at Ocean Eddies back when the drinking age was eighteen. I’m not nostalgic—we had our day in the sun; a lot of them, and I’m lucky enough to carry those memories with me. When I talk to Jonmark on the phone we don’t reminisce, we talk about when we can make our next tee time or when I might get out to Indiana. No, looking back is fine, really, as there’s always going to be something there for me, but it’s not nearly as productive as looking ahead. Fr Dan and Letty would agree; Dave maybe not so much but I didn’t love him less because of his instinct to recall our Glory Days at the radio station.

Many of my habits ended this year, some for the better and some absolutely for the worse, but they ended just the same—they aren’t sitting just behind me in some fog. They’re done. No more weekly phone calls or thrice a week walks. No more late-night Bailey’s on Ice at a mountain on New York’s Southern Tier. That’s why I knew as fall slipped away that this New Year’s is going to be an important one; this is not going to be the same old lang syne.

This year I’m traveling again. First stop, the Netherlands. This year two books are slated for release, one about teaching college, Office Hours, and one I started more than forty years ago and which I finally completed, Curious Men, which tied me to the past for four decades, and which ironically enough is about a time in my life I learned to jump first and invent the parachute on the way down. Perhaps I was simply in denial back then, or a little too angry. For certain I was depressed. But if I understand psychology correctly, this is the acceptance part. And just in time, too. It’s nearly New Year’s.

I understand most people live between the two, comfortable in the daily life of here and now, glad for the past, at the same time they have prepared for their future. Their New Year’s Resolutions are practical and fulfilling, and while some are broken, a birthday is an inevitable chance for a reboot.

So this year, borrowing from Fitzgerald’s Jay Gatsby, I have but one resolve. This year, after the loss of three people I spoke to nearly daily, the completion of a manuscript that on a daily basis brought me back to when I was nineteen-years-old, and a nearly complete amputation of a city that shaped my very existence, as my one resolution for 2025 I’ve decided to simply get out of my own way. In the words of John Denver, who has been there for me from the start,

It’s time to make mistakes again

It’s time to change the show

It’s time and time and time again to find another way

It’s time to gather forces and get out of yesterday.

Happy New Year everyone. Thank you for another year of reading my small entries here.

Merry Christmas

It has been a bad year, a year of great and significant loss, and I realize this evening the only way to approach Christmas this year is with love and much peace.

It is, after everything else departs us and closes the door, all we have left–that peace and such love, leaving us to realize, sometimes too late, it is all we ever had to begin with.

It’s almost Christmas now, and I can see some stars and what must be a planet in the west. Something about a clear sky on Christmas has always mystified me, captivated my attention and imagination, from the simple, fun thoughts of reindeer and sleighs to the philosophical digressive pondering of First Cause and the imaginative world of proof. I love Christmas morning with its tidings and anticipatory pay-off. But even more I love Christmas Eve, alone, when the sky is a narrative, and there remains enough room for us to fit in our own passages as we need to.  

In the west the fading light, and I pull my collar up higher and remember so much love.

On Christmas morning before our parents were awake, my siblings and I would gather, usually in my sister’s room, to exchange gifts we had bought for each other, before we headed down for the beginning of Christmas Day. It would inevitably still be dark out, and I know we’d lay awake waiting to hear each other also awake in the other room. A tap on the door. A “come in.” And we’d sit on the floor and open our presents.

At some point, our mother would wake our father and he would exclaim, “I thought I said no one up before nine am!” and he couldn’t hide his smile to our laughter at the ludicrous suggestion we’d be up any later than five. It was always cold out during those Long Island years, and often snowy, but we weren’t going outside so it just added to the magic. Dad would be in his robe and slippers and he’d head to the living room as we gathered on the stairs and waited for him to plug in the multi-colored lights on the tree, and those on the rail, bringing to life the otherwise dark room. Mom had, of course, already organized whatever presents we would get into separate piles, and Dad would stand back and she directed us to the right area under the branches, though sometimes it was obvious if an unwrapped toy appeared, clearly already wished for by one of us. Dad would sit on the couch and watch in joy, even through the stream of “Wow, thank you Mom!” wishes continued.

It wouldn’t be long before the aromas of breakfast mixed with the onions and Bell Seasoning already underway for the stuffing, and eventually we’d need to get dressed, if not for church since we might have attended midnight mass, certainly for the droves of family who would soon fill the rooms. It was a beautiful way to grow up. I do not know the possible stresses, fears, and sacrifices that went on behind the scenes—that’s how good they were at it. Then, much later in the day, after everyone else had left and we had all settled into the routine of looking at our gifts again, Dad would emerge from some closet with his gifts for each of us—books he had personally picked out, bought, and wrapped. It remains one of my favorite memories of all of my memories of my dear father.

It’s in the twenties here tonight along the Chesapeake. This is one of those days each year where I’ve been up so long and have done so much that it feels like it should be six hours later than it is. My sister and brother and nieces and nephew are all off in various parts of the country with their families celebrating their Christmases, all of us with some common traditions, all of us with our individual touches to the holiday. Certainly all of us fortunate enough to be celebrating Christmas at all, laughing and telling stories, enjoying the food, the drinks, the sounds of football or Christmas music. We are, to be sure, at peace today. Anyone with family is engulfed in traditions which bring peace to our soul while providing some shared space not only with each other but with the idea of our ancestry and the hope of our posterity. It is a day like Christmas that helps ease the sense of loss and emptiness some have in their lives on this day when we normally would spend time laughing with others who have left us all too soon. Sometimes it takes a day like Christmas to turn that around and move forward again.

I miss the days before society took “nearby” and “not far away” and tossed them to the strong breezes of technology and One World. In that small house around that small table when I was a child were so many relatives it is crazy to conceive how we pulled it off. But no one cared—we were together. Everyone was close enough to “drive over,” and by the time the turkey came out of the oven, a small crowd was sitting and standing and outside and in, laughing and sharing serious moments, because it was Christmas.

I’m going inside again. I bought Michael a book at a local nautical shop and I need to wrap it. He will be gracious enough to act surprised, just as we did with our father when he would predictably surprise us with books forty and fifty years ago. I won’t be calling as many people this year to tell them Merry Christmas, so those that I can talk to, I will let them know how much they mean to me, how important they are to me in this brief flash of time we share.

Peace. And Merry Christmas.

On This Silent Night

The Blue’s Brother’s Light Display

It’s misty tonight but not raining, and all the lights have halos from the soft air. Today I slowed down after sixteen weeks of not, followed by a few days of noise–it was all in my mind, of course, but noisy just the same, so this evening I decided to slow down and after standing on the front lawn looking at the moon through the haze in the east, I drove down into town.

I put on some solo piano music from George Winston’s December and rolled slowly past the fish market to the real estate office where Steve and Randy Blue have the best lights I’ve seen. They have music synced with a radio station across the river, and the largest tree in the front keeps beat with the sounds, but I kept my windows rolled up and just listened to George’s deep rendition of Variations on Canon in D. Kids with parents ran through the paths between light displays, and I assume they were yelling, or calling out what they saw, but I heard nothing. Just George and Pachelbel.

I stopped next door at 711 and bought some hot chocolate, talked to Wayne a while in the parking lot, but families started moving past the Nutcracker display to the parking lot, so I drove off toward the bay, pausing in front of Hurd’s Hardware. Jack Hurd has the entire front window filled with illuminated Christmas trees in various colors, and on the left side the trees are several deep. This window against a black sky with no other stores around makes it more silent than it should be. I turned off the car and the radio and rolled the window down and still heard nothing but quiet, a faint spill of music from the light display at the realtors.

Behind Hurd’s and across the street is the village branch of the county library, and tonight my son worked while a local Y hosted kids who had entered their artwork to be hung in the library gallery in the back. I rolled down the street and looked back into the window. This, right here, is one of my favorite things to do in the dead of a cold night in December; to see kids and families laughing and warm inside a window, not able to hear them, but watching them play and talk while outside I can see my breath and my face is tight from the cold. At one table near the front Michael talked to a woman, while over near the door a few kids entered to head back to show their parents their work.

On the way home I rolled into the IGA and could see Kristin from the museum and one of her kids at the checkout, talking to the clerk, laughing. The lot was empty, mostly because it’s Monday but also the rain, and I headed to the river, rolled down the windows, and turned off the car and sat quietly. Out on the Norris Bridge I could hear the whining of truck wheels moving across to White Stone, and the light at the airfield was circling, indicating someone will land at some point tonight, probably Mike in his PT-13 headed back from some weekend show. All of this going on yet all I can hear is the lapping of the Rap on the sand and the slow movement of a heron about fifty feet away in the marsh. To my right in the windows of the yellow house across the reeds is a blue light of a computer or television flashing on the walls.

I like the peace I find when I am outside looking in at Christmastime, and some rebirth of familiar connections take hold of everyone. It is fleeting of course, but present for now. I enjoy watching these flashes of life around me. I try not to be creepy and prefer only to look in public spaces like convenience and hardware stores, but it is nice to catch a place like the library where so much activity is going on behind my music, like shadows on some cave wall. But this year is different than last. Some of the people I used to talk to every day have gone silent, somewhere beyond the ideas and anticipations of those still here. So my world in general has gone mostly silent in the past several months for the first time in three decades.

So tonight I decided a drive made perfect sense; not only because it fills me with some sort of hope to see life being lived, but also because I’ve always been just outside looking in.

This happens to a lot of people, especially this time of year; we have a sense that we’re better off a step back, perhaps a small part of the conversation but not participating as much as others, preferring instead the safety of the next row back instead of the circle of talkers; we are more comfortable on the patio bench quietly watching the stars until someone else who feels awkward comes out and quips about needing some air. That’s where I am, away from the small talk, and I turn around, place my elbows on some wrought iron fence behind me, and look in a everyone laughing. I am okay a step back.

But at the river I sat in silence and thought about why this distance works for me.

It is safely consistent. I know blindfolded how to walk through most of the Blue’s Brother’s light display, and I know Wayne and Maria will be at 711 at this hour. Monday nights Michael always works the library, and Jack’s trees make everyone smile for a few weeks. They make me smile anyway, and I appreciate that. It is predictable and consistent at the end of a year that has been anything but either.

So I drove around listening to Winston’s version of Bach’s Joy and felt completely and literally at peace. Life is out there, through the windows, in the market and the front steps of the convenience store. The kids in the library laugh like Michael used to when I brought him in to sit at those same tables two and a half decades ago. This is what we can count on when we are running out of things to rely upon; that Christmas will bring out people with lights and once dark window displays are somehow almost personified, the trees in Jack’s window display appear more like watermen at the cafe standing around talking about the coming snow.

I slowly rolled down my long, winding driveway until I reached the lamppost near the lawn at the house. The porch is lit with white lights, as usual, and the wreathes illuminate the walls and windows. I had one other significant loss this past year; the Penguin, affectionately known as Pengy, died last January. His wires were shredded from years of moisture and his skin simply popped. Sad really, because I liked seeing him for twenty years at the corner of the porch.

But things change. I have new light displays now someone sent me, and after tonight’s Chocolate Bailey’s on ice I’m not going to care so much anyway. But I do have a suggestion: Turn off the music except for something peaceful, and stay outside for a bit–watch life for a while from the outside, observe it’s consistent laugher and predictable love. Watch others enjoy the moments they have together while they still have those moments.

But don’t stay out there too long. The love is inside.

Hurd’s Hardware, Deltaville
west on the Rappahannock tonight

Fr. Dan

Fr. Dan at the campus ministry, 1980
On the porch at Vic’s Cabin, Nov ’79

I was nineteen, Dave Szymanski eighteen, and Fr. Dan Riley thirty-six years old. I met Dave because I simply met him; I’m not sure where or when but we were both J majors and worked for both the campus newspaper and radio station, WSBU, 88.3 FM. I met Fr. Dan when just weeks into my freshman year I caught the Russian flu and ended up in the infirmary, and he’d come by every evening and sit bedside and we’d talk; instant friends.

Early that fall we started a radio show. Dave and Fr. Dan were hosts and I was the producer and engineer. “Inscape” aired every Saturday morning for an hour, with open discussion about spiritual matters, a deeper conversation with a new guest each week, and a musical artist for interludes. The guests included Fr. Mathias Doyle, college president, Charles Osgood, CBS newsman and St. Bonaventure favorite, author Fr. Roy Gasnick, an expert on St. Francis of Assisi, and Fr. Irenaeus Herscher, campus librarian and archivist, close friend of the late Thomas Merton, and namesake of what would become Mt. Irenaeus (yes, named after the good priest, not the saint himself).

One fall day in 1979, Fr. Dan and I met early for breakfast at Mary’s in Allegany, and we walked in the chilly air for an hour and talked about hopes and fears, about friendships and families, and we continued that conversation consistently until July 23rd, 2024—two days ago, and the day before he died. We talked, we texted, we emailed, snail mailed, shared writing—he sent copies of my book Penance to a dozen friends of his, I sent copies of his book Franciscan Lectio to a dozen friends of mine. I have piles of letters from Dan spanning four decades. We consulted each other. When Dave died a few months ago, his widow asked me to call Fr. Dan. When he answered the phone before I could speak, he said, “Bobby! I’m glad you called! I don’t like you anymore and I don’t want to be friends with you!” and despite his eighty-one-year-old frailty, he laughed the laugh he is known for by tens of thousands of students across five decades. He added, “Brother Kevin is sitting right here, and I want to tell him something. Kevin, it’s Bob. We don’t like him anymore,” and they both laughed. Then I said, “I’m not calling you for a good reason” and he slipped right into Franciscan-priest mode, his voice going deeper and more serious, and I gave him the news of Dave’s death. For some time we remembered those innocent days in the Fall of ’79.

Jimmy Carter was president, the Iranian hostage crisis (kids, watch Argo to understand) was underway, and Inscape—a Merton term for escaping within—was on the air, and one of our early guests was Fr. Irenaeus, the featured music was from James Taylor. The theme music for the radio show which lasted for two years was by Dan’s fellow Rochester native, Chuck Mangione’s “Hills Where the Lord Hides.” Reference: This was forty-five years ago this fall. Dan, Dave, and I with a dozen others were about to go on a retreat to a place called “Vic’s Cabin,” and it would be the first of many retreats in various mountain areas over the next four years while he looked for a permanent location for spiritual retreats for students.

On that show, the three of them talked about retreats as Fr. Irenaeus spoke softly and with such kindness about how his friend Fr. Louis—Thomas Merton—thought retreats were essential to the human soul, and the same of St. Francis. He said he personally believed a true retreat, however, was about community as well, where people can be alone, yet with others, in silent prayer but in living gospel. Fr. Dan smiled wide, his brown mustache stretching to his ears, him nodding, repeating, “Yes, exactly.” After the show we walked Fr. Irenaeus back to the friary. A few days later he was hospitalized for several months and died not long after that. Fr. Dan and I walked back to the dorm we both lived in and sat in his apartment on the fourth floor and talked about the retreat scheduled for early November.

I graduated. I moved about: Arizona, Massachusetts, Pennsylvania, all the while exchanging letters with Fr. Dan, and in early May of 1989 I drove to what had become Mt. Irenaeus near West Clarksville, New York, to spend the weekend talking to him, helping out around the two-hundred or so acres. Construction on the Holy Peace Chapel had begun, but only the frame was standing at that time, and Dan and I worked on a small stone edging of a path to run through the woods to the chapel entrance. It was in the upper sixties and we laughed and talked for hours, noting the beautiful spring day and the budding trees. On Saturday morning I woke to his bellowing laughter and walked into the small hallway of the original house of peace for the mountain. He walked me to the door and pointed—it had snowed six inches overnight.

Everyone left over the course of the next few hours, but I stayed by his insistence to enjoy the weekend and write—I did, and the journal by my side now is called “These Days: The Weekend Alone at Mt. Irenaeus” but I’ve never published it. Still, I noted many of our conversations from the previous day, including Dan’s fear the Mount would become too big to handle; too popular to remain personal.

No one was there and they had not stocked the pantry yet except for cereal, so I spent the next two days eating Captain Crunch and walking through the pines in snow, surrounded by absolute peace, taking advantage of the chance to inscape.

But everyone who knew him, which was everyone who went to St. Bonaventure University since the mid-seventies, has stories about time with Fr. Dan Riley. The first time I met his family, they kept calling him Billy (Fr. Dan’s birth name is William) and I joked “I’m going to start calling you Fr Billy from now on,” and he quipped—with his dark eyes peering across his glasses at me to demonstrate his seriousness, “No. You’re not.”

When my son had a solo show of his abstract art at the Quick Center for the Arts on campus, Fr. Dan let Michael know his old friend, Tony Bannon, former director of the George Eastman Museum of Photography and the oldest photography museum in the world, thought Michael’s work was one of the best and most unique catalogs of photography he had ever seen. Fr. Dan seemed so proud, and so energetic about all people and the moments we shared. Not long ago on the phone he recalled how he enjoyed telling Michael what Tony had said.

But listen, everyone who knew him has stories. It is what raises Fr. Dan up from the status of “friend” to the realm of mentor, truly, without equal, the seeming recurrence of St. Francis of Assisi himself in virtually every way, for Fr. Dan’s influence on students, community, and faculty of the university helped him almost single-handedly, like Francis, rebuild the church in the hearts and souls of us all.

Late one night a couple of years ago he and I sat in the House of Peace drinking Baileys and he nodded toward a poster on the cabinet entering the kitchen. It says, “Ending World Hunger Starts Here: Please Don’t Waste Food.” “I remember when you had those posters made,” he told me, “and when you started the World Hunger Committee on campus your sophomore year.”

“Yes,” I said. “I told one of the Wintermantels—I think Dan—what I wanted it to look like and we made thirty of them. I’m glad one survived to be here at the mountain.”

“Whenever I look at that or think of the outreach programs for the hungry, I think of you,” he told me, and I realized how far I had strayed from those days. It was then I understood why Dan and the mountain remained a place that I needed to return to from time to time to understand who I am at the core.

***

My mother is very ill as I write this, and a few days ago we learned we would be setting her up with Hospice care, and I texted Fr. Dan. He called me and we talked awhile, laughing of course, and he said he would pray for her, naturally. I told him I had a reading up North the end of September and planned to come by the mountain to visit if he would be there.

He said, “Yes, Bobby, I’ll be here. I’ll always be here for you.” When I hung up, I received this text: “I certainly will be remembering your mother in prayer. Probably Kevin is coming by and I’ll ask him to have the community hold her in prayers as well. Your memory of her certainly will bring you comfort even though eventually when someone you love dies there is great pain. Peace, and all good my dearest friend. Dan.”

Yes, memories bring comfort despite the great pain. I wonder often why we lose our innocence to such a damaging degree that we need to go back to find it. At retreats back then–particularly that first one at Vic’s Cabin, we talked about how to carry that peace with us instead of looking for it out in the world. One night not long later I was depressed for what could have been a dozen reasons, and I wandered to Dan’s room where three of four guys were hanging out talking, and I joined them. Eventually, they left, and I told Fr. Dan how much better I felt just sitting and talking, and I wondered why. Dan smiled and said. “Bobby. You brought the peace with you this time.”

Amen.

I imagine now Dan is off in the hills where the Lord hides.

At Mt. Irenaeus the day we worked on the path to the chapel
At Mt Irenaeus House of Peace the night we drank Baileys and remembered

The poster at Mt Irenaeus, originally hung in the campus ministry in 1980.