May 15, 1933

~ aviewfromthiswilderness ~ 3 Comments

May 15th would have been Mom’s 92nd Birthday.

I can write volumes about her life which is a true record of life in the twentieth century, or about her ethnicity which rewrote itself in her mid ’80s, or her uncanny ability to make friends with a two by four; I could write about how she’d become friends with the ladies in the bakery or the fish market or the produce section of Farm Fresh. One day I stopped by and Dad was all dressed waiting for Mom. I asked where they were going. “To a wedding,” he said. “Oh? Who’s getting married?” “The daughter of the lady who sells fish at the food store.” Of course.

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But before that:

I can recall going to A&S’s with my mom, walking through racks of skirts, pushing aside blouses a few racks away, my face near the metal pole waiting for her to call me out. I made her laugh, but, honestly, everyone could make her laugh; she was light, light as air, and laughed like that too, aware of her deep breath.

I remember her making Irish Soda Bread for Ethnic Food Day in second grade, and she said, “Wouldn’t you rather have German potato salad,” noting to my father how much easier it is to make. “Please Mom?” I pleaded. Of course. Yes, of course. She joked with me not long ago about that day and how if she knew then what she knows now I would have just brought a bowl of spaghetti with marinara sauce.

Mom was always there. I remember in the East Islip Public Library asking the librarian a question and when she answered, I was looking down, and Mom said, “Always look in the eyes of someone talking to you.” I never didn’t again. I remember after that we went to Stanley’s Bakery for black and whites and hard rolls with butter. Non-New Yorker’s need to trust me on that one. To get to Stanley’s Mom would tell guests at our house to “turn right two blocks before you get to the mailbox.” It made sense to her.

We went to the doctor when my lower back hurt shortly after joining the track team at Islip Terrace Junior High. Dr. Wagner said, “I’m afraid he has strained his sacroiliac,” and my mother sat quietly a second and then laughed and said, “Are you making that up? There’s something in him called a sacroiliac?” There is and I did so I dropped off the team and she bought me a tennis racket. She had a subtle way of changing my life that way.

Can anyone truly grasp the lessons we learn from our mom’s who somehow manage to teach us things without doing anything more than practicing unconditional love? That’s it; that’s everything, the secret to parenting. Mom would yell–and she could yell–if I did something stupid, which was not that unusual, and it took me years—years—to understand she was yelling at herself, not at me.

Then life got interesting.

My sister was at St Bonaventure, my brother at Notre Dame, Dad had moved to Virginia to buy the house we would eventually move to, but Mom and I stayed on the Island because it was a recession and it took more than a year to sell the house out in Suffolk County. It was just her and me, driving once a month four hundred miles to Virginia Beach and back. We had fun dinners like pizza and omelets, family over for visits, and I had more freedom than most fourteen year old’s as I’d explore the state park day after day, endlessly. And that winter in the mornings I’d sit in the kitchen before school while she made breakfast, the radio playing a bank commercial. “F. B. L. I. Leaves you more money for living…” and I’d walk to the bus stop with the rising sun. In the evening she’d make spaghetti, or we’d have eggs and fries, or we’d have subs from the deli out on River Road, and once a week I’d get to watch “All in the Family.”  

That last day there in the house which I consider to be where I grew up, she had to be at a lawyer’s office to close on the house, so I walked home from school on the last day of ninth grade with my friends Steve and Eddie. My aunt met me in the driveway and we went back to her house where Mom picked me up and we drove the eight hours to Virginia Beach, June 18th, 1975. Life completely changed; everything I had ever known was suddenly an eight hour drive north, and Mom and I adjusted to our new life together.

Time passes.

High School.

Gap Year.

College.

In the Summer of 1983 I decided to move to Tucson, and I packed my small, light blue Monza and she stood at the door early one morning as I backed out of the driveway to head west. She waved once then closed the door. At the time I didn’t know why.

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I could add more, of course. Yes, of course. Like how no matter the conversation she could without missing a beat turn one of the lines into a song she remembered from her youth, and she’d sing it. Like the time my siblings and I locked her out on the roof of the house on the Island when she was washing windows, and by the time she was back inside we were all laughing. Or how our German Shepard was so terrified of her that when the dog was in my sister’s room one morning, all my mother did was whisper “Is the dog up here?” and that poor dog didn’t touch a step flying down the stairs and into the safety of the kitchen. Or how when it was time to give my dog Sandy away, a dog which won Mom’s heart, when she dropped him off at the new owner’s house, Sandy jumped up on Mom and put his paws on her shoulders and whined for her not to go, and Mom cried all the way home.

I can clearly recall several years worth of five thirty am talks in her condo kitchen while Dad was still sleeping, and I’d complain about problems at the college and she’d listen so well, and then she’d talk about Dad’s health and small signs she’d notice or which I had noticed the night before, and we’d compare notes. She loved him, honestly she loved that man like a person who should be used as an example of love, for sixty-three years she loved him like that. And no matter how frustrated she got, that always rose to the surface, that love.

Laughter and Love. That was my mom.

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She loved light blue.

She loved music.

She always worn a Miraculous Medal.

She had a life I can’t write about properly except to say she took on serious responsibility at a very young age, walked through some serious fires in her life, and always maintained a strength and intelligence and a sense of humor that set an example I can never match. She taught me how to be alive. 

But, with apologies to my late beautiful mother, Joan Catherine, she has one blemish, one which scarred me for, well, I’m going to be sixty-five and I still remember it:

In 1974 or 75 I stayed up to watch The Poseidon Adventure on television and with just fifteen minutes left she yelled down for me to go to bed. I said, “Ma! Gene Hackman’s hanging from a pipe!!” “I don’t care it is getting late and you have school!” she called back, and so I went to bed and wouldn’t see Hackman fall into the fiery water for another fifteen years.  

Some people think their mom’s are just oh so perfect and easy to love and can tell stories about what amazing women they are and that’s fine, really, that’s fine, and I’ve tried, I really have, and she comes close, but, seriously, the Poseidon Adventure, Hackman, the freaking climax of the movie for God’s sake. Come on. There’s simply no forgiving that.

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Periods of Long Ago

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A few days ago I walked out on the 14th Street Pier in Virginia Beach and stopped in Ocean Eddies. It was the dive I would frequent the summers during college. Back then the bar money was kept in a box and the register was a big brown monster. There was no a/c and the windows had to stay open in the oppressively humid night, but the live bands would wake up guests at the hotel I managed next door, so I had a deal with management: I’d not call the cops on him and he quit the music by 1 am, and I’d get free drinks and a burger. Now, almost fifty years later, there is a  deck around the outside, inside has ac, and the food is better. The tide, however, is still just a few feet below the floorboards.

I was nineteen when I got the job at the Sandcastle Hotel at 14th Street on the beach. The owner, Johnny Vakos, and I got along, and the manager, Jack, had a heart attack about a month after I started, so John made me manager. I stayed that way for four summers, May until August, working all shifts, dealing with every character conceivable. Sometimes at night I’d head out to Eddie’s and swap stories with other locals over margaritas. Sometimes when I worked the overnight shift, come morning I’d head up to the seventies past all the hotels and sleep on the beach, and later in the day friends would show up and we’d waste away an afternoon swimming and listening to music. At night we’d all head to Sondra’s Restaurant or the Jewish Mother or Fantastic Fenwick’s Flying Food Factory to listen to my dear (still) friend Jonmark Stone play guitar. But come the following morning I was back at the beach, working the desk, talking to Niki the bike rental girl, bs-ing with guests about where to eat or about the weather or surf conditions. I only have to think about those days and I can smell the salt air.

Something was different this time, like I really won’t be back this time. It happens.

Still, that part of my life stayed in my blood and every once in a while it passes through my heart and becomes real again. We all have periods of long ago like that. For me it’s probably this place because I’ve almost always lived near the ocean, or maybe it’s because our brains and bodies and this planet are all about seventy percent water and I simply feel the tug of the tide. Perhaps I just like the sound of the surf. But I’ve not come upon many places in my travels which simply don’t change. Old neighborhoods seem smaller, the trees suffocate the once open fields, and old hangouts usually have new crowds, or shut down, weeds pushing through parking lot pavement, some windows broken and boarded near the rusted dumpster. Sometimes it’s simply that people pass away, and the reasons for being somewhere pass away with them.

But the ocean and me, well, we go way back. The rest of nature can show signs of change as well. Forests give way to fires, or new growth simply pushes out old oaks changing the landscape; rivers erode at the banks, and while the mountains can retain their majesty, trails and roads can rip small scars across the land, or some new cabin is built whose windows catch the sun and the glare flickers across the valley.

But I can stand on the sand behind the pier and know what i’m going to see. Certainly some days are rougher than others, and in winter a white foam can gather at the break point, but it is the same as it ever has been. The strength of a wave is like no other natural force on earth. Just to stand in the surf waist deep is a lesson in mobility and resistance no physics class could replicate. At some point you give in and fall back or dive forward, and feel that dark, salty, always slightly cool water sweep across every aspect of your body.

And when you look out across the vastness of nothing but blue water, steel blue, metallic greenish slate blue water, you are looking out at exactly what John Smith saw when he first landed a mile and half up the beach four hundred years ago. It is what Powhatan saw, and whatever wandering seaman or viking or ancient civilization saw, exactly the same. Maybe rougher, maybe in the morning perfectly still like glass. Maybe the tide was higher, or so low they could walk out to the scallop beds and pull them up by the load. But it is the same. Exactly.

I can stand here and it might as well be 1979, or ten years earlier and four hundred miles further north, on the beaches of Long Island. It simply makes sense to me. We all need a place to go that makes sense. It was just ten blocks north of here at my son’s tent for a juried art show in 2017 that my mother walked for the last time without assistance; it was just fourteen blocks south at The Inlet House that my dad lived when he first moved to Virginia Beach before buying the house we would all move into four miles west. They’re all gone now, Mom and Dad, the Art Show moved to October, the Inlet House is a parking lot. But this ocean, well, it’s right there keeping my anxiety at bay.

I read once that we all should discover a “third place.” We have home, which comes with it certain responsibilities and routines. We have work with its predictable patterns of give and take. But we need a third place that is neither, that is ours to claim how we want, and gather with friends, or be alone, and let our stresses and expectations dilute in the deluge of “somewhere else.” For many it is a bar, or a coffee shop, or a park or a gym. For me, back then, I thought it was Ocean Eddies where I learned more about people than I ever cared to know. But it wasn’t; it was outside, on the sand, looking out toward Portugal, toward Spain, and Africa. Looking up the coast toward the Island. It’s lonelier now than it ever has been, and maybe I’ll not be back for some time, or ever. But I like knowing it is here. I like that I can depend upon this. I like that I know it is time to leave.

December 17th, 1944

~ aviewfromthiswilderness ~ 1 Comment
The American National Cemetery at Margraten, The Netherlands

When my Uncle Tom Burton died, the service was held at Arlington National Cemetery. He was a war hero, then a sheriff, always a father and a fine man. He lived a long life and it was an honor to be there when a marine knelt in front of my cousin, Audrey, and whispered, “On behalf of the President of the United States…” and guns were fired, and a soldier stood amidst some headstones and saluted the entire time. Nearby a horse-drawn carriage waited.

I walked about the cemetery that day and noted the names and dates, and while many of them did indeed die in combat and were interred at Arlington, many, such as my Uncle, served his time and lived a good, long life–never long enough, of course–and played with his grandchildren before that inevitable day. I wrote about Arlington Cemetery for the Washington Post, and while sadness was a motivating factor in my prose, it was not nearly as present as was pride for the women and men who served.

Staff Sergeant Edward L. Miller of the 309th Infantry, 78th Division, from Pennsylvania, was never buried at Arlington. Killed during the Battle of the Bulge, his final resting place is in the American National Cemetery in Margraten, Netherlands. His is one of more than 8000 soldiers buried there beneath the white crosses with names carved in perfect formation. The grounds of the cemetery–officially American Territory about two hours southeast of Amsterdam–are manicured and, in April, spectacular for the flowering trees and freshly mown lawns. Sergeant Miller’s niece, Kay Miller Debow, with the assistance of the abundantly friendly and respectful staff of the cemetery, made a rubbing of her uncle’s stone. After, she rubbed sand from the beaches of Normandy into the letters of the familiar name, washed the stone, and stood back to note how Edward’s name now stood out from the rest of the whiteness. What an honor it was to be there, to be part of this journey which began across the German border more than eighty years ago, and which continues with relatives who do not want their sacrifice to be forgotten.

In fact, honor was the word most exchanged in Margraten that day. The staff commented several times that it is an honor for them to care for the grave of the men who protected the country from the Nazis and liberated them not long after Edward Miller’s death. Kay commented what an honor it was to meet the people who look after so many fallen American’s, and the family who cares for his grave drove to meet her and brought flowers for her uncle and said it has been their family’s honor to be able to do so since the end of World War Two.

I don’t hear the word honor anymore. It was an emotional day for the obvious reasons, but also for what no longer seems to be so common: honor, respect, sacrifice, gratefulness.

It was a beautiful day; clear blue skies and a soft sixty degrees. I’ve known Kay since we were young, before the world slipped into our lives with all of its competition and anger; before Kay’s own service in the United States Air Force, before the world invented a way to sit at a table, logon, and find fallen soldiers, back when Sergeant Miller had been gone just forty or so years. That was a lifetime ago. Several. And I looked out at the crosses and wondered how many families in the States take the time to come to this remote, country town to pay their respects to someone who never made it home again to see their mom; never returned home again to get back together with an old flame and get on with their lives; never saw the sunsets and distant beauty of a morning mist.

Still, I could not understand why this was so much more emotional than the internment of my own uncle at Arlington. Then it struck me as I watched Kay place her hand on Edward’s headstone while no one was nearby: She never knew him. I knew my uncle; we laughed at parties together, and he showed up at my parents’ anniversary parties and always laughed with us, told stories. He died when my son was already in his twenties, and when my cousin’s kids were adults. Edward Miller died when his brother, Kay’s own father, was still a child.

Eric Van Heugten, the man who brings flowers to the grave and whose family has done so now for eighty years, stood next to me along with our host, Roel Timmermans, as I looked about and said, mostly to myself, “These men were the same exact age as my students.” That is what I couldn’t shake. That’s the difference. When I’m in class and my students are reading their text messages or staring out the windows, I look at them on the front edge of their lives, many of them living away from home for the first time, and they are the same age as the soldiers beneath the soil of Margraten. Eight thousand of them. More. Eight thousand men still teenagers and in their early twenties who never chose a major, never asked anyone out, never got back in touch with an old friend and said, “I’m so glad you’re home.” Because when someone you love goes to war, you simply don’t have a clue if you’ll ever see them again, and it’s terrifying.

And I don’t think my students understand that, or even understand the honor it is to be alive at all. I wish I could bring them all to Margraten, or the American National Cemetery at Normandy, or any of the other thirty-one cemeteries in seventeen nations which forever hold the remains of men who just learned to shave, just learned to drive. Just fell in love.

RIP Sergeant Edward L. Miller. You’d be proud of your niece and all of those who served with her in yet another war, this one in the Gulf.

Vocabulary list for my very-much-alive twenty-year-old students: Honor. Sacrifice. Gratefulness. Loss. Mortality. Love.

Love.

Somewhere Down the Road

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Asian water buffalo of course

Since I’m a child I have wanted to travel the world–I think it was Pippy Longstocking who first turned me on to the idea of exploration and adventure. Certainly Robin Lee Graham and Woody Guthrie and Mark Twain. And I have done just that; more than I imagined. Ironically, for almost thirty years I’ve lived in one house which I built here in the country. My previous homes lasted, from birth, four months, eight years, six years, four years, four years, eight months, three years, three years, three years, two years, two years, and now, well Aerie since my mid-thirties. 

If I had to choose between being always on the go for the rest of my days, or always at home for the same life, I’d choose home. I’d learn to garden and each year expand the crops with more tomatoes and cucumbers, and I’d have a fig farm on the land, perhaps more apple trees, and I’d share the results with neighbors. I’d know the names of the birds, and their migratory dates, and over time I’d have the hummingbird feeder ready for their return every spring. I’d add flowers to the land each year so that the back trail was lined with impatiens and the front with marigolds, and the north side toward the river would have a new trail with hanging baskets of herbs. I’d build by hand and bricks and stone a small guest house, with carvings in the doorframe and a wood-burning stove in the corner on clay tiles I made myself in the kiln I would build in the field. I’d have a dog, some cats of course, and a goat or two. Watermen and farmers would swing by sometimes to chat out front in the gazebo. And I’d walk to the post office to mail my manuscripts; I’d no longer be in a hurry. 

Just as easily I might simply leave, keep going

I’d do the Camino again, perhaps for years, and everyone would come to know the “old American” who is always out there heading toward Santiago. I’d relish the knowledge that no matter what else happens in my life, I have as a foundation to keep going the Way, the pilgrimage trail from France to the west of Spain. I would take Paulo Coelho’s advice and unbecome all the things that I’ve accumulated over the years which were not me at all, until finally I become who I was supposed to be to begin with. 

If I needed a break I’d head up to Connemara in August each year to walk the Sky Road near Clifden. Or I’d head to Prague in May for the music festivals in Old Town and stop and see my friends at the university. I’d have strudel and tell newbies about the time I used to write in the corner of Nerudova 19 when it was a tea room, and I’d write and have a pot of tea and strudel, and I’ll say it is too bad they weren’t around then since now it is an ice cream shop and it isn’t the same. 

Parts of me are already scattered all over the world. Pieces of my twenties are in Mexico and Africa, and large portions of my thirties are in Russia. Some of my forties made it there along with Prague and Amsterdam, and slices of my fifties are sprinkled like diction across this country from St Augustine to Seattle. If I had been able to simply keep moving, I’d have distributed what’s left of me in Spain and Ireland, with a small sampling saved for a state park on Long Island’s Great South Bay where most of the elements in my being come from to begin with. 

Still, I like the idea of spending my life in a small town where I’ve always known everyone, and I leave the doors unlocked, and I have a running tab at a local shack of a pub. Equally I like the notion of having friends all over the world, writers in cities throughout Europe to call up and spend time with on my way through again. I like knowing other cities in other countries as well as I know the trails here at Aerie. 

I wrote a book once about a guy who traveled the world until he settled in a small town and meets a woman who knows everyone and is from there, and they fall in love and the idea of staying grows on him, but she, by meeting him, understands she isn’t stuck in a small town after all and there is a world out there to see and experience, so she leaves. He decides the small town life isn’t the same without someone to share it with, so he leaves too, ironically also traveling the world, always wondering where she went, looking for her in crowds and metro stations, but he never finds her. It was a great idea and a decent manuscript, called An Innocent Season, but I could never figure out how it should end. That and I suck at writing fiction.

Life has a way, doesn’t it?

Last week I pet a water buffalo. This was near Neunen in the Netherlands. He was quite cute, still relatively small, and I scratched his neck and rubbed his face between his eyes, and he kept nudging me to continue, licking my shoes and pushing my hand. Luckily he was an Asian water buffalo who are kind, unlike the mean African ones. We stood at the fence and I pet him and we had just bought water buffalo yogurt and cheese but passed on the water buffalo ice cream. This little guy was loving on my shoes and my hand but I had stepped back and he came closer and his nose hit the electric fence, and we could hear the “zap!” and a small spark shot out and that little guy backtracked to his mother near a muddy area across the pen. He just stared at me with scared eyes as if to say, “Why?!” It wasn’t anger; no sense of “you bastard” in his face. Just a questioning “why did you hurt me like that?” and it made me a bit sad. I ate the yogurt anyway, though, with raspberry jam and some nuts. 

But we do that, we get close and then our perception is thrown off. Something zaps us and we associate that pain with those close to us when they might have had nothing to do with it; it was more than likely just circumstance, timing, the time of day. I wonder now how long will the little guy remember the pain. Will it make him leery to get close to the next guy with Hokas on and a hand stretched out? Or will he just keep getting hurt because the pleasure is worth all the pain? 

I would. In fact, I have more than a few times. Emily Saliers wrote we must “take part in the pain of this passion play” if we must love. The worst pain of course is departure, leaving again, and one comes to realize that eventually you’re best off either to just keep going, following whatever Camino you find yourself on, or agree to stick around awhile and simply accept that the pain is part of it all. 

So we ate the yogurt and gave away the cheese and went back to Amsterdam and flew home. Three days later my beautiful mother passed away. I’ve been thinking about my youth, and mostly I remember laughing. My childhood included every emotion possible, but what comes to mind first and strongest is the laughter. I remember going to the supermarket as a kid and pushing the cart and getting a treat. I remember her making food for my class in elementary school and not minding when my friend Eddie and I dragged in mud from the state park. I remember her making lemon meringue pie because I liked it, and I recall perfectly her listening to me attempt to play the guitar for the first time as I butchered John Denver’s “Sunshine on my Shoulders.” I am sure I was zapped more than a few times back then by her voice when I inevitably did something wrong, but I can’t pull those memories up right now; only the good things. Like all the laughter and the music; these two things I inherited from my Irish-Italian mother–laughter and music. 

That and to keep going. Perhaps the finest lesson of all; just keep going.

The Laughter Never Stopped

neither did I

Best Cheese I Ever Had

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So here’s one I wrote and let it go. It’s partially told in a piece in my short collection Howl at the Moon (Cuty Wren Press). It came to mind this morning because I’m leaving in a few days for Amsterdam, and I’m sure there will be cheese involved.

I was in the Netherlands about twenty years ago, maybe twenty-five. I lectured at the University of Amsterdam and talked about art and Van Gogh and death. Normal stuff. In class one day, which was open to visitors and in which everyone was required to speak English, an older woman whose late husband was an artist sat in for the lecture, and afterwards she gave me an etching her husband did of a local cathedral. When she learned I was going to find a way up to the Zuider-zee, she offered me her son’s motorcycle for the day. Students gathered to talk about Van Gogh and about America and more. While the woman and I spoke, they talked amongst each other. One guy asked another if she was working that night and she said no, but the next night she was. He told her he’d come by. Another said it hurt to speak in English, and the young woman said it’s good for him to learn, that she wants to learn as many languages as she can. They all talked about van Gogh’s art.

That night on my way back to the hotel, I walked through the Red Light district to use a computer at a Brown Café to tell my officemate about how it was going so far. The windows of the district display scantily clad women, select lingerie on the floor, a couch, maby velvet, sensual surroundings and lighting. They move about tenderly like flesh and bone mannequins, and when a prospect passes, they urge him to pause, consider coming in for a quick turn. They whisper to them in Dutch, in English, French, German. There’s a back room for the business end of the exchange. I kept walking.

The next morning was one of those movie-set days with a perfect temperature, ideal soft breeze, postcard tulips and windmills, dikes running roadside holding back calm waters. I rode out to a Volendam café on the docks where som sailor just back from the states finished washing down his ketch, and we talked about his Atlantic crossing, about the Chesapeake Bay where he had been, and about the cheese he had on deck which he shared with me. We went in the café for a beer and the waitress offered some Gouda and bread with eel and herring. She said the cheese was from a small factory just a few miles away and that I should go, so I did.

Inside the cheese factory—a small barn-type building—a young man and woman stirred a vat of vlaskaas cheese which was sharp, and they told a half dozen of us how gouda is made and molded into wheels and how we shouldn’t refrigerate it, and how healthy it really is, being a hard cheese, including aged, smoked, and toasted. I bought two wheels for fresh gouda and stacked them in my pack and walked outside where a few other travelers from a bus sat at a picnic table.

A Dutch girl about twenty-five eating cheese and drinking white wine asked me to sit with her, and when I told her she looked familiar she said she had been at my lecture, and she swept her blond hair behind her ear and that’s how I knew her—she did that the entire reading, it kept falling forward and she kept sweeping it back and I thought Geeze just tie it back already. I told her simply I recognized her.

She offered me a glass of wine and retrieved a plastic cup from inside, and I shared her cheese. Her name was Abby and she came up to get a few wheels for her family and one for her. After about thirty minutes and a glass of white, the bus driver called for them to go so she left and said she’d hoped to see me again, and I walked toward the bike to leave. The cheese was heavy but I was glad to have it, and the perfect day made me not care so much.

That night I packed for my trip home the next day and decided to head back to the Brown Café to write again to my officemate back home to tell him about the ride out to the North Sea and the sailor and the hair-sweeping blond. I did so on the upper level of the first café I came to where the open door swept the smoke from the hash up to the internet café section so that by the end of my email I couldn’t spell anything correctly.

I left the café and strolled around the district where people drank espresso and the aroma of various smoke filled the narrow streets and top-shelf women worked the windows, and if you can see this coming you must believe me that I certainly didn’t see it coming at the time: I turned a corner and glanced at a blond in a prime-site window, and it was her, Abby, the hair girl with the cheese, and she motioned to me like I was just another passerby, but then recognized me and sat up more from where she had been prone on some pillows and her white lingerie lingered just a bit behind, and she pulled her strap back on not trying too hard to do so, and she pressed against the glass and urged me to come inside, motioning toward the door on the left. I thought about just walking by but that thought didn’t hold so I went in just to say hello. She cut me a slice of the cheese she had bought that day and she pointed that out, that it was the same wheel of cheese that we shared earlier, and that thought seemed to connect us closer than I cared, but it hung there between us. I had one slice of the vlaskaas on the table and said I didn’t want her to lose business on account of me, and that I really had no intention of patronizing her profession, and she smiled and said she understood. I left, and on the way out I passed the guy from class who had asked her if she was working that night. He glanced at me and I laughed. This is not like the colleges at home, I thought.  

On the way home I walked by the Van Gogh museum one more time. It was quite in that part of town, and I stood in the cool night air, the sweet aroma of flowers everywhere, and remembered Vincent’s words about Sien, a prostitute who lived with him for a while with her young daughter. About her he wrote to his brother, “I believe there is nothing more artistic than to love people.”

Next week I’ll be there, at the museum, at the village where he lived a while with his parents, and along the canals. Just look at how everything in our lives moves on, grows and changes and, eventually dies. We age and hold out hope that some of who we used to be remains, knowing, of course, that is true only for a little while. Since I walked those streets last, friends and loved ones have died and my world has changed time and time again, but this week I’ll walk along that avenue and the hallways of the van Gogh museum where his work remains on permanent display, and I’ll think about the man who was nothing more than a peasant who lived with a prostitute, didn’t make any money in his last ten yers, lived off of his brother, was disliked and consdiered a leech and a failure by everyone including the best artists of the day who for the most part said his work had no hope. And I’ll think about that as I pass people sleeping on benches in the park and wonder which ones are artists and which ones of us merely pass judgement.

Van Gogh Drawing of Sien Peeling Potatoes

Vincent van Gogh

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Vincent van Gogh was born on March 30, 1852, and died at birth. His parents buried him in the entrance to the graveyard in the church where his father was an Episcopalian minister. Exactly one year later to the day, the couple gave birth to another boy and named him after his dead older brother. Vincent van Gogh was born March 30, 1853, and spent his youth seeing his name and birth date on a headstone when he went to the church.

He tried working in a bookshop, as a tutor, an art dealer, and a preacher in the mines of Belgium. He spoke multiple languages, read Hugo in French and Dickens in English. He fell in love with his cousin and lived for some time with a prostitute and her daughter. For the last ten years of his life he lived entirely off of his brother, sold only a painting and a scattering of drawings, fought with every artist he knew and rarely paid his bills. He was belligerent and sick with syphilis, manic-depression, and epilepsy. He was considered a bum by every contact he made, and only two art critics thought he showed any promise at all. At thirty-seven he shot and killed himself.

That was 135 years ago this July. We’re still talking about him.

By today’s standards, he would be outcast and dismissed as a man who wasted his life pursuing a passion with no hope of even making a living at it, let alone gaining any success. He would be quickly forgotten.

A few years after his suicide, Vincent began to be recognized for his innovations in art, his vision as an expressionist, and his deeply-moving letters to his brother about life, love, God, hope, art, and death. Today he is considered one of the most influential artists in history.

I’m going to the Van Gogh Museum in Amsterdam next week followed by a reading I’ll be doing at the Van Gogh Library in Neunen, Netherlands.

It started when I was a freshman in college, and a dear friend, the late artist James Cole Young, gave me a three volume set of letters Van Gogh wrote to his brother and other artists. I mostly ignored it for a few years, until in Massachusetts when I went home after work each night and read them several times, intrigued by two seeming contradictions: One, he wrote extensively about his inability to gain any attention at all in the art world and other artists’ bad opinion of his work, yet he became one of the greatest artists of all time; and two, he stated often his thrill for being alive, for life itself, for everyone, and he wrote of the insane idea of taking one’s own life, yet he did just that. So I looked further. As a graduate student, I wrote a one man play as one part of my Masters in Arts and Humanities at Penn State and performed it at the Olmstead Theatre in Pennsylvania, under the direction of the late playwright Eton Churchill. Eventually, my work Blessed Twilight: The Life of Vincent van Gogh was released in 2018. It is all first person from Vincent’s letters.

In just over a week I get to hang out where he lived and wander aimlessly down the same streets of Neunen. Perhaps I’ll even drink some absinth

Most people love Vincent’s art. But I like his writing.

Like this:

In a painter’s life, death perhaps is not the hardest thing there is. 

The earth has been thought to be flat. It was true, and is today, that between Paris and Arles, it is. But science has proven the world is round and nobody contradicts that nowadays. But notwithstanding all of this people persist in believing that life is flat and runs from birth to death. However, life too is probably round and very superior in expanse and capacity to the hemisphere we know at present. For my part, I know nothing of it. But to look at the stars always makes me dream as simply as I dream over the black dots of a map representing towns and villages. Why, I ask myself, should the shining dots of the sky not be as accessible as the black dots on a map of France? If we take a train to get to Rouen, we take death to reach a star. One thing undoubtably true in this reasoning is this: that while we are alive, we cannot get to a star any more than while we are dead we can take the train. So it seems to me possible that cholera and cancer are the celestial means of locomotion just as steamboats and railways are the terrestrial means.

To die quietly of old age would be to go there on foot. 

I feel more and more that we must not judge God on the basis of this world; it is a study that didn’t come off. What can you do in a study that has gone wrong if you are fond of the artist? You do not find much to criticize; you hold your tongue. But you have a right to ask for something better. It is only a master that can make such a muddle as this, since then we have a right to hope that we’ll see the same creative hand get even with itself. And this life of ours, so much criticized and for such good and exalted reasons—we must not take it for anything more than what it is and go on hoping that in some other life we’ll see a better thing than this.  

–Vincent van Gogh

Best. Professor. Ever.

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To start, one of my students wrote this sentence: “The iridescent luminescence of the phosphorescent fungi, a phenomenon both ephemeral and mesmerizing, cast an ethereal glow upon the cavern’s labyrinthine corridors.”

I am a bloody brilliant professor. It took me more than thirty-five years to reach this level of excellence as a teacher, but at last I have proof of my abilities to teach college freshman to produce excellent work. Allow me to set aside any semblance of humility for this moment to suggest some rewards should be forthcoming. Teacher of the year, perhaps; a newly-imagined accommodation introduced this year for the purpose of honoring me, maybe. If there is still a Department of Education, maybe a plaque on a wall. 

For the first time in my career, more than fifty students (out of sixty five) wrote nearly perfect papers. Every sentence structured with absolute perfection, diction equivalent to PhD candidates of some Ivy League institution after the work has been combed by editors with a thesaurus, and not a single comma out of place, even the Oxford commas; every single one of them exactly where they should be. 

There’s more. Oh, and wait for the Big Reveal.

The expert sources, despite their association nearly exclusively with universities in Southeast Asia and India, all precisely attributed. What is especially satisfying is that I managed to enable my students, on only their second paper ever in a collegiate class, to write better than any student I have had since the end of the Reagan administration. These magnificent students used compound sentences with five-syllable words with such accuracy and topic-specific precision I have a renewed faith in this country’s education system. Bravo! primary, middle, and high school teachers! You have passed to us college instructors the finest composition writers in a generation.  

But here’s the real reason to celebrate: These students are all high school students taking my college writing class in a Dual Enrollment Program. Again, Bravo! And, well, just Wow! And imagine, they’re almost all just seventeen-years-old.

Okay, so this can’t be a unique situation, one might think, and therefore not worthy of the accolades I suggest. So here’s more: This all happened in the past few weeks in West Virginia where 27% of high school students failed to meet the reading proficiency. And according to an extensive study by the University of Wisconsin of English Learners in Middle Schools and High Schools Pre, During, and Post Covid, English scores declined steadily and significantly just about the time my current students were in ninth grade. The most dramatic decline was in writing skills, followed closely by listening skills. And yet, I pulled their previously unrecognized talents out of the hidden depths of their inattentive minds and produced extraordinary students writing exquisitely ideal papers. 

I’m that good. 

Some suggest I investigate the possibility the papers were ChatGPT generated, but I say there’s no need. I understand their defense of AI with the car-replaces-the-horse analogy, and that the need to know how to write the essay is secondary to their ability to know how to find one that meets the requirements when they need to do so. The previous example in education might be the Texas Instruments primitive calculator replacing the slide rule. I do understand. But these seventeen-year-old Best-Essay-Writers EVER students would not use such devices since I specifically and clearly instructed them that to do so would result in failing the course and possible expulsion from the university for Academic Dishonesty; why would anyone smart enough to write such pristine essays at the same time be dumb enough to risk their entire college career and subsequently their livelihoods by cheating on a college essay by plagiarizing, even if from a computer? Nay! This work must be original! 

Honestly, I had doubts at one time that I ever should have been teaching college. I wanted to raise goats. But I’m convinced now that this path I stumbled onto was the right one. I have written my own essays for more than forty years, shared them with best-selling authors and acclaimed writing faculty at the finest colleges for suggestions and assistance, and have an extensive publishing record–pardon my lack of humility here. I just write this to highlight the fact that I find myself surrounded by minors–for only a couple of these students are yet eighteen-years-old–who have clearly surpassed anything I have been capable of, editing and sentence structure wise, I mean. Nothing can be done about how dreadfully boring their essays are. But I do not grade college compositions based upon their level of “excitement.” No, these 900 and 1200 word essays, all in perfect APA format, stand alone as unblemished. 

I’ll be straight–I was a bit worried at the beginning of the semester when I posted on the online discussion board for each of them to explain their interests, hobbies, and hopes for their future, and the responses were riddled with incomprehensible fragments and more dangling modifiers than I’ve ever seen dangled before. But my worries where unfounded. After just five weeks I have successfully produced a stellar group of writers, all in a school district ranked 41st out of 55 in the state. All in a state ranked last–50th–in overall education.

At the very least I deserve a raise. 

The Joanie Channel

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Joan in the Great River house, circa 1969

On June 22, 2002, my sister sat at our parents’ kitchen table and recorded an audio interview she did with them about their lives, about life during the depression and World War 2. She asked other questions, and just like Terri Gross on Fresh Air, did a great job of bouncing off of their responses. She sent copies to my brother and me about five years ago, and when I sat to listen to them, a few things struck me. One, my father was precise in his responses, and my mother was hysterical in hers. He was 77 at the time, and Mom was 69. But what hit me hardest was hearing our father’s voice for the first time in half a decade. I can hear his voice in my mind, of course, but to actually hear his voice like he was sitting there made him young again. The last few years of his life I was around him all the time and his dementia grew worse and worse. So when I played the cd, I heard not just my father, but my father younger, still alert to everything. It was nice to push past the sound of his weak and confused voice that had filled the corners of my mind and hear him as he had been. Ironically, at the same time it makes it hard to listen.

About two years ago while out to lunch I randomly recorded a video of my mother talking about something. I don’t remember what and the video is gone, but the idea took hold, and for the last two years every couple of weeks when we were at lunch or getting coffee, I’d ask her a specific question, or I’d encourage her to remember a particular time in her life. Note that she is one of the funniest and smartest people I’ve ever known, and understand too that she has had quite the life from the streets of Bushwick, Brooklyn, to Long Island, to Virginia Beach, and now in Williamsburg, Va. There are fifty plus videos here, but I recorded more than a hundred and deleted many. Some were redundant, and some in the past year or so I got rid of when Mom would struggle with a memory, or lose track of what she was talking about.

Still, this is decidedly not about Joan Catherine.

It is about time. This has everything to do with the brief flash of time we have to share with each other. Watch how a person can at once both change so much and still be themselves, who they are in their heart. The truth is at some point as we age we realize that we must set aside our anger and anxiety and arguments, and we seem to do so far too late in life. In the past year I’ve lost a half dozen people I loved very much who were my confidants and companions, and every one of them died relatively young, three of them in their early sixties. At the same time, my mother has nose-dived into a wall, fallen and slammed her head on a porcelain tub, fallen on the floor, faced cancer–again–had a pacemaker put in, battled neuropathy, and moved from her spacious condo where she lived with my dad, to an independent living apartment in Virginia Beach, to an assisted living apartment in Williamsburg, and she just keeps going. Last July she was in the hospital with pneumonia and sleeping eighteen hours a day, and the doctor did not think she would leave the hospital. Yesterday we went to lunch at an Italian restaurant and she woofed down a massive piece of tiramisu. She Just. Keeps. On. Going. And always with a sense of humor. She talks here about her move from Brooklyn to Long Island, from there to Virginia, and about how patient she can be. Or not. She sings the Banana Song, Woody Guthrie, a Shampoo commercial, and in one of my favorites when she had no idea I was taping from the cup holder of my car as we drove along, she sings “New York, New York.”

But this isn’t about Joan. This is about brevity. When we look ahead–when we anticipate–time can slow to a tragically slow pace. But when we look back, when we recall, we can transport our mind instantly to another era, as if it happened two seconds ago. This makes it seem like time goes by so fast. But it is the same now as it was when we were children. That’s the thing about time: it is dependable. Not one fat second will lose an ounce on my account. But the older we get, the more we recall instead of plan, so the clock can be deceptive. In these videos, Mom is full of energy, sitting up and laughing, with immediate recall of incidents an hour earlier as well as two generations ago; at the same time, here Mom is wearing oxygen, sometimes softly gasping for air, and her memory is nearly non-existent.

Time. It is the only measurement that matters. And we are endlessly distracted by the news and entertainment and the stress of finances and politics and health. But all of it slides away when we start to list what is essential. Then, the answer is easy: each other. That’s it. People leave us, sometimes slowly and sometimes with the swiftness of a cool, autumn morning that takes us by surprise. But they do, in fact, leave.

These videos are in no order, so one of Mom recently trying to remember her Uncle’s name might be followed by one of her looking stronger, heavier, talking about her favorite foods. I decided against a strict chronological order so that instead of watching a woman’s slow decline as age takes hold, we can see how life is, in the words of my friend poet Toni Wynn, “Paper thin.” I will add more to her page as time permits. Thanks for enjoying our mother’s beautiful sense of humor and simple take on what matters the most.

Note: There are some videos on the “Video” tab, but most of the videos are on the “Shorts” tab. Please check out both. And “follow” The Joanie Channel.

https://www.youtube.com/@TheJoanieChannel/shorts

Lecture: Day One

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Not for nothing, here are three definitions straight from my lecture on the first day of my Critical Writing and Thinking course:   

Fact. A fact is anything independently verifiable. No one should disagree with the facts unless they haven’t done their homework to find out what is and what is not factual. There are no such things as alternative facts; true facts can be verified and are not obtained from biased individuals with personal agendas. They come from independent sources. Note: The opposing side of an argument would still agree with the facts.

Opinion. A lot of people have the wrong opinion about what an opinion is. It is not how you feel about something. We’ll get to that. It is a “judgement based upon the facts.” So the value of the opinion is dependent on whose judgement it is. Ideally, experts; that is, people who have taken the time, education, and research to find out as much information as possible about a particular idea and disseminate the results for us. They know more about the subject than anyone else and have no agenda in the results. Their experience at being able to decipher information through time and in consultation with various other independent researchers, validates the perspective.  If someone offers an opinion without finding out the expertise or validity of the source, the opinion is in question and often wrong. Yes, it is possible to have a bad or wrong opinion if the judgement is not based upon independent experts.

Belief. This is what many think of as an opinion. A belief is a judgement based upon faith. Not necessarily religious, but that too. It is a conviction not based upon anything directly and empirically verifiable, but through trust. No one is wrong for their beliefs as they are not opinions, that is, judgements based upon facts; they are judgements based upon convictions.

Here’s the example:

No one questions that when we buy a house and we need to get it inspected, we are wholly concerned about the opinion of the inspector. We want expert inspectors to tell us what is wrong and right with the place and present factual evidence, and we certainly don’t want an inspector who works for the seller and only has their welfare in mind, nor do we want one who doesn’t have the experience and expertise to do the inspection to begin with. No one questions this, but there are people who insist the opinion of a botanist about political affairs is valid. It is not. The botanist has beliefs one may align with—so be it, but do not pretend the information is valid from independent sources.

This leads to the most important question in all of discussions about politics, world affairs, and finances. It is also the question I tell my students is the primary concern of every professor from the time students write a paper for freshman comp to when they obtain a PhD:

Where did you get your information?

That’s it. Everything else isn’t even worth discussing without first establishing that the opinions and facts come from independent, verifiable sources who can study not only historical trends but predict pretty accurately what is likely to happen based upon that knowledge. This is what economists are best at, and so too political scientists. They are able to say, “Based upon these legal notations and previous attempts in various situations, the most likely outcome of these actions is….”

Hope and faith have nothing to do with it.

The emotion swirling through today’s atmosphere is unprecedented, and some of it isn’t because decisions being made are necessarily wrong but because they are unprecedented and seemingly dangerous as they negatively affect millions of people. Those people who are affected—all of us actually—want to know upon what basis these decisions are being made to do whatever it is being done, and who are the independent and valid experts who suggested those actions to begin with. A full disclosure of that information from researchers and experts would curb much anxiety.

No one should be out to change another person’s convictions. But if there is an argument at hand, the only way to win is by presenting facts and opinions, not beliefs, and one must maintain the belief that others will accept those facts and opinions.

The Lasso Way: A Needed Philosophy Today

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When my brother suggested I watch “Ted Lasso,” I trusted his judgement. He had already nailed it with a few other shows, including “Eureka.” The first time through I enjoyed it immensely, the acting, the writing of course, the timing. It took a few episodes to understand this was not simply a series of set-up/punchline comedy, a method I despise. And it took a few times through the entire three seasons to recognize the primary overall theme at the heart of creator/producer/writer/star Jason Sudeikis’ efforts: This show is all about fathers and sons. 

When I struggled with transitioning my book The Iron Scar from the “who gives a shit” stage to the essential-to-be-published “readable and relatable” stage, the answer came while in a writing seminar in Ireland where I had been formulating the final draft of a series of letters from myself to my dad while traveling with my son across Siberia. Writer Elizabeth Rosner, almost as an aside, asked me why the chapters are formulated as letters. “I don’t know,” I told her. “Bad bad answer” she said. I pulled together a response about wanting to have three generations on board, and the reality of my son becoming an adult and moving on in the world the same time my father was approaching his final days. But I still couldn’t answer so I came home from Connemara and chopped my manuscript to small pieces. A few weeks later in a conversation with a friend in Texas, I said, “Tim, I’m losing focus on the theme.” He responded, “I’m not. This is all about fathers and sons. About moving on while trying to hold on. And the metaphor of the train is nothing more than setting.” Between the time my son and I rode the train and the time I wrote the book, my father died. I heard once that the loss of a parent is the greatest loss of security we can face, even at fifty-five years old. Not because we aren’t able to handle the turmoil of life on our own but because that foundation has been rocked. 

So I rewrote the entire book as a narrative that takes place on the trans-Siberian railway, with all the characters and unknowns that trip entails, but that’s not what it is about. It’s about relationships, about being between two generations who are about to transition. 

Back to Ted.

Sudeikis masterfully weaves every possible father-son relationship into what on the surface is a comedy about an American football coach hired to the helm of a British premier league soccer (football) club. 

Right away we have the estranged father as Ted Lasso separates from his wife, and his young son remains with his mother. We also soon learn the powerful impact his own father had on him and the fallout from his father’s suicide when Ted was just sixteen. In England we meet the team, including Jamie Tartt, whose father is physically and verbally abusive, Sam Obisanya, whose father is more of his best friend and mentor, Nathan Shelley, whose Dad is demanding of his son’s talents and seemingly never satisfied, Leslie (male) Higgins who is the proud and dotting father of five boys, Roy Kent, who becomes a surrogate father to his niece, and of course Ted himself, who moves into the father-role to the entire team, the individual players with which he has various degrees of parental conflicts and resolutions.

This is listed as a comedy, but it absolutely fits the bill as a drama as well, placing it in the same vein as shows like MASH which walks that thin line between laughter and tears. 

But this isn’t about that. We are in a drama that has become laughable, and the line between what’s funny and what is tragic is a shadow at best.

Both the Mother and Father figures in our lives have served to keep grounded the best efforts of humanity throughout history. We need either to recognize the example or play the part. Almost all aspects of society rely upon those roles to set the strong example with seemingly unconditional love as we push through difficult moments. When hope seems fleeting and one feels “lost in a pathless wood” as Frost proclaims, that Maternal strength or Paternal guidance is almost always enough to help us keep going, knowing that whatever happens we’ll be okay. Even if we lose, we suffer those losses together, and we move on. 

There seems to be a lack of parental symbolism in the world, in the nation, in our lives. In fact, more often than not those who should be in those roles these days are appearing more like Jamie Tartt’s abusive and untrustworthy father. It would be perfect if we could always rely upon Sam Obisanya’s Yoda-like dad to turn to, but that’s not the hand we’ve been dealt. In fact, it feels like we’re a player down right now and this time it’s the captain of the team who is absent. That loss of security can be overwhelming. 

I do not want to judge. In fact, if we are to do so, I remember Ted’s line, “I hope that either all of us, or none of us, are not judged by our weakest moments, but what we do with it if and when we are given a second chance.” But our foundation has been rocked, and it’s getting harder to find solid ground these days. So we must do what the team does and depend upon each other, pass to each other when we don’t have a clear shot, hold each other up when we’re flailing, and celebrate each other when we work things out. 

We will get through this time we are in. We might have to switch our game plan, but we’ve got each other’s backs, and that might be enough. 

My brother, my son, and my dad, 2015