fiction

Wait. Loss.

~ aviewfromthiswilderness ~ 2 Comments

In my youth Dad always walked down the small staircase on Christmas morning to plug in the lights while my siblings and I waited. Mom would have stacked our gifts in separate piles under the tree, and after the three of us exchanged our own gifts earlier that morning in my sister’s room, we’d gather on the steps and wait. When the tree lights lit, Dad would call out “Okay, you can come down now,” and we would, each of us steered toward our own third of the presents.

Mom was our Santa back then, waiting in lines for the right gifts, hoping she doesn’t ever again buy my sister the wrong album, trying to get it right, not knowing of course that she couldn’t possibly get it wrong. She’d be in the kitchen as soon as the presents were open so she could make the stuffing and prepare the pies for the relatives coming that day. And then later, after everyone had gone home and the five of us were again alone, Dad would emerge from his closet with books for each of us. This was special as it was common knowledge that Mom did all the shopping, but in the case of the books, Dad shopped himself, wrapped them himself, always picking out the perfect one for each of us, and would “surprise” us with them that night. It is a tradition I continue with my own son. Those days of “Dad’s Books” happened it seems just months ago, and the times that Mom worried she used too much spice in the dressing seems to have occurred weeks ago, but it could not have been. They both made it seem as if we had hundreds of holidays together with just the five of us, but it wasn’t even two dozen. That’s what time does when you’re complaining about the cold or the crowds or the difficulty finding just the right thing to give someone–it passes. Fast.

October 2015

I remember sitting in the uncomfortable recliner next to the hospital window and thinking, “If I’m here a few more days, I might take down the clock; laminate the list of television stations he will never watch; ask to fill in the information on the empty whiteboard I’ve stared at for four days, note the nurse’s name, cross off the faces from frowny to happy to indicate his pain tolerance. If he had more time, I might move his bed closer to the window.” Three times I moved his food trays, trice-daily reminders he hadn’t regained consciousness, into the bathroom. I can still smell the aroma of onion soup he never knew existed.

Most certainly I would move the two boxes of blue latex gloves from the wall inside the door to the wall outside the door. Nothing says “If I touch you, I might die” like blue latex gloves. I would silence the incessant beeping from the health monitor above his head.

I didn’t mind the wait. As sure as I knew his blood pressure, blood oxygen level, and pulse, I will miss the wait, the slim possibility, the sliver of “just maybe.”

The text from my brother read, “He’s gone. Come back over.”

I dismissed class just after 8:30 and left for the hospice center a few miles from the college. I forgot to tell the students it would be a few weeks before I returned. I drove to see my suddenly late father.

We took turns saying goodbye again, this time after the fact. He looked gone—as if he’d been dismissed, like he transferred or simply dropped out. I held his bare arm below the sleeve of the green golf shirt they provided. I wondered if all the patients had the same shirt. The entire building had a sense of oneness, of warm togetherness, like all the nurses should have the same name, and all the patients looked like my dad.

I kissed his withdrawn face. I thought he might feel cold, but his arm felt warm as if from the sun during all those days at the field coaching my brother in Little League, and from sitting all day in the baseball stadium bleachers, buying me hotdogs, letting me keep score as he showed me how to fill in the small boxes.

When I took his folded hand in mine, it felt stiff, but not from some medical transition; no, more like his muscular grip back when he took my infant son in his arms and laughed, his eyes wider than space, his laugh deeper than love, just moving his grandson up and down as they laughed and my son reached for his nose, for his glasses. I reached for those glasses now, unused on the nightstand, and held them.

A week earlier I stopped at the hospital to check on him, expecting another day of quietness after a week of unconsciousness. But I walked in to see his eyes wide open, staring at the ceiling, then at me.

“Well hello,” he said in his baritone voice.

“Hey Dad, how are you?”

“I’ve been here since 4:30 this morning.”

“You’ve been here for four days.”

“Four days! What hotel am I at? Ha! Hotel! I wish I was at a hotel! What hospital?”

He could have been thirty years younger. After a long, slow year-long erosion from dementia, I had not heard Dad so lucid in several seasons.

“You’re near home, Dad. You’re at the hospital right near home.”

“It is serious, then?  Tell me.”

“You have pneumonia, Dad.”

“So I probably don’t have much longer, do I?”

And that nurse came in and Dad checked out, turned his head and closed his eyes one last time just days before he died. That night I rode in the transport ambulance to take him to hospice.

If I had more time I might tell him about my failures, my shortcomings. But there is never enough time.

April 2025

We were in a cheese factory shop in Volendam with baskets of cheese wheels to bring home. I held a bag of four wheels and thought about who I can give them to after I separate them. “I’ll give one to Mom,” I said.

Stateside, I stopped at my sister’s home in Pennsylvania when Mom’s nurse called to say she had fallen while rising from her chair at bingo, and she hit her ribs on the chair, bruising the bones around her already-weak lungs. Her nurse, Max, held the phone so Mom could talk. “I’m so confused,” Mom said to my sister and me, and I said I’d be home the next day. A while later another nurse called. “Your mother is transitioning.” She’s becoming a man? I momentarily wondered, not trying to be funny; I truly had never heard anyone reference the stage between being not at all dead and about to die as a “transition,” but I suppose it is as good a euphemism as any. Certainly, “Your Mom is dying,” appears a bit colder, but I still think I’d have preferred such directness over the “I’m so afraid to say what is happening that I’m going to wrap it in obtuse verbs.”

The next night I leaned over her sleeping body and she opened her eyes and they welled up, and I said “I love you, Mom” and she fell quickly back to sleep. Later that night my brother texted. Mom was gone. That was either eight months or eight years ago.

I miss the waiting, especially this time of year when I’d be waiting to give her some gifts—probably flowers and a gift certificate to take her to a nice lunch. She reached the age where those gifts of time spent together were the most valuable.

I miss making videos of Mom, and how for every one video I recorded I deleted four or five because they were too ridiculous to publish. I miss those outtakes now.

I miss seeing Mom in the foyer of her home waiting for me to drive up the circle to pick her up, a wide smile followed by an “Oh, it is so good to get out for a bit! You know?” I knew. She didn’t care if we just drove around. I’d park the car at the market and she’d wait for me as I ran in to get her bananas, fudge stripes, and flowers.

That last time I saw my dad before he entered the hospital he had sank a twenty-two foot putt on the practice green and looked at me with such a proud and excited reaction it’s as if my entire life collapsed into that moment—the golf when my brother and I were young on the Island, that time Dad and I went to see Jaws when it first came out, or when he and I went to Disneyland in California; our lunches every week after he retired but before Mom had. Strangely, I think I felt the loss of my father before he even died because of his ebbing mind and misunderstood timeframe. Loss comes unexpectedly and often out of joint.

The last time I saw my Mom I told her I’d be in Amsterdam and we were going to Keukenhof to see the acres and acres of flowers, and would she like me to bring her some tulips. She stared at me a long time, and I waited, and more time passed, with my phone video playing, and still I waited wondering if I had lost mom right then, until finally she smiled and recited a poem from her youth.

It was worth the wait.

Merry Christmas Mom. I’ll put on some Christmas music for you—some of your beloved Andy Williams. And Merry Christmas to you too Dad. I’ll plug in the lights Christmas morning and later that night I’ll give Michael a book, and I’ll be thinking of you.

Out Like a Lamb

~ aviewfromthiswilderness ~ Leave a comment

“Mary had a little lamb

whose fleece was white as snow

and everywhere that Mary went

her lamb was sure to go”

Which in reality was a small schoolhouse in central Massachusetts where Mary Elizabeth Sawyer walked each day from her farm, followed by the lamb.

I’ll come back to this.

I worked for some time at a quaint inn in Sterling, Massachusetts. The restaurant with a small lounge and several rooms upstairs sat just near the Wachusett Reservoir, at the bottom of a hill in the village. It was owned by the Roy family, and Al Roy had studied cooking in France. His son, Mark, ran the restaurant and inn, along with his wife Patti. The staff consisted of about ten of us. Dave was a chef, Tom the bartender, Rich—a student at the time at the Culinary Institute of America—assisted Dave, and the wait staff. We were like family and shared each other’s lives.

I’d go hawk watching at the Quabbin Reservoir an hour west with Dave and his wife, and often Cathy and Stacy and others would come to my place—an old yellow house just down the shore of the reservoir a few miles past the cider mill—and sometimes after the dining room closed we’d sit around and have a drink and talk. There were funny times, like when I went out one cold winter night to put the trash out and the only other person left was Cathy who was placing the fine China plates out for the next evening’s guests, but I locked myself out. I went to the back windows of the dining room which faced the wooded hillside, standing two feet deep in snow, and knocked on the window. It scared the crap out of Cathy and the stack of plates sailed out of her arms and crashed to the floor. She screamed. I laughed. It was an accident, truly. Or when a couple from Quebec came to dinner just as the dining room closed and kept just Tom and me there for hours, well past midnight. Dave had closed up the kitchen after their meal and went home, but they still had wine and dessert. At about 1 am they left and when I opened their bill folder to see what kind of tip they left on the $40 tab for keeping us there so late, the credit card receipt showed no tip at all. I cursed loud enough for Tom to laugh and say, “No tip, huh?” and when I picked up the folder, a $100 bill was underneath.

Some tragic times as well, mostly January 28th, 1986, two months to the day after Thanksgiving, and just about a week before I moved to Pennsylvania. Most Americans will never forget this day, but it was particularly poignant for those of us in New England since Christa McAuliffe had lived just across the border in New Hampshire, and on that morning and afternoon, the inn was packed with people—many friends of Christa’s—to watch the Challenger launch on television. I was tapping a keg of Budweiser and looked up as Patti said, “Oh wow, that doesn’t seem right.”

It was completely silent, followed by cries. I can still smell the beer, hear the dishes from the kitchen, Cathy saying, “What’s going on?” and Tom behind the bar quietly repeating, “Holy Shit. Oh wow. Holy Shit.”

But today I remember a happier time there. Thanksgiving Day, 1985. Forty years ago next week. We had a limited menu of Turkey, Scallops, or Prime Rib, and we were booked for all three seatings. The last guests left about 7 that night, and after we cleaned the dining room and the kitchen, we all sat around a bunch of tables pushed together and had a full meal with all three entrees, bottles of wine, pies, and stories, constant and hilarious stories. It was a beautiful time in my life and I loved where I lived, what I did, and the people I spent my time with.

But something had to change; I knew this. I did not know what needed to happen, but something else needed to be next. I had graduated from college, traveled through Mexico, lived in Tucson, managed a health club, and was happy, but stagnant, and this state of being, albeit pleasant, contradicted my very nature. It would not be long before I would turn in my notice and move to Pennsylvania, but on that Thanksgiving where a dozen misfits all sat around the table together laughing and drinking and wishing it could be like that forever but knowing it had to change—and would, for every single one of us—I got up to open another bottle of wine but instead walked out the front door to see that even more snow had accumulated on the couple of feet we already had.

I walked to the center of the village just a half block away and found a statue I’d never seen before. It was of Mary Elizabeth Sawyer’s lamb. Mary is the young girl in Sterling, Massachusetts, who had a small lamb that followed her everywhere, including school. It was a big event in the small school, and the next day a classmate of Mary’s, John Roulstone, a year older than Mary, handed her a poem he had written about the event. The poem had three stanzas—the first of which is at the top of this page.

Some years later, a poet, Sarah Hale who lived not far from there, published a small book of poems which contained a longer version of the poem, but Hale insisted it was original and based upon imaginary events. The controversy lasted for some years, well after both Mary and Hale had died. Until Henry Ford—yes, that one—investigated the incident and not only sided with Sterling’s own Mary, but purchased the schoolhouse from the village of Sterling, moved it to Sudbury, Massachusetts, and then published a book about Mary.

Back to me.

I stood at the small statue watching snow slowly cover the lamb’s wool now truly white as snow, and waited in perfect silence, listening to the quiet of rural Massachusetts. I can feel that moment today, that sense of peace braided with a sense of restlessness. I had to leave. I had to stay. Back then for people my age riding the tail of the Baby Boomer generation, the urge to “change” something usually meant going to the liquor store for boxes, filling them with books I’d never read again, tying them up with string, and moving somewhere else. Boston was out of the question—geez, an hour to the east was too far. Staying meant improving my life where I was—figuring out how to take the best of my situation and improve it, and I stood in front of Mary’s lamb and knew I didn’t know how to begin to do that. I only knew how to pack up and leave; that I was good at.

I went back in and grabbed the wine bottle and while I was opening it, Mark came in the kitchen.

“Where the hell have you been? We’re a bottle a head of you!”

“I was talking to the lamb.”

“What lamb?”

“Mary’s.”

“Ha. Oh. Well…”

“Mark, I think I’m going to have to turn in my notice, but, I don’t know, maybe January, maybe February. I need to find something else to do.”

“Oh wow, well, okay. We can talk about this later. You’re here for the holidays, though?”

“Yes, of course.”

We drank wine. I suddenly felt a little out of place, more like a visiting cousin than immediate family.

At the end of the night, everyone had left, Mark and Patti had retired upstairs, and just Cathy and I were left, she placed the dinner plates out for the next day, and I put out the trash, where I accidently locked myself out.

I moved. Cathy moved. Dave opened his own restaurant. Tom died. And the Sterling Inn fell into disrepair over the next few decades, abandoned, with vines taking over the building, the parking lot cracked and covered with weeds. Someone bought it from the Roy family a few years ago with the intent of restoring it to its full original glory. Same red trim; same black shutters. But some town controversy has kept it from proceeding. I miss the place. I’m glad I moved but I’m sorry I left.

That was forty Thanksgivings ago. Some memories follow us around, waiting for us to notice them.

Speechless

~ aviewfromthiswilderness ~ 1 Comment

Some years ago while working at a different college, I wrote this essay loosely ripping off an essay by Tim O’Brien. I’m not ashamed. I found it recently and thought about how I still neglect to complete the very assignment I encouraged my students to complete as often as possible. . Something needs to change.

What Have We Learned

Older students are better than those just out of high school. The big dude with the pierced face and tattooed eyelids is probably a great writer. Many students would rather pull a lower grade than have a professor look at a rough draft. Students who take copious notes don’t always fair as well as students who just listen intently. If it happened before they were born, it really doesn’t have any affect on them and therefore they shouldn’t be required to learn about it.

Hamlet is boring; Oedipus is stupid; statistics is tedious; bio lab is too long; developmental classes are a waste of money; introduction to literature is a waste of time; history is not relevant; philosophy has no practical application; psychology is disturbing and the instructors are disturbed; text messages are read more than text books; face to face communication is obsolete; and the only source of information is the internet.

Here’s the great irony of education: While we should become smarter as time goes by because we’ve been given the answers through the centuries, watched the lessons played out on the battlefields and in seminar rooms, we’re actually ignoring more, learning less, and not really keeping tabs of our decline.

Maybe if I text my lectures they’ll pay attention. Phones go off in class, in the hallways, in their backpacks. They reach in to quickly shut it off because they “forgot it was on,” and spilling out onto the floor are the books they need, a few small notebooks, and various articles of clothing. They carry more in their bags then in their minds. 

The science and math books are ten-pounders, and the anthologies aren’t lightweights either. For lab they need their lab equipment, gloves, goggles, special notebooks, dead animals. Rough drafts, final copies, required journals, various books read besides the textbook, art supplies, tape decks, language discs, keys, wallets, games and personal items. Some have staplers, toothbrushes, condoms, aspirin, medicine bottles, and hand soap. Some carry crayons and cookies because their kids come to class sometimes when elementary school is out or cancelled, or when the kid is sick but the Prof told the parent if she missed one more day she’d fail the course. They carry medicine for those kids, bi-polar, attention-deficit, hyperactive. They carry the same for themselves, medicine for their own ADD, ADHD, OCD, diabetes and manic-depression. They carry a lot. They need to remember when papers are due, when tests are scheduled, including their math tests, their physics test, algebra, pregnancy, special needs tests, mammograms, CT scans, and various other tests they’ve got on their mind and written down in their notebooks at the bottom of their parcel.

They carry cell phones with various rings, various friends calling during class, right before class. They have small machines attached to their ear so they can remotely answer the phone without having to move their arms or lift their hands. They have the numbers of everyone they know automatically programmed in. They no longer have to walk to see anyone, walk to find a phone, remember any numbers, lift their arms, or turn their heads.

Once someone’s phone vibrated during class. The vibration on the desk was as loud as a ring, but she politely excused herself. Some professors insist the phones be off during class, and they won’t even allow them to be turned to vibrate. But this student came back in and said she was sorry and that she had to go, that was her babysitter calling and someone from her husband’s command post was at her house waiting for her to come home. A week later I discovered her husband had been blown up at a roadside bombing on the airport road from Baghdad. Another student’s brother was on television. He worked for Blackwater in Baghdad and she watched her brother’s charred body swing from a bridge in Iraq.

One student shot himself in the head because he thought the paper was due and he thought his medicine wasn’t. True story. A colleague of mine listened quietly one day to a near-suicidal student explain why her paper was late and how her daughter was going through depression and they were bringing her to the doctor to see what was wrong, and it weighed so heavily on her mind that she couldn’t really concentrate on the paper and would the professor mind the paper turned in a few days late, and she agreed. Students knew this about her—she would work with anyone. A few days later my colleague hung herself in her kitchen because her medicine was fucked up.

This is the American Community College. These are the trenches, in the city; some of these students come to get ahead, knock off some basic education classes before transferring and paying more at the university. But some come here instead of jail, or to bide their time, or to hang with old friends and maybe hook up with new ones. Some come to keep off the streets; it can get dangerous these days. But some of these students come from real war-torn areas. My student Deng walked across Somalia to Ethiopia twice looking for safety. Before he found it at ten-years-old in a Red Cross camp, he was given an automatic rifle and taught to kill. Now he tries to write about gun control and crime in seven hundred words, making sure the grammar is right. His mother was raped and hacked to death in front of his eyes. His father “disappeared.” He was a Lost Boy. Sometimes he didn’t concentrate. Yeah, okay, sometimes he didn’t pay attention. But when he came to my office we talked about politics and survival. We talked about Africa and faith. We talked about ideas, and he told me Chinua Achebe knows Africa. He told me how Sartre would not be popular in Somalia but Descartes would. He knew the differences, understood the gentle nuances that separate philosophy and politics. I didn’t ask about his scars. He didn’t ask about mine. Deng came here with an education the likes of which we can’t possibly conceive. He told me he as soon as he found the camp he knew he needed to leave. I said I understood. He said it was too much, and he wanted to die so badly and that’s when he knew he just had to get out. I didn’t answer. I had nothing left to say to him.

What I know now is this: all the lectures in all the classrooms from all the professors in the world will not prepare us to be anything of value if we don’t find any value in what we do and how we live our lives.

Of course we would all do things differently; even just a few small moments. I’d never have left Massachusetts. I’d have gone to Monterrey anyway. I would have passed on the Trout in Prague, the oysters in Asheville. When I left Tucson that last time I’d have headed west instead of back east.

We are always in pursuit of ourselves, aren’t we? Even if we don’t consciously consider such notions day to day. In class one morning I asked my students if there was anything they would have done differently in their short but tech-dominated past. They all laughed and had answers that ranged from staying off-line to trying harder in high school to treating a loved one better while she had the chance. They talked for a bit; they got quiet. They thought a while. And I added this: What are you doing now that five years from now you will wish you had done differently?

They looked at me for a moment with just a little confusion and some wonder about their future, and they waited for me to talk.

But honestly, I have nothing left to say.

May 23, 1925-October 21, 2015

~ aviewfromthiswilderness ~ 3 Comments

Dad died ten years ago this Tuesday, the 21st. Words can’t express how I miss him. The following essay first appeared in Kestrel: A Journal of Literature and Art, as well as my collection Fragments, and anthologized in a few other publications. It was the last piece of my writing I am aware my father read.

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Instructions for Walking with an Old Man at the Mall

First of all, he’s walking, you’re joining him. Don’t stop if he doesn’t. Don’t keep walking if he doesn’t. You are a shadow, an imitation.

Stand on his side where he can better hear you. If he can’t, repeat yourself as if for the first time, no matter how many times. Never say “never mind.” When he tells you something, you have never heard that story before, even if you can repeat it word for word. When he tells you about the baseball games with his Dad seventy years earlier, they are new stories, and your response must sound genuine. When he tells you about the time he went swimming at camp with his friends, and how when they went to retrieve their clothes from under a boat they found a snake, be amazed again, ask what happened. Laugh again since he will laugh.

When he pauses in front of a store, don’t question it. At that moment, allow his sole purpose in pausing is to look at whatever item is in that display. He might mention how he used to own that tool, those pants. Let him know you remember; do not make a big deal that he remembered. He needs you to know he didn’t stop “to rest”—he stopped to look at the display. When he says he could use that new suit, a new pair of shoes, or a new whatever is new, agree. If he happens to stop in front of Frederick’s of Hollywood, there’s no need to joke; it will only emphasize he couldn’t get past a place he would never stop with his son. This time he simply couldn’t continue. Talk instead about his grandkids. Talk about the rain. Do not talk about old times. There’s no need to recall the time he drove you to the airport for a flight to college and you saw him hours later waving to you onboard the plane. Avoid bringing up the time just the two of you spent the day at Shea Stadium when you were a child. Instead, ask about the Mets and if he happened to catch the game last week. You know he did. Let him tell you about it.

When he seems tired but doesn’t want you to keep stopping, stop to fix your shoe, to read a sign; look for a bench and suggest you sit and talk. He’ll ask about your son; he’ll ask about work. Have something to say other than “fine, Dad.”

Do not look at your watch. Do not check your phone; most definitely do not check your phone. Leave both in the car. Do not indicate in any way he is keeping you from anything. No other time is relevant anymore. But you will grow tired and restless. If he senses this, he will insist you leave. He will say he knows you have a lot going on, and he’ll say he’ll see you later, and he’ll do whatever he can to make you feel he is completely fine with it. Stay anyway. Then sit a bit longer. Do not ask about the doctors; the walk is to forget about the doctors. Do not quiz him on medicine or schedules. He is out for a walk, you joined him, it is something about which he will tell others—that he went for a walk at the mall and his son was there and joined him. Do not let his story end with “but he had to go.”

When he can’t remember where he parked his car, ask if he parked in the usual area. He did. Sit down for a few minutes. It will come to him. There’s no need to ask probing questions like “which stores” or “what street” he was near. Just sit a while. He’ll remember. You’re not in a rush.

When you leave the mall be near him as he steps from the curb, but do not help. He will be fragile and unstable. The step from curb to parking lot is a leap; he used to do it with you on his shoulders and two others running out front. Let him step down on his own but be ready. He bruises easily and a simple scrape is a trip to the doctor. Have the patience he had when your childhood curbs seemed like the cliffs of Dover.

Don’t say “I guess I’d better get going.” Don’t make plans. Don’t make any comment to indicate he did well or that it was a “good walk.” He didn’t do well and it wasn’t a good walk. He’s older now. He’s slower now, but he knows this. Really, once the walk is done, the time spent together always seems to have passed faster than we recall. He knows this as well.

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Foolish. Insane. Successful.

~ aviewfromthiswilderness ~ 2 Comments

Some of us are masters of self-deception; we can convince ourselves of just about anything and we learn to look for the smallest of clues to justify whatever illusion keeps our delusion alive.

I am certain this all sounds somewhat psychotic, even sinister at times. I know. Yet this mental acuity of delusion and ambition is not only necessary, it’s what separates those of us in lives of quiet desperation from those whose names are synonymous with acts of greatness.

Two truisms:

One, “Insanity is doing the same thing over and over hoping to reach a different result.” Okay.

Two, “The Greater Fool is the one who thinks they can succeed where others before have consistently failed.”

But notice the problem; no advancement in technology, science, the arts, moves forward without a delicate balance of both: Science in particular means doing the same thing over and over to check results, to see if it comes out differently even once, only once in a million trials, to make certain everything is okay or everything just changed. The movie The Right Stuff which begins in California with test pilots does an excellent job of showing how insane those fools were to get into yet another new jet after everyone else had died, only to take flight to another level and eventually out of this world. Certainly the engineers made alterations each time, so it wasn’t the same thing over and over, but with patience and caution.

It is a difficult thing to keep trying to get something right that continually fails. And worse, everyone that cares about you watches and calls you insane for still persisting when nothing positive has happened, and they call you a fool for not listening to the sage advice of intelligent and caring people. But the reality is only we know what we are capable of and so few of us ever try to find out what that is.

Example: Vincent van Gogh kept painting the way he believed was right despite being told to change his ways by the most respected art critics and dealers—including his own brother—of the day. When he failed, they said, “The fool is insane, and he lived off of his brother!” When he succeeded, they said, “His persistence paid off, and he had the undying support of his family.” When he painted “Starry Night” from a room in the asylum, it wasn’t liked at all by others in the art world. Today, some estimates place its value at just about one billion dollars. Can you point out the genius among delusional if pressed to do so? Can we ever know for certain the guy on the corner in St. Augustine I met decades ago who was screaming to passers by that the voices in his head told him the “water is rising my brothers and sisters; the water is rising,” wasn’t talking about Hurricane Mathew? There’s a thin line between genius and delusion; and history has proven it takes an insane person, a fool, to be exalted for their persistence and determination. “How pathetic” they say beforehand; “How original” they say later.  

I’m sure that, like me, this all makes you think of the overweight patrons at the health club I managed forty years ago. Some of the members were there to lose well over one hundred pounds, some fifty. I taught an advanced class for the football squad at Holy Cross College as well as a class where the minimum desired weight loss was fifty pounds, and some wanted to shed triple that. They tried everything. Everything, over and over.

One day I walked into class with five, five-pound bags of sugar in a backpack. I sat on the small riser at the front of the room and put the pack on the floor and told everyone to sit down. We talked a bit about weight, about the physicalness of carrying it around, the mental weight we carry with it; the ridicule from others, the spouses telling them they’ll never lose it and to give up, the neighbors calling them fools for going to the club everyday when “you should have thought of that before you gained all that weight,” never understanding, never ever empathizing.

So I asked a woman to come up and pick up the pack. She gasped when she tried, of course, and she barely got it off the ground. So I told her to crouch down and I put the pack on her thighs so that she could wrap her hands around it, and then I told her to stand up, helping her at the elbows. She laughed when she was all the way up, and then I told her to drop the back, which she gladly did, and it made a thud when it hit the gray carpeting so that everyone jumped. She sat back down; I picked up the backpack and put my arms through the straps.

“This is heavy,” I said, and we laughed. When I asked if anyone else wanted to try and pick it up they all shied back, laughing, looking away. I sat again and opened the pack and pulled out the yellow bags of sugar one at a time and lined them up on the riser.

“Sugar! Not-yet-completed cake!” We laughed. “How many people want to lose twenty-five pounds?” Everyone’s hands went up, of course.

“Of course! You have to want to lose fifty just to get in this class. This is just half of that–this is twenty-five pounds that you could not lift without great effort! Should I get another five bags so it meets the minimum of the classes’ desires?”

Everyone was quiet.

“Buy a backpack. Buy ten bags of sugar—granulated sugar of course.” We laughed some more. We had to; we had to laugh to do this at all. “Buy the backpack and fill it with ten five pound bags of sugar, and when someone tells you to give up, when you tell you to give up, when someone calls you a fool or says you’re insane for trying what you’ve already tried before and it clearly isn’t working, hand them the back pack—give your weight to them and tell them to carry it for a while. And then come to another class. Let them know that this time it’s different.”

“Persistent and determined remains crazy and foolish unless you keep going and succeed, but to keep going short of success is insanity. That’s where you come in. You believing in yourself is all that’s necessary for everything to work out. The others are just more grains of sugar you have to carry around.”

Why is it we praise the people who stay within our boundaries of expectation and understanding, but when someone pushes the envelope a bit, heads out toward Mach One on the meter, they’re crazy because they’re doing something we wouldn’t.

“Maybe people laugh at you because they know they do not have the determination and persistence you do to do what you’re doing, and they don’t have the vocabulary to tell you that. Don’t get upset, just keep emptying that backpack one bag of at a time.”

I have felt foolish lately and it has slowed down a project I am working on, and I thought of the members of the club, and I thought of Richard, the club owner who himself at one time needed to lose more than twenty bags of sugar, but he played the role of The Greater Fool, and he persisted to the point of insanity, until he crossed that thin line into “inspirational.”

There’s a thin line between so many things, but most allusive is the one between failure and unprecedented success. The problem is sometimes that line is so far ahead of us giving up seems not only easier, but logical. “No one would blame you if you just strapped the pack on and kept going; it’s easier than trying to empty the damn thing.”

But that’s why when we’re working on something you believe in that no one else does, something which everyone else might consider insane and foolish, it’s important not to look toward the distance for that line, but to look at the next step, then the next step, then the next one after that.

Absent

~ aviewfromthiswilderness ~ Leave a comment

Something is always missing in my writing that I can’t put my finger on. This is normal, and over the years I’ve had conversations about this with everyone from Tim O’Brien to Susan Sontag; that others read your work and say, “That’s exactly right,” all the while you step away from it frustrated that it is still shy of what you meant, what you know it needs, or worse, know it needs something but can’t figure out what. Welcome to the arts. It’s a like/hate relationship. Love rarely shows up except, ironically, during the conception stage when everything makes sense. But later, well, something is always missing.

More than a few times I’ve been asked to read from older works. My last few books I don’t mind reading from because even though I know I could improve what is there, I’m still satisfied with the material. But when I’m reading a piece from one of the two early books about life in Russia I want to apologize as I go, read a few lines, look up and say, “Geez I’m so sorry this is so shitty,” and then continue, sighing after each paragraph. That’s the nature of the beast–actors too don’t watch old films for the same reason. Perhaps we have learned more since then and we approach the early material unfairly from a more experienced perspective. Or perhaps it really did suck and we just hate to realize it is in print somewhere waiting to embarrass us.

But this: I’ve never read something I’ve written and found material I wished I had not included. It is only what’s missing that haunts me, the untold parts, the “I didn’t say that quite right” parts. And then when I recognize what I should have done, when it is clear to me what really is missing, it can be unbearable.

***

It’s hot today, mid-nineties, heat index about 104. I brought my car to the dealer for it’s check-up and I bought new pillows. I spoke to a friend in Ireland, and I talked to someone in Rhinebeck, New York, about a new project. Then I had to make a call to a friend at a newspaper.

You know, some things simply don’t work out no matter how hard you try. I had planned some overseas trips with people that fell through, and two of three book projects have been delayed. So I took the morning to get stuff done and enjoy a little peace. Then I spent an hour on the phone doing an interview with an old friend of mine up north about the book that is coming out this winter, and we talked about those days back in college when much of it takes place. It was nice to look back.

When I thought the questions were done, he recounted my life for me–the books, some of the jobs, most of the years, as a way of matching my work to my experience. And then he asked something that no one had ever asked before and which never really crossed my mind: “Bob,” he said laughing, almost as a rhetorical aside, “is there any aspect of your life you haven’t written about?”

“Bob?”

I was quiet a very long time, and it came into my caffeinated mind like it had been waiting ready to expose itself, and it was quite suddenly and for the first time for me at least, quite obvious.

“Well. Fuck.”

“Yes.”

It took me awhile to understand what just happened in my head, and I apologized, glad he was someone I used to know well enough to not worry about the dead air between us. It didn’t take him long to decide to remain silent, knowing/sensing I needed to get myself together. He quickly changed the subject but I pulled him back. “No, that’s okay. Repeat the question.”

“Just curious if there’s anything significant in your life that might be worthy of a book or even an essay, but you haven’t written about it and, well, why? Why not?” That’s real journalism right there. We had the same mentors but I was never that good. Damn.

It’s always frustrating when something is missing and you can’t put your finger on it. We all know that feeling, like the song that’s on the tip of your tongue, or the meal you prepared and before the guests arrive you step back and feel like there needs to be one more thing, and it turns out to be the most important element. That feeling. Only this time I had the answer; I know what has been missing, what I never wrote about, though it was never a conscious decision. What’s even crazier is I spent part of that phone silence wondering how no one, no one, through the years ever even once asked about it. Ever. Yet it’s absence now seems so crystal clear, like seeing the two shadowy faces that turns out to be a lamp, and once you see the lamp you can’t find the faces anymore.

“So what you’re wondering,” I replied, “is if I ever consciously didn’t write about something that probably deserved to be written about since everything I’ve ever written has been about me, not to sound egocentric or anything.” He laughed and said my work rarely is about me, that I’m just a character in the narrative. This guy is that good at his job. Our mentor Dr. Russell Jandoli would be proud.

“Is there?”

***

Last year I heard a review on NPR of Tim O’Brien’s book American Fantastica, in which the reviewer said, “This is clearly going to be his last book.” I called Tim and we laughed about it and he said he had heard the review and ironically he was already at work on a new book and now he’s thinking of calling it “Posthumously.” We laughed a long time.

“So you’ve got more to say?”

“Yeah, Bob, but it doesn’t mean anyone wants to hear it.”

Well as just another player in the art world I can vouge for the idea that we all just assume no one will ever want to read or listen to or watch our work; that’s not why we create. But, yeah, I still have more to write about as well.

However,

~ aviewfromthiswilderness ~ Leave a comment

I mean, it isn’t exactly “Everything” I’ve lost interest in.

Sunrises still can manage to get me out of bed before dawn for a saunter to the bay where the best moments are about fifteen minutes before the actual sunrise, when the sky is still dark blue, with a streak of burnt orange in one smooth paint stroke near the horizon.

Then coffee, the sound of cups in a diner kitchen, the sound of the pour into the cup, tables and stools of people talking laughing, planning the day, remembering the night.

And children of course, the non-starving, not yet war-torn ones. The ones who remain the way they should, laughing at the simplest nuance, and drinking milk with two hands. It’s the laughter that gets most of us, especially when it reminds me of my own son at a young age, laughing at some lizard in his hands. That memory still holds my attention.

I stood in line behind a World War Two vet a few months ago–ninety-eight years old–stood strong and told me he was driving to Richmond that afternoon to watch his great-grandson play baseball. That is worth the time any day of the week.

I once waited half the night for the moon to rise above a mountain but it never did. That night, the stars, the floating dock, the non-moon night was filled with such peace both literally and psychologically, such complete presence and stillness, that would keep me going a long time during the worst of days. That day closed up decades and reminded me something so essential: Everything we are, we remain. And that real friends are often the only thing worth our attention.

The sound of geese keeps my interest, and talking to local farm workers from Mexico about where they’re from, villages I don’t know, some I do sometimes.

Talking about Ireland, or Prague. Talking about Spain and how the stretch from Southern France to the first village in Spain is so beautiful you hardly notice the climb is trying to kill you.

Yeah, that one always keeps my interest.

Acoustic guitar music. Pachelbel’s Canon in D on piano, slowly, ice in a glass. These remind me of life. Listening to a musical piece written nearly four centuries ago reminds me of the emotions that transcend time while connecting everyone. When I hear the Canon I imagine Johann playing on his organ, thinking about the night he stood outside waiting for the moon to rise above some hill outside Nuremberg, and how it took his breath away, the stars he saw while waiting, the absence of indifference, the absence of apathy. Nothing mattered more than that moment then, and he forgot all about the news of the day. He just watched the moon not rise above the hills and in his mind he played those keys, slowly, as if it was the only thing he cared about in the world.

Close your eyes and let this play, and remember all there is in life to be passionate about.

Student Comes to See Me

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A Personal Reflection This Week:

I woke about three this morning; it happens a lot. This time it happened because this weekend has always represented change in my life. Growing up, of course, the school year is just about over and summer is waiting; throughout my college summers not only was one year over and another still three months away, during that time I worked at a beachfront resort hotel every summer, so the “season” started this weekend. And for more than thirty-five years in higher ed, this is about the time of year we finally exhale for a few months. At three this morning I woke thinking about those changes this weekend those years, but this time I found myself surrounded by the ghosts of those dear to me, and in my tired, gummy-induced thought process, they all had the same opinion.

This weekend might feel more significant because so much of my life completely changed in the past twelve months, beginning about mid-May last year, and I added to that weight by spending this same year tuning my manuscript for my next book about a time in my life when I had to grow up and move on, about learning what to let go of and what to hold on to and guessing wrong in both cases. The brain decides on its own when it will dump all of this in your lap to stare at and make sense of. Usually it’s at three am. And raining.

It’s safe to say that my life has been anything but consistent and predictable, but when we’re young we have more courage to change. I believe that’s because if whatever we try falls apart, well, we’re still young enough to laugh it off and start over. But as the years pass, we tie ourselves down, let the roots take hold, gather more responsibilities and obligations. So change is usually subtle, a series of nuanced negotiations that are closer related to diversions than anything resembling a complete abandonment of one way in favor of another.

When I was young, I would regularly jump into some unknown ideal. Now, with Realism as my guide, I am more apt to step off carefully, insuring there is solid ground ahead. But at three am the smallest variation in our path can seem like a canyon. This morning started like that as I listened to the rain on the skylight. I felt my anxiety simmer just below the surface and I was in danger of completely waking up, so I tried to repress it, remind myself that whatever status quo I find myself part of is not only fine but damn near ideal. But that didn’t hold. I thought of a line from, of all people, Barry Manilow: “My life goes along as it should; it’s all very nice but not very good.”

Just wait. I’m one of the more fortunate souls I’ve ever known, and I know that; but that is an external judgement. “Very good” is a relative term. We are in the awful habit of comparing ourselves to others when we should be measuring ourselves against ourselves alone: What are we capable of? What do we wish we had done? What are you going to do with the time that is left? This is that old axiom, “The only way to fail is to not even try.” And this isn’t about you. I swear it’s not. It’s about me, from the young boy in the park, to the young teen on the courts, to the young man on the go. The distance between where I am and where I will end up can only be measured by how I feel about where I am and where I am going; this has nothing to do with “accomplishment” and “achievement.” I think I’ve done okay. It’s has something to do with fulfillment and a personal sense of purpose. Honestly, success has many definitions; just ask the ghosts.

So I stumbled to my desk to organize my thoughts, write down my list for the day to help settle my simmering mind before my anxiety won, and in the pile of stuff I created on the floor while trying to find a piece of paper to write on, I found a postcard from one of my earliest students.

It was about 1994.  

Student comes to see me. He says he can’t handle the pressure of school. I tell him I think he’s a good student and he says yes, he can do the work, he just can’t stand it. He hates it, he says. He gets bored fast. It’s a good conversation, honest. Had we been somewhere else we would have talked over beers. He looks at his watch and says he has to work in a few hours and sighs. He’s twenty-five and runs his own roofing company but hates that too. He has six grand invested in equipment and no help and he just dreads doing the work now. He says he’s at some fork in the road, referencing our work in class, two paths that look the same, so he’s frozen, finds it easier to just stay put. He gets quiet and stares at a photograph on my wall of a village in Africa. Looks nice he says, like he wants to say anything to forget what he’s really thinking about. Then he remembers and sighs again. He’s quiet for some time and I find myself drifting.

I worked at a bar. Good money and mindless work; the kind of work where if you don’t think too much about what you’re doing, you can keep on working. I know I only spent a few years there but it seems like it was always winter, all grey and bone-cold. One morning I woke on a bench near a lake in a park and didn’t know how I got there. I had to work a few hours later but never made it. I quit the bar, withdrew most of my money, and bought a ticket to Africa. Turns out changing my life was as easy as jumping off a cliff knowing for certain I would either land on my feet or learn how to fly. “Boring” disappeared from my life.

But this student has trouble talking about it, so I talk: I tell him I get that feeling in my chest too. Tight, constricting, difficulty breathing. You know what I’m talking about. It’s the sense that something needs to change. I tell him all of that, and then I think, but I don’t say, that it’s the Philosophy class with five minutes left of three hours and the prof starts another chapter because there are still five minutes left; it’s the meeting you can’t tolerate but you’re in a row of seats with too many people on both sides so you can’t leave and all you can think about is how if this is your career, if this is how you’ve chosen to spend your life, shouldn’t you love being here, love the interaction and discussions instead of dreading every word that someone says; it’s that this-homily-is-way-too-long feeling. It’s the feeling you’re just one day away from something else, but then that day comes and you find yourself one day away from something. I tell him it’s the Whitman poem about astronomy; the wide awake at three am feeling and you can’t move so you stare at the alarm clock wondering what your someday-dying self would say to you now.

Exactly, he says. I’m always staring at the clock. I’d love to know what you’d do, he says. I tell him about a bar somewhere I didn’t belong. I remember working and then not working but I don’t remember what happened between the two. I just recall waking up one day in the peace-of-mind of another world, centuries away from being behind bars; like I could finally breathe on my own. I remember dreading the moment between what was and what was next, so I just kept pouring drinks, hesitating, putting off change. But then one day I didn’t, and when I looked back from where I ended up, the “what used to be” that so engulfed my life didn’t even exist anymore. He looks at me like I am looking in a mirror. I tell him if it were me, I’d withdraw from school, liquidate my roofing equipment, put some in the bank and some in the gas tank and take just one slice of life to myself for a while. School isn’t going anywhere, I tell him. We’ll wait for you.

He stares at me a long time then laughs, sweeps his long blond hair back and blinks his eyes a few times, as if to restrain some emotion. “I’m not that brave,” he says, and we laugh. Then he says he’s going to work and he leaves. 

Six months later he sends me this postcard from Australia. “Don’t know when I’ll return,” it says. “When I am, let’s get some beers and talk.“

I look forward to it but, of course, way leads on to way, and I doubt he ever came back

Somewhere Down the Road

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Asian water buffalo of course

Since I’m a child I have wanted to travel the world–I think it was Pippy Longstocking who first turned me on to the idea of exploration and adventure. Certainly Robin Lee Graham and Woody Guthrie and Mark Twain. And I have done just that; more than I imagined. Ironically, for almost thirty years I’ve lived in one house which I built here in the country. My previous homes lasted, from birth, four months, eight years, six years, four years, four years, eight months, three years, three years, three years, two years, two years, and now, well Aerie since my mid-thirties. 

If I had to choose between being always on the go for the rest of my days, or always at home for the same life, I’d choose home. I’d learn to garden and each year expand the crops with more tomatoes and cucumbers, and I’d have a fig farm on the land, perhaps more apple trees, and I’d share the results with neighbors. I’d know the names of the birds, and their migratory dates, and over time I’d have the hummingbird feeder ready for their return every spring. I’d add flowers to the land each year so that the back trail was lined with impatiens and the front with marigolds, and the north side toward the river would have a new trail with hanging baskets of herbs. I’d build by hand and bricks and stone a small guest house, with carvings in the doorframe and a wood-burning stove in the corner on clay tiles I made myself in the kiln I would build in the field. I’d have a dog, some cats of course, and a goat or two. Watermen and farmers would swing by sometimes to chat out front in the gazebo. And I’d walk to the post office to mail my manuscripts; I’d no longer be in a hurry. 

Just as easily I might simply leave, keep going

I’d do the Camino again, perhaps for years, and everyone would come to know the “old American” who is always out there heading toward Santiago. I’d relish the knowledge that no matter what else happens in my life, I have as a foundation to keep going the Way, the pilgrimage trail from France to the west of Spain. I would take Paulo Coelho’s advice and unbecome all the things that I’ve accumulated over the years which were not me at all, until finally I become who I was supposed to be to begin with. 

If I needed a break I’d head up to Connemara in August each year to walk the Sky Road near Clifden. Or I’d head to Prague in May for the music festivals in Old Town and stop and see my friends at the university. I’d have strudel and tell newbies about the time I used to write in the corner of Nerudova 19 when it was a tea room, and I’d write and have a pot of tea and strudel, and I’ll say it is too bad they weren’t around then since now it is an ice cream shop and it isn’t the same. 

Parts of me are already scattered all over the world. Pieces of my twenties are in Mexico and Africa, and large portions of my thirties are in Russia. Some of my forties made it there along with Prague and Amsterdam, and slices of my fifties are sprinkled like diction across this country from St Augustine to Seattle. If I had been able to simply keep moving, I’d have distributed what’s left of me in Spain and Ireland, with a small sampling saved for a state park on Long Island’s Great South Bay where most of the elements in my being come from to begin with. 

Still, I like the idea of spending my life in a small town where I’ve always known everyone, and I leave the doors unlocked, and I have a running tab at a local shack of a pub. Equally I like the notion of having friends all over the world, writers in cities throughout Europe to call up and spend time with on my way through again. I like knowing other cities in other countries as well as I know the trails here at Aerie. 

I wrote a book once about a guy who traveled the world until he settled in a small town and meets a woman who knows everyone and is from there, and they fall in love and the idea of staying grows on him, but she, by meeting him, understands she isn’t stuck in a small town after all and there is a world out there to see and experience, so she leaves. He decides the small town life isn’t the same without someone to share it with, so he leaves too, ironically also traveling the world, always wondering where she went, looking for her in crowds and metro stations, but he never finds her. It was a great idea and a decent manuscript, called An Innocent Season, but I could never figure out how it should end. That and I suck at writing fiction.

Life has a way, doesn’t it?

Last week I pet a water buffalo. This was near Neunen in the Netherlands. He was quite cute, still relatively small, and I scratched his neck and rubbed his face between his eyes, and he kept nudging me to continue, licking my shoes and pushing my hand. Luckily he was an Asian water buffalo who are kind, unlike the mean African ones. We stood at the fence and I pet him and we had just bought water buffalo yogurt and cheese but passed on the water buffalo ice cream. This little guy was loving on my shoes and my hand but I had stepped back and he came closer and his nose hit the electric fence, and we could hear the “zap!” and a small spark shot out and that little guy backtracked to his mother near a muddy area across the pen. He just stared at me with scared eyes as if to say, “Why?!” It wasn’t anger; no sense of “you bastard” in his face. Just a questioning “why did you hurt me like that?” and it made me a bit sad. I ate the yogurt anyway, though, with raspberry jam and some nuts. 

But we do that, we get close and then our perception is thrown off. Something zaps us and we associate that pain with those close to us when they might have had nothing to do with it; it was more than likely just circumstance, timing, the time of day. I wonder now how long will the little guy remember the pain. Will it make him leery to get close to the next guy with Hokas on and a hand stretched out? Or will he just keep getting hurt because the pleasure is worth all the pain? 

I would. In fact, I have more than a few times. Emily Saliers wrote we must “take part in the pain of this passion play” if we must love. The worst pain of course is departure, leaving again, and one comes to realize that eventually you’re best off either to just keep going, following whatever Camino you find yourself on, or agree to stick around awhile and simply accept that the pain is part of it all. 

So we ate the yogurt and gave away the cheese and went back to Amsterdam and flew home. Three days later my beautiful mother passed away. I’ve been thinking about my youth, and mostly I remember laughing. My childhood included every emotion possible, but what comes to mind first and strongest is the laughter. I remember going to the supermarket as a kid and pushing the cart and getting a treat. I remember her making food for my class in elementary school and not minding when my friend Eddie and I dragged in mud from the state park. I remember her making lemon meringue pie because I liked it, and I recall perfectly her listening to me attempt to play the guitar for the first time as I butchered John Denver’s “Sunshine on my Shoulders.” I am sure I was zapped more than a few times back then by her voice when I inevitably did something wrong, but I can’t pull those memories up right now; only the good things. Like all the laughter and the music; these two things I inherited from my Irish-Italian mother–laughter and music. 

That and to keep going. Perhaps the finest lesson of all; just keep going.

The Laughter Never Stopped

neither did I

Best Cheese I Ever Had

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So here’s one I wrote and let it go. It’s partially told in a piece in my short collection Howl at the Moon (Cuty Wren Press). It came to mind this morning because I’m leaving in a few days for Amsterdam, and I’m sure there will be cheese involved.

I was in the Netherlands about twenty years ago, maybe twenty-five. I lectured at the University of Amsterdam and talked about art and Van Gogh and death. Normal stuff. In class one day, which was open to visitors and in which everyone was required to speak English, an older woman whose late husband was an artist sat in for the lecture, and afterwards she gave me an etching her husband did of a local cathedral. When she learned I was going to find a way up to the Zuider-zee, she offered me her son’s motorcycle for the day. Students gathered to talk about Van Gogh and about America and more. While the woman and I spoke, they talked amongst each other. One guy asked another if she was working that night and she said no, but the next night she was. He told her he’d come by. Another said it hurt to speak in English, and the young woman said it’s good for him to learn, that she wants to learn as many languages as she can. They all talked about van Gogh’s art.

That night on my way back to the hotel, I walked through the Red Light district to use a computer at a Brown Café to tell my officemate about how it was going so far. The windows of the district display scantily clad women, select lingerie on the floor, a couch, maby velvet, sensual surroundings and lighting. They move about tenderly like flesh and bone mannequins, and when a prospect passes, they urge him to pause, consider coming in for a quick turn. They whisper to them in Dutch, in English, French, German. There’s a back room for the business end of the exchange. I kept walking.

The next morning was one of those movie-set days with a perfect temperature, ideal soft breeze, postcard tulips and windmills, dikes running roadside holding back calm waters. I rode out to a Volendam café on the docks where som sailor just back from the states finished washing down his ketch, and we talked about his Atlantic crossing, about the Chesapeake Bay where he had been, and about the cheese he had on deck which he shared with me. We went in the café for a beer and the waitress offered some Gouda and bread with eel and herring. She said the cheese was from a small factory just a few miles away and that I should go, so I did.

Inside the cheese factory—a small barn-type building—a young man and woman stirred a vat of vlaskaas cheese which was sharp, and they told a half dozen of us how gouda is made and molded into wheels and how we shouldn’t refrigerate it, and how healthy it really is, being a hard cheese, including aged, smoked, and toasted. I bought two wheels for fresh gouda and stacked them in my pack and walked outside where a few other travelers from a bus sat at a picnic table.

A Dutch girl about twenty-five eating cheese and drinking white wine asked me to sit with her, and when I told her she looked familiar she said she had been at my lecture, and she swept her blond hair behind her ear and that’s how I knew her—she did that the entire reading, it kept falling forward and she kept sweeping it back and I thought Geeze just tie it back already. I told her simply I recognized her.

She offered me a glass of wine and retrieved a plastic cup from inside, and I shared her cheese. Her name was Abby and she came up to get a few wheels for her family and one for her. After about thirty minutes and a glass of white, the bus driver called for them to go so she left and said she’d hoped to see me again, and I walked toward the bike to leave. The cheese was heavy but I was glad to have it, and the perfect day made me not care so much.

That night I packed for my trip home the next day and decided to head back to the Brown Café to write again to my officemate back home to tell him about the ride out to the North Sea and the sailor and the hair-sweeping blond. I did so on the upper level of the first café I came to where the open door swept the smoke from the hash up to the internet café section so that by the end of my email I couldn’t spell anything correctly.

I left the café and strolled around the district where people drank espresso and the aroma of various smoke filled the narrow streets and top-shelf women worked the windows, and if you can see this coming you must believe me that I certainly didn’t see it coming at the time: I turned a corner and glanced at a blond in a prime-site window, and it was her, Abby, the hair girl with the cheese, and she motioned to me like I was just another passerby, but then recognized me and sat up more from where she had been prone on some pillows and her white lingerie lingered just a bit behind, and she pulled her strap back on not trying too hard to do so, and she pressed against the glass and urged me to come inside, motioning toward the door on the left. I thought about just walking by but that thought didn’t hold so I went in just to say hello. She cut me a slice of the cheese she had bought that day and she pointed that out, that it was the same wheel of cheese that we shared earlier, and that thought seemed to connect us closer than I cared, but it hung there between us. I had one slice of the vlaskaas on the table and said I didn’t want her to lose business on account of me, and that I really had no intention of patronizing her profession, and she smiled and said she understood. I left, and on the way out I passed the guy from class who had asked her if she was working that night. He glanced at me and I laughed. This is not like the colleges at home, I thought.  

On the way home I walked by the Van Gogh museum one more time. It was quite in that part of town, and I stood in the cool night air, the sweet aroma of flowers everywhere, and remembered Vincent’s words about Sien, a prostitute who lived with him for a while with her young daughter. About her he wrote to his brother, “I believe there is nothing more artistic than to love people.”

Next week I’ll be there, at the museum, at the village where he lived a while with his parents, and along the canals. Just look at how everything in our lives moves on, grows and changes and, eventually dies. We age and hold out hope that some of who we used to be remains, knowing, of course, that is true only for a little while. Since I walked those streets last, friends and loved ones have died and my world has changed time and time again, but this week I’ll walk along that avenue and the hallways of the van Gogh museum where his work remains on permanent display, and I’ll think about the man who was nothing more than a peasant who lived with a prostitute, didn’t make any money in his last ten yers, lived off of his brother, was disliked and consdiered a leech and a failure by everyone including the best artists of the day who for the most part said his work had no hope. And I’ll think about that as I pass people sleeping on benches in the park and wonder which ones are artists and which ones of us merely pass judgement.

Van Gogh Drawing of Sien Peeling Potatoes