Chronology, Two

Great River

We had a dog. Sheba. Briefly. She and my mother were terrified of each other. 

And a pool in the back on the edge of the woods where honeysuckle grew, and where we built a small fort out of scrap lumber repurposed from building sites down our road. Before the pool went up, my siblings and I had to pick the stones out of the dirt so they wouldn’t rip the liner. In summer we barbecued in the stone fireplace on the patio and swam with visiting cousins. When I smell honeysuckle, I remember that pool. I remember working on the fort with my friend Eddie who told me one night before heading home when the streetlights came on to watch out for lunatics. I said I didn’t know what a lunatic was, but he left. A few minutes later when I walked past the pool, he jumped out and screamed and scared me to death. We laughed and I called him crazy, and he said, “that’s a lunatic.” When I smell honeysuckle, I think of Ed.

We were protected by our parents’ forcefield, and secure in our innocence. But it wasn’t innocence, was it? Everyone was in tune then; the music did that. It kept us informed about what was going
on in the world; in Ohio, in Vietnam, in Watts; indeed, for what it’s worth, the music was a constant reminder that there was something happening somewhere, even if what it was wasn’t exactly clear. We knew all the words, and the words were ours to build with in the woods, or hike with along the Bay, through Timber Point Golf Course, and along the river to the reeds where an old duck blind was our morning refuge.

Geez, we were twelve. When you’re twelve everything is brand new and it’s all yours, and nothing, absolutely nothing isn’t feasible. That was how life was in Great River in the late sixties and early seventies. An idealistic village surrounded on three sides by an arboretum, a state park, and the Great South Bay. The fourth side was the main road, Montauk Highway, but it was so far removed from us we could wander the woods and streets for hours and never consider heading that way. Only at six pm when Walter Cronkite arrived did news like Vietnam sneak into our consciousness.
At home, Watergate remained a presence because my sister was a history major focusing on politics, and she constantly quizzed me about the players. “Who is John Mitchell?” “Who is G. Gordon Liddy?” This wasn’t history though; it was current events during my junior high years. I had no way of knowing that a half dozen years later I’d sit with Liddy alone in an office at college. When I hear about him now, though, I don’t think of our conversation. I think of our kitchen table in Great River and my sister.  

Mitchell was the Attorney General.

Dad grilled Italian sausage when family from the city or friends from the old neighborhood came over, like Joe and Rose Fontana. Or when cousins came. They didn’t come too often though, other than those who lived four miles up the road. No one back then would make the drive from Nassau County ALL. THE. WAY. OUT. to the South Shore of Suffolk County. Forget about it. Recently I looked it up. The distance from the inconceivably far reaches of my old neighborhood to the new house in Great River was a pilgrimage of twenty-two miles. Seriously, that’s how far it is now from my house here at Aerie to the first stop light. Back then it might as well have been in Kansas. We weren’t going back.

We never do go back though, do we?

Every Thanksgiving my aunt and grandmother would visit. My dad’s mom would play some piano, and Mom would be in the kitchen making everything you’d imagine she would make on Thanksgiving, while Dad and my brother watched football. Sometimes, especially in the early years in the house, my brother and I would toss the football, or tackle each other, or play whiffle ball. We built the first fort together; an outhouse looking thing. And we played Risk and some sports card/dice game about baseball I can’t remember anymore, but I can picture perfectly. We knew everything—absolutely everything—about baseball. We moved in the same year the Mets moved to first place, and everything in life was working. The Jets were winning; the Rangers and the Knicks were winning. Armstrong walked on the moon. And I learned about the music being played just upstate at the village of Woodstock.

We were one of the first homes on this road, and very quickly other twelve-year-old’s moved in. We’d walk to the deli and the post office. We’d walk to the docks at the Connetquot River. Everything was improving.

That’s just the way it seemed back then.

The way friends came and went, and I don’t remember—I mean I have no recollection at all—of ever being inside unless it rained, and even then. We simply stayed outside. Steve and Todd and I played baseball, and Eddie and I marked every trail of Heckscher State Park. For years we stayed outside, even in winter, bundled to the bay breeze. I loved how we were then. Early in the mornings in spring and fall I could lay in bad and hear the fog horns of the fishing vessels headed out toward Montauk or across to Fire Island.

But it was baseball that dominated my summers. The way we always played in Steve’s backyard, and the fence to the Campbell’s yard was a homer. The way I couldn’t hit to save my life in little league, but there on the property I slammed so many balls over that damn fence I felt like Ed Kranepool or Tommie Agee. The way we never tired and we’d quit mid-day and pick it up at twilight. The way even then I’d walk back up Church Road and through the side door to the kitchen where we always, always, had dinner together when Dad got home. The way Cathy would quiz me. The way Fred would talk about what interested him at school and about his trip to Mexico, or to the camp out past the Hamptons that one summer. 

When we prepared to move south, my friends all signed a baseball. Steve Delicati, Todd Long, Craig Long, Camille Villano, Lisa Villano, Frank and Richie and Tom and Paul. And Eddie, who never liked baseball.

When people ask where I’m from, I never know how to answer. New York? Virginia? Deltaville? When they ask where I grew up, though, I say Great River. Because we moved there when I had just
turned nine and we moved out; well, I suppose part of me never did. I can picture every square foot of that house, can name every road in the village, remember the trail that ran along the back of the town to the creek, and remember where the soft spot in the fence was at the arboretum that allowed Eddie and I to explore the old Bayard estate.

Sometimes when I think of that town I imagine if I were to drive the four hundred miles north to the end of the Southern State Parkway, and head down Timber Point Road, make a left on Leeside Drive, and another left onto Church Road, I’d see us all, young, laughing riding monkey-bar bicycles with banana seats, and chasing time like it was never going to end.  

That town is in my blood, and just a couple of years ago, Eddie and I made plans to return there to eat at the old Great River Inn, which had become an Italian Restaurant. That was the plan, anyway. Maybe someday I will. I’ll park outside the old house and walk, wonder what happened to the old folks, what happened to my old friends, and I’ll get a table in the back and raise a glass to my childhood, to growing up, to innocence and coming of age. And to Eddie’s memory.

We will always be twelve-years old, Eddie and me.

Aerie: noun: 1. A Hawk or Eagle’s Nest. 2. Bob’s Home.

It’s colder today, and a strong wind blows out of the northeast, off the water, and the last of the leaves are letting go. It’s desperately Autumn here along the Bay. Yesterday the colors were brilliant, at their “peak,” and today they are muted. Tomorrow the leaves will mostly have fallen. I walked the paths just now here at Aerie, and the skin on my face feels tighter, the back of my neck is cold.

The sound of dry leaves and the wind is immediate. The clouds are low and dark—steel blue—layered deep clear past the horizon, as if they’re keeping out the rest of the world. They threaten, of course, but somehow they protect as well. It only took a few turns around the property and a meander past the duck pond and river to let go of the world for a while. Genocide cannot find me here; bombings will not find me here. Invasions and deficits and brashness and ridicule cannot locate me when I’m here at Aerie, and the sky is low like this, and the only sounds are the leaves in the wind and the water pushing back on the rocks, and the geese over the recently harvested fields.  

I left home far more than I should have. It was always interesting and exciting to come home after a month somewhere else and see how so much had changed; leaves either completely fallen or fully alive. I am glad for the places I’ve been and the people I’ve grown close to in my travels. But in retrospect it seems I was mostly out there looking for something allusive, some semblance of peace, perhaps. And today walking up the hill from the river I realized it might be the kind of peace I find here at Aerie. I almost find it here in Spring, working in the garden, osprey calling above while teaching their young to fly; and in Summer when we scull out on the Rappahannock, up the inlets to the west, stopping for oysters at a small grill near the bridge. In Winter, when deer and fox come closer to the house looking for food, finding apples, and I can sit on the steps for hours teasing one fox closer, and then closer still, and she eats a few slices before taking a large core in her mouth to bring back to her den to share with her young.

But it is Fall, of course, when I come closest, and the smell of leaves is deep, and white oak burns in the fireplace, and we heat up apple cider and I can sit on the patio at night for hours, bundled against November, working on something in my mind, remembering the reach from some other time.

Last week I walked to the river and a bald eagle stood in the field to the east where corn had been just a few weeks ago. It never fails that every time the eagles return this time of year, I remember a song by one of the primary influences in my life for my love of nature–John Denver. He wrote, “I know he’d be a poorer man if he never saw and eagle fly.” I always knew it to be true; I just never dreamed it would happen from my front porch. I have hiked in the Rockies, and I’d hike there every day if I could. And I’ve walked across the Pyrenees, through the Berkshires, along the Camino de Santiago where I must return to truly unearth that peace. Yet here where the Rappahannock meets the Chesapeake is where all my songlines converge.

It’s colder today, and grey. The paths are covered in leaves, as they should be this time of year, and my son is baking biscuits and heating up apple cider downstairs. I have some serious metaphorical hills still to climb, but today, outside, I can hear squirrels arguing, and the driveway is covered in acorns. A close friend of mine pointed out recently that to him Autumn is hope, it is life tucked away for awhile giving us a chance to start over in a few months. He’s right, of course, but I wish I could slow the whole thing down. I don’t want things to change so fast anymore. I like the sound of the leaves as I walk the paths, the colors as I lay in my hammock and watch them fall. I find peace in the carpet of stars at night, out early enough in these winter months for me to spend hours looking up, wondering. My anxiety settles down when I sit on the patio at night and hear rustling in the woods as the fox comes to call. I have lost so much faith in humanity it is difficult to write about. I need a breath; I need to be restored. It seems that despite our potential to banish the evil in the world, we continue to falter. But here at Aerie on the eastern edge of Virginia’s Middle Peninsula, something eternal is happening even as life let’s go and settles softy around me, marking time like decades.

The Dead

I guess the first was Karen. Karen was from Pennsylvania–this was quite early in my career and I had just moved back to the Beach from Pennsylvania myself, so I could relate to her writing. She spoke in class about adjusting to being away from home for the first time. Her husband was military and they were stationed here. Her paper was about the changes. I sat on my couch and read about her excitement to start life anew and all the places they would finally see together like they planned. She took a job–not because she needed the money, she wrote–but because she wanted to do something. So she took classes and got a new job as a server at the North Witchduck Inn in Virginia Beach. She got lucky, I read; another worker had been fired and she filled the opening in the place not far from their home.

I had just put her paper down and moved on to the next when the phone rang and it was the provost of the college. He wanted to tell each of her professors before we heard it on the news. The fired server and her boyfriend returned to the North Witchduck Inn and shot four people in the back of the head, execution style, including Karen. For a few years I held on to that paper. It reminded me how in a class filled with “I’d rather be anywhere else but here” students, someone was glad to be present, to be truly present.

Then there was Mark. Mark stopped me in the library and asked if we could talk. He had just received orders he was headed to Kuwait for the first Gulf War, and he was told to get his “affairs” in order. “Talk about telling you you’re going to die,” he said. I assured him everyone going overseas in the military is told to make sure their affairs are in order. We laughed a while about nothing; really nothing at all. The smallest of things that day were funny, the simplest of moments were beautiful. We walked to his car and he showed me a picture of his son. We talked about how when he got home our boys could play together. I don’t remember Mark’s last name, but I will always remember his face.

Tricia and I used to talk at the copier every day. We talked about music and travel. We talked about food and how the smell of cinnamon buns is better than the aroma of coffee. She had braces and said her students haven’t said anything about them yet, but she was certain they noticed. I remember her asking if I noticed her braces and I laughed out loud, right there, like the laughter was my answer, then I said, “Well, T…yeah! They’re right there! But they’re beautiful. I can’t imagine you without them. They’re just so you!” We laughed a long time. T got depressed easily and I could usually tell from the faculty workshops about recognizing various issues with students when she was in a down cycle. The dean came to me and said Tricia’s medicine was messed up and her husband found her hanging in the kitchen.

Stay with me. Please.

Then there was Rachel. Dear, beautiful, full-of-life Rachel. On a study abroad in St. Petersburg, we walked freely down Nevsky Prospect, the Fifth Avenue of the city. I was right behind Rachel on the crowded street so we were all pretty close to each other. As usual, she was engaged in taking pictures and writing in her notebook, jotting down “Kazan Cathedral” which was just to our right. Of all the people I’ve traveled with—numbering well over four hundred—Rachel was by far the most diligent about drinking it all in, making notes, taking countless photographs. She always smiled anyway and could make everyone around her laugh, and there on the other side of the world she was in her element. She absorbed every single moment. In the evenings she’d come into my room and show me what pictures she had taken that day and double-checked their locations. Then we’d sit and talk about her impending motherhood, what it’s like being a parent—my son had just turned ten. We walked past Kazan Cathedral; she was absorbed in her notes and stepped right off the curb and into the cross street where a bus was ripping past us at forty miles an hour. I was close enough to Rachel to grab her hair which she had pulled back in a pony tail, and I yanked her back into my chest, and the bus was close enough to knock her bag out of her hand on into the street. Those around us screamed and Rachel turned back somewhat unaware of what had just happened. “He saw me,” she said, to which I replied, “Yeah, he did. He just didn’t care. Pedestrians don’t have the right of way here.” We picked up her belongings and in no time she was back into enjoying her tour of Russia; my heart didn’t settle down for hours. The last time I saw her she brought her daughter, Shaylyn, to my office. This beautiful woman with her beautiful little girl was so excited to move on with her life; she’d be a single mother, she told me, and hoped she could set a good example. Then we remembered the bus in Petersburg, laughing at the nearly tragic outcome, and she assured me I had saved two lives that day. I laughed and told her I was just glad she hadn’t cut her long, curly hair. “Yeah that hurt, by the way,” she joked, grabbing the back of her head.

Her daughter has her eyes.

Not much later, in May of 2005, the little girl’s father went to find Rachel who was hanging out with some friends at their apartment. When she refused to let him in, he cut a hole in the screen and climbed through. Rachel ran out the back door and called 911. Her ex walked through the house and shot four people killing two of them before he found Rachel hiding outside. She had called 911 and the operator had to ask several times what was going on, but Rachel was quiet, until finally she replied, “He saw me,” and her ex put his gun to her skull and shot her in the back of the head, killing her instantly. This one breaks my heart.

I sat in class last week and watched my students do group work. A few engaged students carried the rest, but more than half the class kept reading their phones, staring out the window, messing with their hair. “What are you doing here?” I asked in a general fashion. They were quiet. “What are you doing here?” I asked again. They just stared at me. I remembered the rule of threes: First time they hear it; second time they think about it; third time they start to understand it, so I hit it once more: “Seriously,” I said. “What are you doing here?”

They remained quiet.

Bobbie slipped slowly inside herself. First alcohol, then drugs, then homelessness, until this beautiful woman who became a neonatal nurse was found dead next to a dumpster. Carrie OD’d and ended up in a brain center where she kept telling me the same joke when I’d go visit to talk to the patients: “Knock Knock. Who’s there? Cargo. Cargo who? Cargo beep beep.” We’d always laugh and she’d keep laughing long after I moved over to Dave who was learning to walk again. Carrie was a biomed major, graduated high school early and had applied for Drexel University to transfer and had just been accepted. The stress got the better of her and she “used a little something to keep her nerves in tact.” Dave was found in the garage. He brought the dog.

“For the next project,” I told my students before leaving on a reading trip to Ohio two weeks ago, “I want you to tell me what you are doing here. Include your short range and long term plans. Include your hidden ambitions, your unspoken dreams, that secret that can ignite your internal motivation. Tell me what you hope this moment looks like when you look back five years from now.”

They stared at me. No one, not one, not a single student: NOT. ONE. TOOK. NOTES.

I asked Geoff, who bares a stringing resemblance to Johnny Depp, and is someone I can usually count on to keep up, what they need to do. “Write about what we’re doing here.”

“And?”

“And…be ambitious with it.”

I repeated what I had said, asking them to write it down, which they all did–on their phones. Fine. I looked at a woman on the right side of the room. Sometimes I hope to see Karen. Or Rachel. I asked her the name of the woman immediately next to her who she had been talking to during group work for a half hour for the fourth time this semester, and it was already late October. “What is her name?” I asked. She looked out the side of her eyes as if the woman wore a badge.

I stared at them. “What are you people doing here?”

I am haunted, some days. Not by the dead or their memories; not by the tragic loss of life and the repulsively early departure of far too many souls–a dozen more of whom I’ve left out of this. I am haunted by how easy it is to not live at all. I stopped at the door. “If it makes you feel better, most of the time I have no idea what I’m doing here either.”

They laughed, and I thought of Bobbie. They laughed and the woman introduced herself to her classmate of ten weeks, and I thought of Karen. I thought of Rachel and Trish–adorable Trish. They laughed and I realized not every moment should be one of ecstatic joy. But we certainly should be closer to life than death, shouldn’t we?

Oh, and there’s Kevin, who simply disappeared, and Charlotte, who just three weeks ago tried to kill herself. Charlotte is transitioning and has just about as little support as a person can get. I leaned against the door jam and asked if they understood the assignment. So I asked again, knowing, waiting, certain someone would give me the answer I absolutely knew they all knew, and someone finally did.

“What are you doing here?”

“It’s required.”

I smiled. “No. It’s not,” I said. “You’ve been deceived. Certainly to attend this college, to graduate, this is a required course. But nothing is required of you anymore. You’re not children. You can tend bar in Key West. You can hike across Europe. You can be anywhere, do anything, and you, for some apparently unknown reason, chose to be in my class on this day at this hour and sit and stare at your phones even though you could be anywhere else.” I laughed at the last part. “Anywhere!”

“With that in mind,” I added, “What are you doing here?”

Oh, and Bo, who got killed when the car he was riding in hit a tree on the way to Florida. And Eddie. Dearest, kindest Eddie. And Marcus. Jamal. Chris. Joe.

Karen wanted to have kids. Rachel wanted to be a teacher. Mark wanted to come home and bring his son out for ice cream. Bobbie wanted to dance.

All she ever wanted to do was dance.

Listen:

https://www.youtube.com/watch?v=Kg-Qdrr3XSk

Au(tumn)

I’m home and the leaves changed and mostly fell while I was away the past week. I love traveling in the autumn, especially in the north, this time western Maryland, Ohio, West Virginia, and the mountains of Virginia. Such colors I’ve rarely seen anywhere else, like a painter’s palette, like a quilt. Like fall.

“I lived in a yellow house, like butter,” Van Gogh wrote of his place in Arles where he did his boldest work, filled with colors and tube paints pushed onto the canvas like toothpaste. When we speak today of his work, it is from Arles we mostly mean.

I, too, lived in a yellow house, like butter, along a country road running past a reservoir in central Massachusetts. Next door was a tall, white church with a cemetery, and the road wound up through the small village, past the Deacon’s Bench Antique Store, past the nursing home, up into Sterling and past the cider mill. It ran up the mountain, winding into the village of Princeton on Mt. Wachusett, where in autumn I’d hike to the summit and look across the New England tapestry of orange and rust, stretching clear to Boston, to New Hampshire, and west toward the Quabbin Reservoir. The crisp air, like yesterday in West Virginia, cleared my head, pushing away fears and anxiety. “It’ll be fine,” it whispered. Well, it won’t, I thought, but for now it is, and sometimes that’s enough.

I wonder if I’m starting to enjoy autumn more now than summer because I’m getting older.

The trail behind the house is covered beautifully in leaves that no step, yet, has trodden black, though signs of deer are evident. They bed down in a holly grove at the far end of the property and walk down toward the patio where the deep, heavy birdbath is apparently now theirs. The front path remains mostly clear as it runs in such a way and is wide enough for a soft northern breeze to keep the leaves to the side. But not always, and certainly not after a good, steady October rain like last week before I left. There’s something so immediate about autumn.

It is the time of year my father died. I read somewhere that other than the holidays, autumn is the most common time of year for elderly deaths. Younger people die more in Summer, which makes sense for the numbers out doing things they probably shouldn’t be, and January through March has the highest rates of suicide.

It’s odd how so many people come to life in autumn when nature is slipping away for a while, ducking behind the guise of death, returning half a year later, slowly. For now, it is beautiful, and the colors reflect in the duck pond and out on the river. They shine back at the hills I walked around a few days ago, and they remind me that for now, just for now, we’re all noticing the same beauty. It’s incredible that people throughout the autumn world all marvel and gaze at the ripple of color coming down the tree line, the scatterings of hues under oaks and maples and birches, and how the white trunks stand forth as the control group so we can see just how fine a job nature did.

I used to get depressed in autumn, feeling the summer slip away, the time of life and the sun on my back. It always, absolutely always, brought me to life, so I pushed the fall off as much as I could, perhaps anticipating what happens after the fall, in the dead of winter when hope is often difficult to unearth. But now I find in autumn something reassuring. Maybe it is simply that even growing old and letting go can be done with absolute beauty and grace.

At the end of The Lion in Winter, Geoffrey wonders what difference it makes how a man falls, and Richard remarks, “When the fall is all that’s left, it matters a great deal.”

Nature knows how to make an exit. She knows how to hold her own. I suppose her last green is gold as well as her first. I am surprised I have been so resistant to change. Maybe I’m getting tired.

Or maybe I just miss my yellow house near the Old Stone Church on the road to Wachusett.

“The Old Stone Church” where I walked nearly every day for three years. My Yellow House is just off to the left of the picture. No, I didn’t take this shot.

Fall(ing)

This time of year when leaves start to fall I recall a line I wrote which to this day bothers me.

“Life is the distance between a falling leaf and the ground.”

I loved that line. I was walking around home some years ago and it popped in my head. At the time I had been working on a piece called “Walled In” and the end of the essay digresses into a litany of “life is” comments. I added this as the last line of the piece, which tied back to the narrative about stepping away from society a la Thoreau. The Southern Humanities Review picked up the piece and when I received the final edits before press I wrote Dan Latimer, the editor at the time, and asked him to strike the last line. He did.

I am pretty sure it isn’t original. I googled it; I turned it in to turnitin.com, I tried everything. I don’t read that much so I looked through the few possible books I might find it, but nothing. I looked through poetry books, I called writers I know who actually do read books and asked them. I even, thinking it might have been in a passage read by a writer as a guest on NPR’s “Fresh Air,” wrote the show asking if anyone there, namely host Terry Gross, remembered the line. They were nice enough to write back politely suggesting I might be having a mental breakdown. “But it is a great line!” I wanted to write back. I didn’t.

I remember an interview where Paul McCartney to this day is not convinced he is the author of the music for “Yesterday.” Unlike McCartney, I chose to strike the line. The piece went on to other outlets and has done very well through the years, including several anthologies, but san line. I was concerned someone would recognize it and know it wasn’t original, even though I’m pretty sure it is. My journalism training, however, requires me to be one hundred percent sure. “If you can’t back up your sources,” Dr. Jandoli repeated, “you don’t have a story.”

That might be in part why I slid away from journalism and into something more personal. I hate fact-checking. Instead, I found stories in life. Though to be honest I don’t know any writer who walks around looking for stories. We don’t stand in the middle of family circumstances or think about work issues or attend baseball games taking mental notes about some possible narrative arc.   

But those situations are always possible material. We never stop working. Either some digressive thought about an ongoing work, or a new work, or a very old work, crawls into our consciousness while we are watching television, or some quick phrase catches our attention and we know it is the beginning of or end of or transition to something. It is not on purpose; there is no attempt to blend writing and “life.” I swear. It just happens. We are always working.

An artist’s brain functions differently. A photographer goes for a walk and finds himself framing nature, a painter sees color schemes, a musician notices sounds, and writers, well, complete mental breakdowns from information overload is not out of the question. It is why we despise the comment: “You know what you should write about?” Go away. Did you really think we were sitting around thinking “I have no idea what to write about, I hope someone makes a suggestion”?

And we don’t actually “find” something to write about; it seeps into our existence like humidity or allergies. For me, I walk in the woods, or along the water, and the nature of nature is non-judgmental, absent of debate. I can walk for hours and my thoughts move through unattached to some human-inspired “suggestion” from a billboard or odd structure. It is organic, like leaves falling: thoughts let go and gather around.

Near my home at the river is a small strip of beach which changes with the weather and storms. Sometimes there is room enough to walk quite a ways along the water, and other times the river moves right to the edge of the swamp or rip rap and to continue means wading through the tide. In either case, I am always discouraged at my inability to communicate the perpetual reality of that tide, the infinite days the water will ebb and flow, and the significance of nature compared to the miniscule roll I play in this short span of decades. So I don’t even try. I “stand back and let it all be” as the Boss suggests. And the passing of time is enough some times.

That’s writing. A writer spends a great deal of time not writing. Not because we have nothing to write about, but because we have an absolute conviction we can never, ever do it justice.

Additive Inverse

My doctor asked if there was anything that bothered me on a daily basis. Habits, she suggested, or small annoyances.

This was an easy one. “People talking with food in their mouth. Or chewing with their mouth open.”

“How do you feel?”

And this is true. “Like my chest hurts and if they don’t stop–and sometimes even after they do–I’m going to throw up or collapse with a seizure.”

I suggested I overreact and I know that. She said no. “You have misophonia.” I “feel anger, disgust and a desire to flee” when I hear certain sounds.

Last week she suggested that for several years beginning about 2017 I had suffered from a form of cognitive dissonance. I asked her to explain it and she tried, she really did, but then I remembered Google. It turns out everyone experiences it; we call it “stress.” But some people—a minuscule percentage, which apparently includes sixty-three-year-old white writers from New York who live in Virginia, have trouble listening to the news, dealing with hostile people, understanding conflict to the point that the stress (dissonance) can be intolerable. It’s not simply that the way things are contradict how they should or can be; it’s that some minds can’t tolerate that often serious digression from what should be normal. Think of turning on the radio and the music is all off key, and everyone else ignores it or tunes it out, but you feel it in your bones so that your skull starts to crack. That. It’s when the solution to a problem that anyone else would either figure out quickly or abandon and move on leaves you so confused that a complete mental breakdown is entirely likely.

It’s when your actions do not coincide with your beliefs or strong desires because of some lack of information, pressure from others, whatever, and instead of being mindful, instead of having enough self-awareness to reconcile those differences by not rationalizing your way out of your beliefs or desires, you live with absolute anxiety and disarray, psychologically, of course, but also physically as it can manifest as high blood pressure, lightheadedness, or rapid heart rate, and often it is set off by some event or occurrence slamming you off track like a landslide taking out a passing train. The causes are simple: severe and sudden change of direction in life either through leaving a job, losing everything, or some form of physical or mental attack that seems to never end.

So while it is not uncommon to not want war (everyone wishes for peace and can’t tolerate war), it is an entirely different level if your mind cannot comprehend the very existence of war, the very notion of hurting others for some gain, and even for self-preservation, makes your mind freeze and your heart race; and the news reports are the adult equivalent of some childhood bully yelling in your face in some foreign language. You cannot for the life of you understand how it is that war leaked into the pool of peace and watching or hearing about it causes a racing heart, drastically increased blood pressure, and irritability. So if the conflict is personal, confusion is even more common, and you might very likely abandon critical thinking skills entirely making a difficult situation–whether it be in relationships, finances, or even employment–tragically worse. And if one must deal with all three, jumping off a cliff is not off the table.

So when two seemingly opposing forces attempt to exist in the same space, or even attempt to conquer each other, it can be damn near suicidal to tolerate for someone suffering from cognitive dissonance.

I think I explained that better than the doctor. Just saying.

There is a way out of it besides suddenly or even gradually becoming completely mindful and self-aware, as if you can buy a gallon of that with a yoga mat and stretch pants.

So I asked the doctor just that, and her reply was this: “Do you spend any time in nature?”

I smiled. “Yes.”

“Not enough.”

“I live in a jungle near water. It’s pretty enough.”

Not anymore, she said.

Here’s why nature: Nature, it seems, does not contradict our expectations of its actions since it always has and always will be in and of itself its own source and recipient. We are not in charge and when we try to be we eventually lose.

Check out the blade of grass coming up through the sidewalk.

This isn’t OCD. And it isn’t in a person’s control without first having some sense of absolute awareness that it exists at all. In other words, you have to know you have some form of cognitive dissonance before you can avoid (not cure) it to begin with. Not an easy task. Otherwise, one can continue to come across to others as mentally disheveled, dependent, bothersome, irrational. Some of you who know someone like this know well exactly what I mean.

Here’s the bizarre thing: My favorite class to teach is critical thinking wherein we must examine all the sources of a particular argument, vet them for expertise and accuracy, examine as many sides of the argument as seem legitimate, and come to some conclusion based upon rational thought and an absence of fallacies. No wonder I enjoy it; it’s a course with a primary objective of eliminating dissonance from an argument. Boom.

So today after my nature walk, I made a list of opposites. Please don’t comment that some of these are not, in the Webster sense of things, actually opposite. I know that. But they play out as opposing forces in some way. You can make your own list as you’ll see in a minute:  

War/Peace

Israel/Gaza

Russia/Ukraine

Republicans/Democrats

Vanilla/Chocolate

Trump/Biden

Cain/Abel

Frazier/Ali

Fires/Floods

Smalls/Shakur

York/Lancaster

Grudge/Forgiveness

Torrents/Drought

Yankees/Mets

Hamilton/Burr

Addiction/Pain

Manic/Depression

China/Thailand

Android/Apple

Elizabeth/Mary Queen of Scots

War/Peace

Batman/Superman

Brexit/EU

Jobs/Gates

Brady/Montana

Army/Navy

Public/Private

Imperial/Metric

Crawford/Davis

North/South

Permission/Forgiveness

Harding/Kerrigan

Winter/Summer

Byron/Keats

Hot/Cold

War/Peace

Heaven/Hell

Give/Take

Hatfields/McCoys

Here/There

Stay/Go

Live/Die

Attract/Repel

Edison/Tesla

Opposite/Same

Jefferson/Adams

War/Peace

Now/Forever

Okay, you get the point. But next we must do what is infinitely more difficult: Make the personal list, the opposites “within” which battle or have battled so deep in our psyche they rattle our very notion of our purpose in life. This list of “opposites” might not appear to be so contradictory but merely choices. But our lives are set up to label the path not taken as “opposite” of where we went, not because of coordinates but the “one or the other” significance of choice.

New York/Virginia

St. Bonaventure/Chapel Hill

Tucson/NYC

Austria/Pennsylvania

Log/Brick

Oysters/Clams

And then in recent years the list gets more specific for its sheer continuing presence. For instance:

No.

No, this list is mine. I am mindful enough to keep this to myself.

There are advantages of practicing mindfulness beyond not allowing the off-key aspects of life to make our blood curdle, not the least of which is a new sense of self-awareness. To look back now, for me anyway, over a few years when my cognitiveness was anything but harmonious, is to be flush with embarrassment at the choices I made, at the favors and requests I asked of others when needing help instead of figuring it out on my own. They were not conscious decisions; they were somehow self-embodied survivalisms that, if I had any presence of mind outside of the stress of dissonance, I never would have pursued. Ever.

So that list is mine to burn.

Or freeze.

Bury/Cremate

Rent/Own

Lease/Purchase

Chicken/Egg

Fiction/Non-fiction

Comedy/Drama

War/Peace

Peace.

Peace.

Departure Signs

Some stories are difficult to write about for a variety of reasons. This falls into that category, but not for the reasons one may conceive, such as “too sad,” or “too morbid,” both of which I write without much trouble.

No, this is about diction and sound. It relies heavily on the reader “hearing” particular words phonetically so one can understand the misunderstanding.

Here’s what happened:

Many years ago I drove my parents to Norfolk International Airport for a flight to Islip, Long Island. It was early, just after six, and nothing was open at the airport food court yet except an “A&W Root Beer” joint serving breakfast biscuits and coffee. Dad was still tired, so he and I sat at a table while Mom went to get two coffees and two breakfast sandwiches for them. I opted out.

I could hear my mother repeating the order several times to the Filipino woman working alone behind the counter, and frustration grew between both of them. After fifteen minutes of Dad wondering where Mom disappeared to, she returned with a brown tray with their order.

“Somethings not right,” she said.

“Why?”

“It came to $27.50.”

“Airport food is very expensive,” my father chimed in, reaching for his bacon, egg, and cheese biscuit.

“That sounds wrong, Mom.”

“I couldn’t understand a word she said.” And at that, Mom grabbed the sandwich out of Dad’s hand, put it back on the tray, and walked to the counter.

“They’re speaking Spanish. No wonder.”

“No Dad, it’s Tagalog.”

“Why don’t you help your mother. You speak Spanish.”

I walked to the counter. The woman looked at me. I simply repeated what my mother had said from the start, that the sandwiches and coffee should have come to just over $8. I swept my hand across the plate and showed her the receipt for $27.50, and she put four more sandwiches on the tray. I took them off and asked if she was the only one there. She walked into the kitchen.

Exasperated, I put my hands on the counter with my head down and said, mostly to myself, but my mother could hear, “We’re not going to get anywhere unless we speak Tagalog.”

My mother stood up as if she had new life breathed into her. “Well! Then let’s speak to Galag. Is he the manager?

The woman returned with an older, Filipino gentlemen, and my mother, very politely, told him, “I’m sorry but we paid almost thirty dollars for sandwiches that only cost about eight, so we’d like to speak to Galag.”

“Mom…” (it was hard for me to speak as I was laughing)

“I think my son here knows him, but we’d like to speak to Galag immediately.”

“I don’t understand!” the man said.

“Is Galag here? We’d like to speak to Galag please.”

“I speak English,” he said to her, and then, just as I was finally calm, added, “I’m sorry but it takes quite a while to speak Tagalog.” I lost it when Mom looked at me and asked when the flight leaves and if we had time to wait for him.

The man, figuring out the problem quickly, refunded all of Mom’s money and gave her new sandwiches for free. On the way back to the table, she turned to me and said, “How do you know Galag?”

Dad had wandered across the hall to Starbucks which had opened by then.

I was at Mom’s this week. We talked about Long Island, and about Dad, who passed away eight years ago on October 21st. I think of him when I’m in airports, or when I see a payphone. He had an 800 number at his desk back when the only way to call home was “long distance,” and it cost a fortune. So throughout my techless twenties, I was able to talk to Dad several times a week. I’d call from the Arizona/Mexico border, from New England, New Orleans, and everywhere in between. He was a quiet man with a deep sense of humor. One of my biggest regrets in life is I am not more like him.

In their later years I brought them to the airport or Amtrak more than a few times. Once, we were on the train and I disembarked just before they left. But it turns out my officemate Tom, who knew them, was on the same ride north and kept them company the entire way. Another time I brought Dad to some flight somewhere, I forget where, but we had a drink at Phillips Seafood Restaurant in the airport and talked about travel and books and plans. When we talked like that I felt close, of course, but also more connected; as if we shared something larger than ourselves. I could always tell when he was thinking about travel, though he rarely went very far. He didn’t miss a chance to talk to his kids about it, though. The signs were there to show me where his mind was; the way he liked to ask where I was going next. The way he listened so closely, responded always with such encouragement.

The first time I flew in my life I was fifteen. Dad had a convention in California, and Mom refused to fly. So Dad and I dropped her off at the Amtrak Station in Norfolk, played golf, and went home. Spent the next day around the house and then we went out to dinner together. The following day we flew to Los Angeles business class—my first ever flight—with dinner menus and a large screen on the wall so all the passengers could watch a movie together. It was Rooster Cogburn with John Wayne. We arrived in LA, rented a car, and drove to the train station and waited for Mom to arrive. We laughed about that for years.

One time we remembered that story when he brought me to the airport to fly back to Buffalo for college. He said he couldn’t stay, so he shook my hand and left. I got something to eat, wandered around, found my gate, waited, boarded, and the plane taxied out to the runway.

It had been about ninety minutes, but when I looked out the window, I saw Dad at the observation parking lot standing near his car, waving.

“My life has been a poor attempt to imitate the man.”

–d fogelberg

Me with Dad at Mahi Mah’s Restaurant in Virginia Beach (photo by Michael Kunzinger)

The Great Escape

aerie one

Fall has arrived and the breezes this weekend cleared away most of what was left of summer. Last week at home I walked along the river like I always do this time of year when the water laps at my feet, it is warmer than the air, inviting, deceiving, teasing me into thinking summer will push back on autumn and maybe even win out. I don’t mind the change so much; I’m not bothered by the passing of time as much as how I spend the passing of time.

The truth is, some things need to change. Even with resistance, sometimes it is the only way to make room for new growth.

For me even the seasonal change from summer to fall is often troublesome. Again, I don’t mind fall—my days in western New York and Massachusetts are most memorable for this time of year. And obviously I know it is going to happen. I watch the weather, I mark the calendar, I see the leaves letting go. But still it always takes me by surprise. I wake up one day and I need to wear more clothes, or I no longer feel the sun so strong on my shoulders, and I am saddened.

So when a change is even more unexpected, like anyone else I wonder how I am going to handle it. And the surest way—for me anyway—to gauge my reaction to life being different or accepting some sort of radical, unexpected shift in existence is to look back to when these things have happened before.

I’ve never lived a conventional life.

Like that time we moved away from what had been “home” when I was eight or so. In kindergarten I liked a little red-haired girl, Kathleen. Just like Charlie Brown I was afraid to approach her. We were in the same class until third grade when at the end of the school year my family moved much further out on the Island. Instead of saying goodbye to her I made a card that said, “I love you” and threw it at her in the hallway. I think she got it. Now I wish I had just handed it to her politely and said I was sorry I was moving. I never saw her again. I probably didn’t handle that relationship well.

But I liked moving. I liked heading to somewhere new, and even at eight I sensed the need to see it as an adventure instead of a radical shift in life. Man, was I innocent. Again, I was eight. But the times were simpler, not because of how old I was but how more focused we were, as if we still were growing, getting stronger. I don’t feel that way about society anymore. It’s like we peaked quite some time ago, and now we keep trying to invent new ways of regaining that hope we had. A line from a favorite song of mine says, “Can you picture a time when a man had to find his own way through an unbroken land?” Imagine that for a second. No satellite photos, no GPS, no maps and indicators, no sextant, nothing but perhaps some paths beaten by cattle or floods. Wild, but filled with hope.

In some ways that’s all of us in our youth. Personally, I often ignored advice of my older siblings, examples set down on television or in school. I simply preferred to assess a situation and have at it on my own terms, even if it meant complete and utter disaster. Once I walked three blocks from home just to play with a friend’s plastic bowling pin set. I was eight. Another time I decided to hike into the San Jacinto Mountains outside Palm Springs without telling my parents, or anyone for that matter. I missed the small sign that said “Danger: Rattle Snake Area. Keep Out.” What a beautiful hike that was until I fell into a Saguaro cactus and spent an extra hour on a rock pulling thorns out of my leg. What a great day. I think there are too many signs telling us what not to do, too many limitations, and maybe that’s from the technology; I really don’t know. But I know this: we went outside and escaped the very notion of limitation. Our imaginations were limitless, and we “searched” the wilds of our world. Okay, I suppose it was more dangerous. But as Lily Meola wrote of daydreams and imagination: “It’s not big enough if it doesn’t scare the hell out of you.

So maybe I should be dead. Or abducted. Or in juvi for harrassing an eight year old girl. Instead, I gained that small bit of confidence we used to earn out on our own, trying and failing, fantasizing and acting and pretending. You simply never know when those youthful lessons will return to come in handy, see us through an unexpected left-turn, help us through the changes.

I thought about those years, my early youth in Massapequa Park on Long Island, and how innocent it all was; how we flipped baseball cards and played stickball. We had block parties where the block would be closed to traffic and we all put picnic tables and grills out and walked up and down the street talking to everyone else and sharing food, and riding bikes, and the adults had drinks and the kids had fun. Television went off the air at night, just a fuzzy white noise until the early morning when a black and white flag waved across the screen and some dude said, “We now begin our broadcast day” after the National Anthem.

This was the age of my youth. It was innocent and tech-free and filled with hippies and protests and flag-burning and marches and sit-ins and rumbles. The laughable Mets became the champs and we walked on the moon. On the moon, for God’s sake. How can you possibly not understand why at the core of my generation is some semblance of hope, still simmering. We were not a generation of followers staring at our hands; not by any stretch of the imagination. So when the times were a ‘changing, we changed—or we were the ones causing the change to begin with. And as we grew older, those organic traits became part of our DNA.

Note: No, I’m not reminiscing or longing for the days of my youth. Not at all, Just the sense of hope we had that seems to be missing now. If there was anything I look back there for, it is that. Part of who we are is absolutely dependent upon how we were when we were young. And when I was young I was restless, always ready for something new. I didn’t mind our move away from the Little Red-Haired girl. I didn’t mind the move to Virginia. But I’m saddened by the slow erosion of hope, the dilution of imagination.

Everything needs to change, and it scares the hell out of me, so I could use a bit of that eight-year-old gumption right about now.

“If you do not change direction, you may end up where you are going.”

–Lao Tzu

quixote

Passing through Nature to Eternity

there’s a house in there, swallowed by the growth

It’s raining, and the air is cooler than it has been, which brings with it, for me anyway, a soft undercurrent of sadness. You see, I love summer. I love the heat and the stillness of it, the hot sun on my face and shoulders, the sand under my feet, the water—oh the water. So when I wear long sleeves or shoes with socks, or when the water can no longer be waded into for no reason at all other than slant of earth and distance to the sun, I get melancholic (as if listening to Jackson Browne right now might not already be responsible). And today was like that, but more so because of the rain.

This week’s work involves adding random details from my younger years to a one-hundred-and-eighty-page manuscript to set a sharper tone to a time that was above description, beyond anything that could be limited by diction. This editing stage sends me back to a place I would, both at once, relive again in a heartbeat and never want to think about in my lifetime. But it was so long ago I have trouble remembering some details and I get lost in the weeds of long ago. So to clear my head, I went for a walk to keep myself present, keep my mind on the here and now. Rain can certainly do that. This can be a Herculean task at times—keeping things clear. More so for me when the air is cooler, and the sun is not so hot anymore. It made me realize how much simply fades from our lives if we stop paying attention to it.

Writers have various ways of dealing with ghosts. Some watch Pirates games, some watch movies. Some drink and some play with their dogs in open fields. I walk.  

Down the road is a track of wooded land with an old colonial house. At one time, even since I built here twenty-seven years ago, the house was completely visible and well admired. It sits recessed on the front edge of beautiful, forested land with hardwoods, which this time of year are starting to show their colors. The house is white with a wrap around porch, hedges, and a front lawn more akin to a rolling, green field where deer gathered every day at dawn and dusk to sip the dew. I loved walking by and think about sitting on the porch, drinking tea on a day like this, watching deer and listening to something gentle, like piano music, while rain kept meter on the porch roof.

You can no longer see the house. The front lawn has grown deep in weeds and small trees after just a half dozen years of no one caring for it. Nature has reclaimed the entire property, and the house, if you walk up the no-longer-navigable driveway far enough, is covered in vines and mildew. Several porch slats are caved in, and while the windows remain in tack, portions of the siding are simply gone. I don’t know who owns the place, but the man who rented it and lived there with his dog has gone back to Richmond an hour from here and, presumably, has no connection to or obligation for the place. For all I know the owner is dead. That happened elsewhere nearby. One house not far from here has been so reclaimed by nature it is absolutely impossible to tell there is a structure there except for a slight glimpse on a sunny day of a car bumper and an old boat appropriately named “Prozac.”

It happens sometimes when there is a lack of heirs in a community where restrictions are limited and property size is usually somewhat sweeping. The once lived-in and celebrated home is a house being swallowed by the earth, as all eventually will be. It makes me wonder if Mars at one time had a suburbia which a billion years of burning sun and negative-Kelvin ice storms vaporized into nothingness. That’s what crosses my mind when someone doesn’t mow their lawn very often.

There was a time, though, when someone oversaw the construction of the beautiful place, measured twice and cut once, new owners backing up a moving van and carefully designing the rooms, children running up the steps to their bedrooms, leaning against the window on days like this to watch the deer out front. The place might have filled with the aroma of turkey in the fall, soft sounds of football from the television in the den in the back, with the double doors that looked out over the marsh to the east. Geese frequent the area, and from the porch the kids would have sat in the chairs when relatives visited and watched the birds land in the fields across the road.

The kids grow up and leave, for Richmond, for DC, for another place. The parents can’t take care of it as well as themselves, so they move to a smaller place in the village, or in with one of their kids, and the paid-for-house sits alone and silent. Taxes only run a few hundred a year, so they’re easily paid and then forgotten. Then they rent it to a man with a dog, but he leaves too, and the owners die, and the kids let it go, hoping to take care of it someday.

Or maybe they had no kids, like the Prozac house. It just sits there until nature, which always wins in the end, wins.

I wonder if I’d run through that entire scenario if it wasn’t raining. Autumn is proof, I suppose, like old, uninhabited homes, of the passing of time.

Back at Aerie, I sit on the porch, drink tea, listen to a football game, and can smell turkey drifting out from the kitchen. I have some planting to do for the fall—bulbs mostly, but the back trails have gone untended for far too long. I’ll do that, this week probably. The area behind the shed needs to be cleaned up as well, and I need to get an estimate on stripping and restaining the house; I’m way overdue on that. I don’t have the energy I did when I built the place twenty-seven years ago. Then, all winter long I came and helped stack the logs, met sub-contractors while my then three-year-old son sat watching his home rise out of the dirt. While the roofers worked or the electrician figured out how to install wires in a log home, he’d ride on my shoulders as we walked down the hill to the river and we’d talk about what we’d do here–a pool, of course, and a basketball net. We’d play football in the yard, and we’d throw the baseball, of course. Come that early Spring I built the inside; all the interior walls, the cabinets, the stairs, the rest. The rest of life was still a distant curve after a still-to-come lengthy journey, and this place was forever. Come spring, we moved in, and the wood smelled so fresh, plus outside honeysuckle and lilacs.

The leaves are changing colors early this year, and I can feel the fall in the chill of the wind. The bay breeze helps keep it seasonal for now, but the winds will shift soon to the north, shutting down summer completely.

I don’t mind fall; it is beautiful. My time in western New York and especially in central New England spoiled me for how intensely beautiful autumn can be. But summer for me has more hope, still holds just enough promise for everything to work out fine in the end. It is the time when we keep building our lives instead of stepping aside and letting nature run its course.

Does everything eventually bend the way of the once-white colonial? Is even Aerie headed someday to the condition of the Prozac house? We like to think not.

And anyway, for now, I am here, sitting and drinking tea. Tonight the fox will come by the side of the house for apple pieces, and the birds flitter between the crepe myrtles and the porch-rail feeders. Life is everywhere right now, even while summer fades. I can hear the geese headed toward the field.

The rain has eased, and I think I’ll walk again, down past the farm, past the unseen, recaptured house, and to the river, which will hold its own for eras beyond everything else, as waters have done since the start. But then I’ll need to cut the grass. If I have the energy, I’ll also trim the hedges.

“And while the changing colors are a lovely thing to see,

if it were mine to make a change I think I’d let it be.

But I don’t remember hearing anybody asking me.”

–John Denver

Aerie

That Which We Are, We Are

The Chesapeake Bay Bridge Tunnel

I immersed myself in outdoorsy stuff in my early teens; even beyond that. I wonder if something innate in my DNA attracted me like chemistry to the outdoors and references to it, or my environment and influences doused me with enough references to nature that my path was clear.

I listened to all of John Denver; knew every word to every song. Played his music on the record player and my guitar. At the same time, my friend Eddie and I spent every single day in the woods and along the Great South Bay at Heckscher State Park, nearly literally our backyard back then on Long Island’s South Shore. I watched movies like Jeremiah Johnson and television shows like Grizzly Adams. I wanted to disappear from civilization like they did; I wanted cabins like they had up in the Rockies, with a warm fire going.

The beach took hold of my Buddhist-bending mentality, combined with Dan Fogelberg and Jimmy Buffett, books by Joshua Slocum and Robin Lee Graham. Patrick O’Brien and the first paragraph of Melville’s Moby Dick, which reads:

Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world.

Damn I wish I wrote that, wrote “Son of a Son of a Sailor,” “Rocky Mountain High” and “Sweet Surrender,” wrote home from some mountain in Utah not far from Redford’s “Sundance” ranch, long before the film festival was born. Instead, I played their music, watched the shows, and spent as much time as I could in whatever nature I could.

I think it was the beginning of me always feeling slightly outside of everything, just a little beyond understanding people. For some time I thought it was insecurity, but now I believe I just preferred the natural state of things, how perfect it is out there. I had the theme of Grizzly Adams down pat:

Deep inside the forest
Is a door into another land
Here is our life and home
We are staying, here forever
In the beauty of this place all alone
We keep on hoping.

Maybe
There’s a world where we don’t have to run
And maybe
There’s a time we’ll call our own
Living free in harmony and majesty
Take me home
Take me home.

Even that line repetition is a nod to Frost’s line “Miles to go before I sleep.” Exactly.

Is it true that everything we are we remain? Our hopes remain. Our dreams remain. And if we hadn’t lived them out yet, perhaps we still will in some other season? Maybe.

A part of my mind never truly grew up, I know that. A part of my psyche still holds tight to how I used to think when I was young, sometimes to the point I can be out for a walk and not even remotely feel my age, forget that my ability to do most of the things I could then is, shall we say, compromised. But we trick ourselves. I can still ride a bike; can still hike in high altitudes. In my fifties I walked across Spain. So who knows.

What happens is we forget. We let go of so much of who we were to make room for who we become. It is natural and beautiful and necessary, and we would not come close to being who we are today without who we were then, watching Dan Haggerty and his bear walk down the mountain, or listening to John Denver’s opening guitar riff on “Rocky Mountain High.” It’s in our blood. It has to be.

Unless, again, something in our blood attracted us to those things. Who the hell knows, right?

Ever come across a trigger that brings you back to those moments you had then? Maybe it’s a picture in some old album your parents kept; or a book you read. I have books like that, from then, I have a baseball my friends all signed when I left Long Island and it transports my mind to that small village, almost as if had I driven there today I’d see fourteen-year-old Eddie coming out of his house ready to hike through the park. We have so much more ability to manipulate time than we realize.

So, I had this job. One of my first, and the last one as a high school student. I worked on Seagull Pier on the South Island of the Chesapeake Bay Bridge Tunnel which connects Virginia Beach, Virginia, with the Eastern Shore of Virginia, known as the Delmarva Peninsula. I was thrilled to get hired out there for one reason: I’d be working “nearly” on the water, watching the sunset and rise, feeling the salt water on my face all the time, like Melville but without whales. I worked 10 pm to 6 am every night, usually alone, frying shrimp and fries, serving sodas to travelers with coupons they received when they paid their toll to make the crossing of one of the longest bridge-tunnels on the planet. Yes, they got a free Pepsi at the pier. It was pretty barren then—a diner-style interior with a few tables, a gift shop, and a pier filled with fishermen. In later years the restaurant took over part of the pier and became quite nice with a full menu. But back then it was just a quick stop for a basket of fried food, coffee or Pepsi, a few souvenirs and back on the road.

They tore it down a few years ago to expand the bridge tunnel.

I would drive my dad’s ‘72 Nova out there just before dark, park and stand on the rocks looking west up the Chesapeake, west, toward the setting sun. Then I’d head inside and cook, serve, clean, make coffee, talk to fishermen on rainy nights when they crowded the counter, talked to the rare customer who stopped for their free Pepsi or a burger at three AM. Then when my shift ended, or sometimes even before then if no one was there, I’d walk out on the parking deck on the east side of the building and watch the sunrise over the Atlantic at the mouth of the bay.

Just remembering that brings me such absolute peace I can, just for a moment, forget some of the minutia that I find myself up to my neck in. I remember, and I am there, can smell the salt, can feel the breeze coming off the water.

I love to remember.

One morning at about four, the door opened as I was just about to clean the grill. I glanced back to see who was coming in and it was a man by himself in a sweater. He had long hair, a thick beard, was tall, big, like a linebacker, and stood for a moment looking around.  I called to him to sit anywhere and he came right up behind me and sat at a stool, and he said, “Can you make me a burger on that grill before you clean it, my friend?”

Instant voice recognition. It was Dan Haggerty. Grizzly Adams himself. I asked and he said yes. We talked and he insisted I make a burger for myself as well, and fries, and we sat together and talked for an hour in the empty Seagull Pier restaurant. He was on his way to Florida and preferred to drive very late and very early.

Young people: This is before there was any form of a device with which I could capture the moment unless I happened to have my camera—a big device with film in it—which I didn’t. So we have those triggers. A baseball, an old guitar. Stories.

Today I received mail from my sister. My brother-in-law bought a new car, and in the old car, buried somewhere in the console or glove compartment or somewhere, they found three Free Drink coupons for Seagull Pier from one of their many trips south to see our parents in Virginia Beach.

She was discarding outdated coupons some toll clerk shoved at her with her change. I received a wormhole to a version of me that had my entire existence in front of me from a place I loved to show up and leave out in the middle of nature, where the sun set and rose again with my arrival and departure. What had for nearly fifty years become illusionary, almost some fiction from forever ago, suddenly seemed to happen this morning, and I felt younger, more alive.

I still head to the bay—same bay, ironically—to watch the sunrise; and to this river every evening to watch the sun disappear west into the Utah mountains. I still dream of riding horses across the Rockies. I still listen to Denver and Fogelberg.

If not, I know for certain I’d be a poorer man.

Everything we are, we remain. Our hopes remain. Our dreams remain. And while not all of them will find fruition, some might. Some just might. If not in this, then perhaps in some other season.

Perhaps.

Thanks Cathy and Greg, for not stopping for a free beverage